Moving from bustling, expensive Seattle to tiny Ashland, Oregon seemed like an improvement, until the forest fire season began.
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“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
In Jo’s Image
Jeanna Kadlec considers the impact of Little Women’s matriarchy — and its heroine — on the formation of her own queer identity.
Longreads Best of 2019: Profiles
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in profiles.
Worth Their Wait
Before the internet, music weeklies like NME and Melody Maker shaped English listeners’ tastes and the national discourse. The slower pace of print publishing created a more digestible news cycle, a deeper reading experience, deep loyalties, and a thrilling anticipation between issues.
When American Media Was (Briefly) Diverse
An economic downturn in 2008 shuttered numerous publications and further marginalized people of color in an already minimally integrated industry. But in the 90’s and early-aughts, multicultural publications flourished, providing an alternative model for journalism that bears remembering.
‘Intelligent Education’ and China’s Grand AI Experiment
Seven schools in China have installed facial recognition technology in classrooms to monitor — and score — their students. At The Disconnect, Yujie Xue reports on this “intelligent education” initiative.
Longreads Best of 2019: Investigative Reporting
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in investigative reporting.
The Strange and Dangerous World of America’s Big Cat People
A headline-grabbing murder-for-hire plot helped expose the dark side of exotic animal ownership in the U.S. Is there now enough momentum to reform the industry?
Technology Is as Biased as Its Makers
From exploding Ford Pintos to racist algorithms, all harmful technologies are a product of unethical design. Yet, like car companies in the ’70s, today’s tech companies would rather blame the user.
