Instead of eradicating its coca crop, Bolivia is trying to market coca in a variety of products. Will anyone outside of Bolivia buy them?
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“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
When Friendship Fades But the Images Linger
Eryn Loeb looks back on a summer spent taking pictures, and a friend she lost touch with.
‘I Don’t Think Those Feelings of Self-Doubt Ever Go Away.’
Susan Choi talks about feeling unsure of oneself, as a writer, as a performer — or as a victim — and about how her latest novel evolved in uncanny tandem with the real world.
On Asylums
A problematic cat offered more insight into the author’s ailing father than you’d think.
10 Outstanding Short Stories to Read in 2019
Stories by Nana Kwame Adjei-Brenyah, Min Jin Lee, and Saul Bellow.
If You Should Find Yourself in the Dark
Debbie Weingarten considers the anxieties of mothering and being human in a volatile world.
Regarding Joan Miró
How can the life of a famous surrealist painter be so drabbly predictable?
