Writer and cartoonist Edith Zimmerman on how she stopped drinking.
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The Top 5 Longreads of the Week
This week, we’re sharing stories from Edith Zimmerman, Eli Saslow, William Brennan, Meredith Haggerty, and Kelly Conaboy.
Longreads Best of 2018: All of Our No. 1 Story Picks
Here’s every story that was chosen as No. 1 in our weekly Top 5 email.
My So-Called Media: How the Publishing Industry Sells Out Young Women
Rookie is the latest publication for young women to shut down. How do you survive a system set up for you to fail?
‘The first time I shaved my eyebrows was in fifth grade’
Edith Zimmerman on the mystery of the eyebrow—and why we have mirrors: I can’t remember the first time I plucked my eyebrows, but the first time I shaved them was in fifth grade. My stepbrother had been making fun of my unibrow, which until then I hadn’t known I’d had. “Well, at least I have […]
Making the Magazine: A Reading List
27 must-read stories on the making of the world’s greatest magazines.
Making the Magazine: A Reading List
27 must-read stories on the making of the world’s greatest magazines.
Longreads Best of 2012: Edith Zimmerman
Edith Zimmerman is founding editor of The Hairpin and a contributing writer to The New York Times Magazine. She’s also written for GQ, Elle, The Awl and This American Life. I’m not a doctor, but … (always a confidence-inspiring way to start a sentence!), these pieces on healthcare were two of the best articles I […]
Lapham’s Quarterly Editor Michelle Legro: My Top 5 Longreads of 2011
Michelle Legro, longtime Longreader, is an editor at Lapham’s Quarterly. *** “The Age of Mechanical Reproduction,” by Paul Ford (The Morning News) I doubt there are many people that will remember the December blizzard of 2010 better than Paul Ford, limping through the snow with his wife to their IVF procedure without any form of transportation […]
Writer Maria Bustillos: My Top Longreads of 2011
Maria Bustillos is a journalist who writes frequently for The Awl. *** The power of Allison Benedikt’s “Life After Zionist Summer Camp” (The Awl) derives from the purity of its point of view, which is that of one person’s lived experience, minutely and honestly detailed. Benedikt swings gracefully between humor and searing candor in this […]

