Search Results for: Guardian

Top 5 #Longreads of the Week: The Guardian, Deadspin, Smithsonian magazine, New Yorker, Vela Mag, a fiction pick, plus a guest pick from Maggie Calmes.

Shin In Geun was born into Camp 14, a prison for political enemies of North Korea. His first memories were of executions, and he had come to hate the parents that gave birth to him knowing that their son would also remain a prisoner:

The guards taught the children they were prisoners because of the “sins” of their parents but that they could “wash away” their inherent sinfulness by working hard, obeying the guards and informing on their parents.

One day, Shin joined his mother at work, planting rice. When she fell behind, a guard made her kneel in the hot sun with her arms in the air until she passed out. Shin did not know what to say to her, so he said nothing.

“How One Man Escaped from a North Korean Prison Camp.” — Blaine Harden, Guardian

See more #longreads about North Korea

Judt’s widow Jennifer Homans reflects on her husband’s life and the making of his last book:

I lived with him and our two children as he faced the terror of ALS, more commonly known as Lou Gehrig’s Disease. It was a two-year ordeal, from his diagnosis in 2008 to his death in 2010, and during it Tony managed against all human odds to write three books. The last, following “Ill Fares the Land” and “The Memory Chalet,” was “Thinking the Twentieth Century,” based on conversations with Timothy Snyder. He started work on the book soon after he was diagnosed; within months he was quadriplegic and on a breathing machine, but he kept working nonetheless. He and Tim finished the book a month before he died. It accompanied his illness; it was part of his illness, and part of his dying.

“Tony Judt: A Final Victory.” — Jennifer Homans, New York Review of Books

See also: “The Forgiveness Machine.” — Tim Adams, Guardian, April 10 2011

Featured: Journalist and globetrotter Ana Lopez. See her story picks from The New York Times’s Pam Belluck, The Atlantic’s James Fallows, The Guardian, plus more on her #longreads page.

Featured Longreader: Jesse Farrell, a semi-expat American yogi. See his story picks from The Nation, The Guardian, The New York Review of Books, The Baffler, AlterNet, plus more on his #longreads page.

A look into the lives of female war correspondents Christiane Amanpour, Marie Colvin, Janine di Giovanni, Maggie O’Kane, and Jacky Rowland:

Amanpour and her colleagues are reporters, they insist, not women reporters, as rugged as any man, and they’ve got the war stories to prove it. Take Afghanistan alone. Amanpour discovered what she believes were “mini– training camps” and a trove of documents about how to make chemical and nuclear weapons. The BBC’s newest sensation, a confident and exuberant 37-year-old Brit, Jacky Rowland, completed her mission of being one of the first Western correspondents into that country after September 11. “We left CNN and their equipment on the tarmac [in Tajikistan], which was a sheer delight,” says Rowland. During the first few days of the U.S. bombing, The Guardian’s Maggie O’Kane—a disheveled human tornado from Ireland who now lives in Edinburgh—endured a weeklong trek from Pakistan into Afghanistan, traversing “Horse Killer Pass.” Janine di Giovanni, an Italian-American with Jessica Rabbit looks, who writes for the London Times (and is a contributing editor at this magazine), vigorously dodged al-Qaeda fire while in Tora Bora. The only member of the group not to have recently visited Afghanistan is the toughest of them all, Marie Colvin, an American who writes for The Sunday Times of London. Instead, she was relearning to negotiate stairs after losing sight in one eye to shrapnel. She now wears a black pirate’s patch. She also has a beaded, sparkly one that was given to her by her friend Helen Fielding, who wrote Bridget Jones’s Diary. “It’s my party patch,” says Colvin as she brings her shaky match to her Silk Cut cigarette. “I never thought in my life I’d be the woman with the patch. But there you are, life changes.”

“The Girls at the Front.” — Evgenia Peretz, Vanity Fair, June 2002

See also: “4 Times Journalists Held Captive in Libya Faced Days of Brutality.” — Anthony Shadid, Lynsey Addario, Stephen Farrell and Tyler Hicks, The New York Times, March 22, 2011

The Girls at the Front

Longreads Pick

A look into the lives of female war correspondents Christiane Amanpour, Marie Colvin, Janine di Giovanni, Maggie O’Kane, and Jacky Rowland:

“Amanpour and her colleagues are reporters, they insist, not women reporters, as rugged as any man, and they’ve got the war stories to prove it. Take Afghanistan alone. Amanpour discovered what she believes were ‘mini– training camps’ and a trove of documents about how to make chemical and nuclear weapons. The BBC’s newest sensation, a confident and exuberant 37-year-old Brit, Jacky Rowland, completed her mission of being one of the first Western correspondents into that country after September 11. ‘We left CNN and their equipment on the tarmac [in Tajikistan], which was a sheer delight,’ says Rowland. During the first few days of the U.S. bombing, The Guardian’s Maggie O’Kane—a disheveled human tornado from Ireland who now lives in Edinburgh—endured a weeklong trek from Pakistan into Afghanistan, traversing ‘Horse Killer Pass.’ Janine di Giovanni, an Italian-American with Jessica Rabbit looks, who writes for the London Times (and is a contributing editor at this magazine), vigorously dodged al-Qaeda fire while in Tora Bora. The only member of the group not to have recently visited Afghanistan is the toughest of them all, Marie Colvin, an American who writes for The Sunday Times of London. Instead, she was relearning to negotiate stairs after losing sight in one eye to shrapnel. She now wears a black pirate’s patch. She also has a beaded, sparkly one that was given to her by her friend Helen Fielding, who wrote Bridget Jones’s Diary. ‘It’s my party patch,’ says Colvin as she brings her shaky match to her Silk Cut cigarette. ‘I never thought in my life I’d be the woman with the patch. But there you are, life changes.'”

Source: Vanity Fair
Published: Jun 1, 2002
Length: 20 minutes (5,008 words)

The strange story of Martin Amis’s lost book, Invasion of the Space Invaders, which offered tips on how to play video games like PacMan:

He is almost as enthusiastic about PacMan, although you get the sense that he sees it (in contrast to Space Invaders) as a fundamentally unserious endeavor. “Those cute little PacMen with their special nicknames, that dinky signature tune, the dot-munching Lemon that goes whackawhackawhackawhacka: the machine has an air of childish whimsicality.” His advice is to concentrate stolidly on the central business of dot-munching, and not to get distracted by the shallow glamor of the fruits: “Do I take risks in order to gobble up the fruit symbol in the middle of the screen? I do not, and neither should you. Like the fat and harmless saucer in Missile Command (q.v.), the fruit symbol is there simply to tempt you into hubristic sorties. Bag it.”

“The Arcades Project: Martin Amis’ Guide to Classic Video Games.” — Mark O’Connell, The Millions

See also: “Video Games: The Addiction.” — Tom Bissell, The Guardian, March 21, 2010

The art of writing romance novels:

The romance heroine, though possessed of heart, intelligence and beauty, is at the mercy of her own self-criticism most of the time. As the story begins, she is scared and isolated, poor, or abandoned, or lonely. Not infrequently, the book opens with her having just suffered some terrible loss; her husband has just died in a plane crash, or her parents or beloved guardians have died, and now she is forced to work as a paid companion to a rich and disagreeable widow, maybe, or she’s just come to Australia from England to live with her grandfather, who is mean as a snake. Then she runs into an unusual and interesting man who openly demonstrates his dislike for her, or else pretty much ignores her entirely.

Difficulties will multiply. And almost always, as the tension builds, the heroine is beset with doubts about her own competence, attractiveness and worth.

That’s just how I feel! the reader cries inwardly.

“Romance Novels, The Last Great Bastion Of Underground Writing.” — Maria Bustillos, The Awl

See more #longreads by Maria Bustillos

Romance Novels, The Last Great Bastion Of Underground Writing

Longreads Pick

The art of writing romance novels:

“The romance heroine, though possessed of heart, intelligence and beauty, is at the mercy of her own self-criticism most of the time. As the story begins, she is scared and isolated, poor, or abandoned, or lonely. Not infrequently, the book opens with her having just suffered some terrible loss; her husband has just died in a plane crash, or her parents or beloved guardians have died, and now she is forced to work as a paid companion to a rich and disagreeable widow, maybe, or she’s just come to Australia from England to live with her grandfather, who is mean as a snake. Then she runs into an unusual and interesting man who openly demonstrates his dislike for her, or else pretty much ignores her entirely.

“Difficulties will multiply. And almost always, as the tension builds, the heroine is beset with doubts about her own competence, attractiveness and worth.

“That’s just how I feel! the reader cries inwardly.”

Source: The Awl
Published: Feb 15, 2012
Length: 16 minutes (4,043 words)