In the past 13 years, Emily Gould has become an accomplished author and feminist book publisher. As she prepares for the launch of her latest novel, Perfect Tunes, she worries that to many people, she will only ever be what she was for less than a year, in 2007: an editor at now defunct media […]
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Sharing Our Stories Was Supposed to Dispel Our Shame
Emily Gould reconsiders the likelihood of women’s first-person writing bringing about change.
The Power and Business of Hip-Hop: A Reading List on an American Art Form
Stories of hip-hop’s genius, influence, struggle, and endurance.
How the Cosby Story Finally Went Viral — And Why It Took So Long
A journalist who reported on the accusations long before they went viral wonders, “What kind of profession am I in, where stories have no logical reason for unfolding?”
Why Can’t Female Reporters Stay in the Picture?
Journalists who get screen time are most often men—even when the original story was told by a woman.
When Did Pop Culture Become Homework?
When art is a should or a must or a have to, when we turn it into a chore, it is the opposite of what art is supposed to be.
(MORE) Guided Journalists During the 1970s Media Crisis of Confidence
Before Gawker there was MORE, a scrappy magazine of media criticism that wanted to hold journalists feet to the flames: “It questioned the objectivity that the New York press had long held onto. And it ended up chronicling one of the most eventful and transformative decades in American journalism.”
The Internet Isn’t Forever
When an online news outlet goes out of business, its archives can disappear as well. The new battle over journalism’s digital legacy.
Every Day I Write the Book
At 63, Michael Musto reveals how he keeps managing to add new chapters to the consistently unfolding story of his career.
Every Day I Write the Book
At 63, Michael Musto reveals how he keeps managing to add new chapters to the consistently unfolding story of his career.
