Search Results for: Grantland

Longreads Best of 2014: Sports Writing

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in sports writing.

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Eva Holland
Freelance writer based in Canada’s Yukon Territory.

Together We Make Football (Louisa Thomas, Grantland)

It’s been a bad year for football: Ray Rice, Adrian Peterson, the lingering Jameis Winston saga. And a bad year for football means a big year for think pieces about violence and football—I couldn’t tell you how many of those I read this year. But one of them stood out. In “Together We Make Football,” Louisa Thomas reflects on the uncomfortable relationship between the NFL, masculinity, violence, and women. She takes her time, building a case slowly and methodically, before driving home her point: that violence is inherent to, and integral to, the NFL. That although the vast majority of football players don’t beat their wives, there may be no way to separate the bad violence—the off-field violence—from the on-field violence that we love. Here’s Thomas: Read more…

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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1964: A Sidelong View of Sports

Below is a guest reading list from Daniel A. Gross, a journalist and public radio producer who lives in Boston.

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Fifty years ago, a champion boxer picked up his son from school, a literary critic was tackled by NFL players, and a famed NASCAR racer tended to his chicken farm. Such was the sidelong view of sports presented by Gay Talese, George Plimpton, and Tom Wolfe. Sports in the 1960s proved a rich arena for writers looking to flex their literary muscle, and Talese and Wolfe tried out unconventional sports writing while still kicking off their careers. You won’t find much reference here to the sweeping political developments that tend to dominate our narratives of 1964. Instead, you’ll get some sense for the texture of the time. Read more…

The Mysteries of Phil Hartman’s Creative Genius

Part of the reason Hartman remains fuzzy in our memories was his own doing. When he joined SNL’s cast in 1986, it was customary for a newcomer to declare he would be the next John Belushi. Hartman had a different ambition. He told the Los Angeles Times he wanted to be the next Dan Aykroyd.

But another part is the unusual nature of Hartman’s talent. Hartman was so good at playing smarmy, air-quoting, golden-voiced sharpies — “20 percent droid,” said the writer Robert Smigel — that it’s difficult to catalogue all the comic notes he left behind in the universe.

You know when Stephen Colbert jogs across the stage and gives the audience a significant look? Or when Ron Burgundy exclaims, “By the beard of Zeus!”? These aren’t quotations, or even conscious homages. But make no mistake. What you’re observing is Hartmanism — the art of being unctuous.

Bryan Curtis, in Grantland, on Saturday Night Live’s “glue,” the late Phil Hartman.

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Hartman’s original SNL audition:

Our Music, Our Lives: A Reading List

Turn the music up and tune into these five articles.

1. “The Soundtrack to My Late Blooming Sexual Awakening: A Round Table.” (Rachel Vorona Cote, Kirsten Schofield, Sarah Seltzer, and Lindsay King-Miller, The Hairpin, August 2014)

What maelstrom of musicians is this?! These four authors elaborate on everyone from Usher to Fiona Apple as they reminisce about their teenage dreams.

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Cop Movies, Race, and Ferguson

Nonetheless, whenever I see masked and helmeted police in photographs and movies or on the street going after protesters, I wonder, as I did during a battle royal between peasants and cops in the summer’s class-war sleeper Snowpiercer: “Who are these hidden people?” It crosses my mind anytime I see a helmet swing a nightstick at a skull. The movies, especially dystopic science fiction, have gotten really good at siccing human drones on human beings or just showcasing warfare as stacks and stacks of computer-generated menace. Ferguson demonstrates how good life has gotten at turning into science fiction. That collapse of the real and the morally unreal took place in last summer’s Fruitvale Station, which dramatized the 2009 shooting of 22-year-old Oscar Grant on an Oakland train platform. It opened the weekend before the president made his remarks about Trayvon Martin and race, and bears a subdued kernel of resemblance to the events happening now in Ferguson.

— Grantland’s Wesley Morris, on the depiction of race and police officers in movies contrasted against recent events in Ferguson. Morris won the 2012 Pulitzer Prize for criticism for his work at the Boston Globe.

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Longreads’ Best of WordPress, Vol. 3

Our latest collection is now live at WordPress.com, featuring stories from Aeon, Grantland, Brooklyn Quarterly, The Awl, Texas Observer and more. Get the full list here.

Longreads’ Best of WordPress, Vol. 3

Longreads Pick

Here are 10 of our favorite stories right now from Aeon, Grantland, Brooklyn Quarterly, The Awl, Texas Observer and more.

Source: Longreads
Published: Aug 12, 2014

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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Read more…

Longreads’ Best of WordPress, Vol. 1

Longreads Pick

10 stories we love right now, featuring The Awl, Harper’s, Grantland, the Washington Post, and more.

Source: Longreads
Published: Jun 27, 2014