An argument about why ESPN’s tactic of appealing to as many people as possible ensured that a “well-funded black-interest site written and edited by blacks” could never exist within the company.
Jay Caspian Kang (pictured above) is an editor at Grantland. His work has also appeared in the New York Times Magazine and The Morning News. His first novel, The Dead Do Not Improve, will be published by Hogarth/Random House in August 2012.
This is the sort of piece you want to compare to other writers like Didion or Carver or even James Baldwin, but you hold off because you don’t want to piss off the author by getting it wrong. Yes, there’s a bit of Didion’s calmness here, a bit of Carver’s bleariness, and a bit of Baldwin’s honesty-at-all-costs, but David Hill’s prose sings with a melancholy that’s truly original. The one piece from 2011 that had me punching the wall with jealousy. By far my favorite read of the year.
Great crime writing. Thoroughly reported and well constructed.
My thoughts on Guillermoprieto can be found here.
This is gut-wrenching. Goldman’s novel, Say Her Name, is somehow even more powerful.
When this very funny piece about robots is over, you start thinking a bit differently about love. I don’t know how Jon Ronson achieved that effect, but “Robots Say the Damnedest Things,” was my most fun read of 2011.
Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook.
As a teenager in the late 1990s, I learned a hard truth about music: Your album collection couldn’t, and shouldn’t, be taken seriously without a copy of Tom Petty’s Greatest Hits. That’s why I went to the Tower Records on 4th Avenue in New York City one afternoon in ninth grade to cop the album, with its maroon cover and purple CD. Of all the records in Petty’s discography it’s by far his best selling, a perfect record for road trips, cookouts, and everything in between.
Throughout his career, Petty’s songs cut to the core of human emotion. His catalogue expressed an everyman bent, one that was shared by anyone who came in contact with his music, which was everyone. Petty and his Heartbreakers were a classic rock mainstay from the moment the first album dropped in 1976. His singles ran the gamut from love to heartbreak, depression to longing. “American Girl,” “Don’t Do Me Like That,” “You Got Lucky,” “Free Fallin‘,” these were songs meant to be sung off pitch and in unison. How else could you know the classics if you didn’t own the one album that had them all?
Jonathan Mugar’s idea was simple: create a single-elimination, winner-take-all basketball tournament full of ex-college stars and pros. The Basketball Tournament—or, more simply, TBT—would take place every summer and, much like March Madness, only a select few could enter, determined by popular demand and an at-large selection process.
When TBT first launched in 2014, a team made up of former Notre Dame basketball players took the title, and the squad won $500,000, but the competition was seen largely as a niche event: perfect for the summer months to ease the doldrums of choosing between golf and baseball for your sports viewing pleasure. In the years since, though, TBT has exploded, adding 32 more teams (for a total of 64) to the field and upping the prize money to a whopping $2 million, attracting better athletes and enhancing the competitive spirit.
It’s within this chasm that Overseas Elite began its dynasty. An easy team to root for—Overseas Elite is stocked with Big East favorites including former St. John’s players (like DJ Kennedy) and Pittsburgh-area stars (DeAndre Kane)—the squad has won the past two TBT titles, racking up $4 million in the process and carving a path to the 2017 TBT finals (versus the Carmelo Anthony-coached Challenge ALS, which airs Thursday night on ESPN, challenging the NFL Network’s first preseason game).
Each of the half-dozen of so Overseas Elite players all have careers playing international ball, so it’s somewhat shocking that a team of such disparate players can come together for three straight years and make a mockery of the competition.
So what has helped Overseas Elite achieve this level of dominance? The team is built much like the modern NBA—that is, chock full of positionless players all capable of driving the lane and finishing at the rim or scorching the nets from deep. During the win against Boeheim’s Army in the TBT semifinals, Overseas Elite connected on nearly 50 percent of its threes, led by Errick McCollum II’s five three-pointers. During his time as a member of the Red Storm, Kennedy wasn’t known for his passing capabilities, but the big has evolved into a point-forward as a three-time Overseas Elite member (handing out 19 assist over five games).
By mimicking the tweaks already embedded in the modern NBA—offensive spacing, perimeter shooting, and lineups stacked with multi-versatile players—Overseas Elite has essentially become the Golden State Warriors of The Basketball Tournament. Back in 2014, when TBT was still very much a cool idea rather than a proven concept, Grantland’s Zach Lowe outlined the uniqueness of such a competition:
Picking the teams is the fun part. Any group of between seven and 10 players can apply for one of the 32 spots on TBT’s website (launching today). Every team has to have a “general manager” who selects the players, manages the team, and recruits “fans” through the website. Every “fan” must fill out a simple form to become official, and any team wishing to make the 32-team field must recruit at least 100 such fans — and likely thousands more. The 24 teams with the most fans will earn automatic bids into the 32-team field. The tournament organizers will choose the remaining eight teams, provided they’ve all met a baseline of 100 enlisted fans. That allows the tournament to make sure a high-profile team can make the field even if it somehow fails to pile up enough fans to crack the top 24.
San Antonio Spurs coach Gregg Popovich isn’t just a master on all things basketball; when he isn’t speaking out against the Muslim ban or voicing his unwavering support for the Women’s March, the coach—who has led the Spurs to five NBA championships—is one of the most well-read people in the NBA. Read more…
The Oregon Ducks’ Dillon Brooks is one of the nation’s most talented basketball players, a 6-foot-7 forward who can score on the block and possesses enough quickness and handle to double as a guard within the Ducks’ offense. There is little Brooks can’t do, but when the junior tries to extend his talents to other arenas, the results can be, well, a bit embarrassing.
For instance, during Thursday’s win over Pac-12 opponent Utah, Brooks attempted to draw a charge on freshman guard Sedrick Barefield. It wasn’t pretty:
Flopping, in which a player intentionally falls after little or no contact from an opposing player in an attempt to draw a foul, is a problem in basketball, and there have been some very bad ones in the history of the sport. Duke is routinely lampooned for their ability to throw their bodies on the ground at just the slightest touch, and a Google search of ‘Marcus Smart flops’ yields nearly 500,000 results criticizing the Boston Celtics’ guard’s ‘defense’. Read more…
If you Google “Constance Fenimore Woolson,” the top item is her Wikipedia page. The second is an excerpt of a book about the author Henry James.
I hadn’t heard of Woolson until recently. She’s the subject of a new biography by Anne Boyd Roux, Constance Fenimore Woolson: Portrait of a Lady Novelist. To herald her new biography, a collection of Woolson’s short stories has been published, too.
Until now, Woolson has been an interesting, tragic anecdote in the lives of others. She’s the alleged inspiration for the Lady in Henry James’ The Portrait of a Lady. Never mind that she was an accomplished writer in her own right or a world traveler.
I like calling Woolson “CFW.” It reminds me of David Foster Wallace’s oft-used nickname, and Wallace is one of those names people gesture at emphatically when they toss out the words “literary genius.” I like sneaking Woolson into the lit boys’ club. Read more…
Eva Holland | Longreads |February 2016 | 25 minutes (6,339 words)
There’s been more talk than usual lately about the state of freelance writing. There are increasing numbers of tools for freelancers: among them, the various incarnations of “Yelp for Journalists.” There’s advice floating around; there are Facebook support groups.
With the exception of one 10-month staff interlude, I’ve been freelancing full time now for seven and a half years. I’ve learned a few things along the way, but I also still have a ton of questions, and often feel as if I’ve outgrown some of the advice I see going by in the social media stream.
So I gathered a handful of well-established freelance writers and asked them to participate in a group email conversation about their experiences and advice. Josh Dean is a Brooklyn-based writer for the likes of Outside, GQ, Rolling Stone, and Popular Science. Jason Fagone lives in the Philadelphia area and has recently published stories in the New York Times Magazine, Mother Jones, Matter, and Grantland. May Jeong is based in Kabul, and has written for publications including the New York Times Magazine, the Guardian, and Al-Jazeera America. (She managed to fit in her contributions to this roundtable while reporting from a remote corner of Afghanistan, so thank you, May.) As for me, I live in Canada’s northern Yukon Territory, and my work has appeared in AFAR, Pacific Standard, Smithsonian, and other places on both sides of the border. Read more…