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Binders Full of Men

Jennifer Berney | The Other Mothers: Two Women’s Journey to Find the Family That Was Always Theirs | Sourcebooks | February 2021 | 18 minutes (4,976 words)

 

Becoming Family,” Jennifer’s 2019 essay exploring traditional notions of heredity and paternity, is a nice companion to this piece.

A manila envelope from the country’s largest sperm bank arrived in my mailbox only three days after I had called to request it. I tucked it under my arm and looked around me before returning to my front porch, as if one of my neighbors might catch me—as if there were something forbidden inside. I sat on the step and ran my finger through the envelope seam to unstick the glue. California Cryobank, the catalog said at the top, in white letters on a royal blue background. My wife Kellie and I had already spent months trying to line up a community donor, but no one had come through with a yes. In contrast, this thing in my hands had come to me so easily. I had asked for it and, with the snap of a finger, there it was. Below the company’s name, there was a photograph. I’m not sure what I had expected—maybe a classic image of a baby growing in utero, maybe a mother looking into the eyes of her newborn child. But this photo featured two teenage boys wearing backpacks and smiling at the camera. They stood beneath a tree. It looked like an image I’d expect to see on a college brochure.

Kellie pulled into the driveway with her window rolled down. “Hey, lady,” she said and stepped out of her truck.

“Hey,” I said. My heart sped. I wanted to show her the catalog, but I didn’t want to overwhelm her. I tried to hide my grin.

Kellie sat down next to me. “What’s that?”

I handed it to her. “It’s from that sperm bank in California,” I said. “I called them.”

Kellie didn’t open it. She just held it in her lap.

I reached over and laid a finger on one of the faces on the cover. “Who is this supposed to be?” I asked her. “Are these the babies, all grown up?”

Kellie cocked her head and looked at me to make sure I was serious. “They’re the donors,” she said.

Shit. She was right. My excitement for the packet fizzled. These boys weren’t what I had in mind. Whoever designed the cover must have hoped to convey that these were young men at the peak of their health, but all it highlighted for me was that many of these donors were too young to be making decisions of permanent consequence. They looked like boys, not men. Staring at the picture made me think of factory farming, of dairy cows hooked to milking machines, of chickens dropping eggs in chutes. Were these boys ready to commit to a lifetime of knowing there were children out there that they had helped create? I suspected that most of them just wanted the money for textbooks or beer.

Kellie lifted herself from the step to go inside. I propped the catalog on my knees. Moisture from my skin condensed on the back cover. I flipped through the pages aimlessly, my hope dim.

* * *

My position on sperm—my insistence that a sperm bank was our best and easiest option—was in part based on an assumption I had held since childhood when I first learned of the existence of assisted reproduction. I assumed that the fertility industry wanted to help me, that sperm banks had been designed with lesbians in mind.

I understood that straight couples and single women used sperm banks too, but I had always figured that lesbian couples would make a large share of their clientele, that sperm banks would welcome us, and that our needs would be built into the design of their operation.

I was wrong about this. Sperm banks were not designed for lesbians.

California Cryobank, one of the first commercial sperm banks, opened in 1977 with a very specific purpose: to offer men a way to store their own sperm for future use. This meant that, for instance, a man undergoing treatment for cancer could store vials of semen before starting chemo and radiation, and in doing so could hang on to the option of fathering children someday. Sperm storage was originally envisioned as a niche market for men, available mainly as a safeguard against future infertility. Male sterility, the founders believed, had the potential to be psychologically “shattering”—devastating to a man’s ego.

Few were talking about male infertility as a widespread phenomenon. “Barren” was—and still is—a term applied only to women. Male infertility was seen as so profoundly emasculating that doctors barely mentioned it, even to each other. In the era predating the commercial sperm bank, if a couple had no luck conceiving a child, and if the microscope revealed that the husband’s lack of sperm was at fault, doctors simply recruited one of their male students or staff to donate fresh semen. Sometimes the doctor himself was the secret donor. The arrangement was casual. In many cases, there was no documentation or paperwork. No STD testing. No legal safeguards. No washing, freezing, or quarantining. Just sperm from a source that would always be anonymous to the couple that received it. The prevailing attitude was: Just fix the problem. The less said the better. This approach allowed the husband and wife to carry on as if they’d conceived the child unassisted. Many couples never spoke of the procedure again and never told their children.

It’s worth noting that both this hushed approach to donor insemination and the vision of preemptive sperm banking centered the male experience and ego. It took some time for established sperm banks to identify and fill what now seems like an obvious role: to provide a menu of options to straight couples in need of donor sperm. It took even longer for physicians to cede control and retire the practice of recruiting their own donors.

Commercial sperm banks adapted to help propagate more traditional families—to replace one man’s nonviable semen with another man’s viable semen, and in doing so, fulfill the promise of the normal: a husband, a wife, and children—the American nuclear family.

I assumed that the fertility industry wanted to help me, that sperm banks had been designed with lesbians in mind.

As I was coming of age as a lesbian and considering my future, it had never once occurred to me that the medical industry could legally withhold services from me or anyone else, that they could say yes to straight couples and no to queers, but in fact they did just that. Most sperm banks and fertility clinics turned away any woman who wasn’t conventionally married. Sperm banks weren’t made for lesbians.

It turns out lesbians didn’t need them. Instead, while sperm banks were growing, lesbians were developing networks to support each other. The idea that lesbians could become parents on their own terms was, at the time, revolutionary and connected to the larger feminist goal of giving women full control over their reproductive health. Lesbians and allies organized groups for queer women who wanted to become parents, either as partners or single mothers. They passed out instructions on how to perform inseminations with turkey basters, diaphragms, and needleless syringes. They found clever ways to source sperm.

One way completely avoided any doctor’s office. Several mothers of now-grown children have explained to me how it worked in Seattle in the 1980s.

If you were a lesbian who wanted to get pregnant by an anonymous donor, you needed to find yourself a go-between, a friend who would make things happen for you. The go-between would ask around and find a donor—often a gay man in the larger community. The donor could be a close friend, or a friend of a friend, or a colleague from work. The go-between would know him, but he would be anonymous to the recipient.

In these networks, there was paperwork involved: a survey that asked for basic medical and personal history, not unlike the donor files available to sperm bank clients. The go-between collected this and shared it with the recipients. She kept a separate file with personal information—the donor’s name, his social security number, the recipients he’d been paired with. In theory, this could be shared with the recipient family when the child turned sixteen, and the family could decide if they wanted to track down the donor and contact him. In practice, this exchange didn’t always happen quite like that. Through the course of the interviews I conducted, I heard anecdotes about forms being lost due to illness, death, and human error. However, community and memory are living things, and in some cases those who wanted to find their donors could do so by simply asking around.

Hopeful recipients charted their cycles with the same tools I used to chart mine: a basal thermometer, a chart, and a pen. When it was time to inseminate, the go-between was the emissary. She picked up the ejaculate (two women mentioned artichoke jars as the container of choice) and kept it warm as she transported it to the home of the woman who was trying to conceive. At that point the go-between helped, or bore witness, or got out of the way, but her role wasn’t just functional—it was spiritual. Her presence conveyed the blessing of the larger community.

Someone who was a go-between once would likely be a go-between multiple times. She would have a list of men who were ready and willing and who already knew the drill.

As I learned about these networks one generation later, I was amazed by their efficiency and by how many problems they solved. The network system outsourced the difficult legwork of finding a donor to the go-between, a person who, because she lacked direct personal investment, could more comfortably manage those negotiations. If Kellie and I had employed this approach, it would have spared us some pain. We had just spent two months waiting for an acquaintance to decide whether or not he’d be our donor, and he had ultimately ghosted us. If, say, our friend Dee had been our go-between, then the acquaintance could have delivered his no to Dee without feeling the pressure of our hopes. We wouldn’t have been hurt by his no, because we wouldn’t have even known about it. Instead, we would have simply sent our friend on a mission, and we would have heard back from her once she was successful.

What’s more, the network system preserved anonymity while allowing the would-be parents to rest easy knowing the sperm wasn’t coming from an unknown stranger but a community member who had ties to mutual friends. This system was free and spared recipients from having to medicalize the practice of babymaking.

They passed out instructions on how to perform inseminations with turkey basters, diaphragms, and needleless syringes.

Others have told me stories that capture another mode of conception that was common to lesbians in the ’80s: insemination via feminist health center. These centers—connected to the larger women’s health movement—were established and run by women who sought to empower their peers. This was the generation of feminists who got together in groups and learned how to view their cervixes using a speculum, a flashlight, and a mirror.

Olympia, where Kellie and I lived, had one of these centers, founded by a woman whose name is still legendary among locals: Pat Shively. Pat was a lesbian herself and a mother of three children from an early marriage. (It’s worth noting that heterosexual sex—often the byproduct of a youth spent in the closet—is the oldest form of conception available to lesbians.) When Pat opened the Women’s Health Clinic in 1981, she didn’t do so with the vision of helping fellow queers conceive but with the broader mission of serving diverse populations of women. Her clinic offered abortions, and she made herself available at any hour of the day or night to administer rape kits to women who had been sexually assaulted. I imagine that it must have been a small comfort to those women, in a moment where small comforts mattered, to be seen by someone who was capable of hearing and believing them, by someone who knew how to be tender and also how to fight.

Pat’s role as the local abortion provider made her vulnerable to death threats, and she took to carrying a Glock and wearing a bulletproof vest. In the photos I’ve seen of Pat, she has a small frame, short unkempt curls, and she is always actively holding something: a phone, a pen, a small child’s hand.

So, while Pat Shively may not have set out to make a clinic for the explicit purpose of helping lesbians conceive—while it may not have even been part of her original vision—it’s not hard to see how she wound up filling this niche.

Pat’s inseminations were in some ways similar to the informal inseminations that took place in doctors’ offices behind closed doors before the era of sperm banks. But Pat Shively didn’t have a range of male residents to recruit from. Instead, she looked for college-age men who didn’t smoke pot (studies showed that marijuana use interfered with sperm motility) and paid her donors $30 per specimen. By some accounts, she charged her clients $50 for the inseminations. By other accounts, she did it for free. Either way, it’s clear that she wasn’t getting rich on the practice.

In this arrangement, Pat acted as both medical professional and community member, a variation on the go-between. She taught her clients how to chart their ovulation and timed the inseminations accordingly. Since hers was a small-scale operation, her donor sperm was fresh, not frozen, and she often performed the insemination on the recipient’s sofa.

In both of these systems—network-facilitated insemination and women’s clinic insemination—family-making became a community act not limited to a bedroom or a clinic. Instead, they combined, to varying degrees, personal and clinical elements: the living room couch as the site of insemination, the needleless syringe as the conduit, the friend or partner as the inseminator, the documents that may someday be lost. Both methods centered the humanity of the recipient and allowed her to feel she was the agent rather than the patient.

And, in both of these scenarios, sperm was mainly a means to an end. Between the go-betweens and the recipients, between the clinician and her clients, there was sometimes discussion about what health issues they wanted to avoid or what aspects of someone’s ethnic or religious background they might prefer their donor mirror. Parents-to-be often sought donors who shared their religious or ethnic heritage. But in general no one had the leeway to insist on blue eyes, or a certain height, or an engineering degree, and it seems that no one obsessed over these details. The attitude that drove these systems was that DNA mattered a little, but not a lot. For the most part, women wanted to make a baby, and they wanted sperm from a donor who was reasonably healthy. That was all.

And, in both of these scenarios, sperm was mainly a means to an end.

Contrast this approach with that of the typical sperm bank customer in our current climate. Today’s commercial sperm banks exclude potential donors not just for issues like low sperm count or heritable diseases, but also for height (donors that are five foot eleven and over are strongly preferred, and many banks won’t accept donors who are under five-nine) and weight. Gay men, who were so essential to the lesbian insemination networks of the 1980s, are to this day effectively banned from donating at all commercial sperm banks—a policy that is ostensibly to protect recipients from an increased risk of HIV, but makes little sense when one considers that all donors are tested and retested over a six month period while their sperm is quarantined and that there are no bans on other high-risk sexual behaviors. Straight men can engage in unprotected anal and vaginal sex with multiple female partners and still qualify as donors, while gay men—even those in long-term monogamous relationships—need not even apply.

Most banks actively recruit on college campuses and require their donors to prove that they have earned, or are in the process of earning, a degree from a four-year college, and some banks charge an extra premium for sperm from donors with an advanced or Ivy League degree.

Sociologist Amy Agigian points out that clients are the ones demanding this approach, citing a study where women “placed the highest value on the sperm donor’s education, ethnicity and height.” Agigian goes on to point out that any belief that a donor’s college education is somehow “transmissible through a man’s semen is further evidence of magical thinking about semen that abounds in our culture.”

To put it another way, sperm banks aren’t simply optimizing their samples for the potential child’s future health. They are optimizing to meet demands for children who will conform to societal norms around race and attractiveness. What’s more, they are selling a myth that an advanced degree confers heritable traits, that the Ivy League can be encoded into a child’s DNA.

Lesbians are now among the consumers driving these demands, and yet I can’t help but think back to the early days of lesbian low-tech inseminations and how, for the most part, they were driven not by eugenic ideologies but by personal connections. When it came to alternative insemination, lesbian recipients weren’t focused on making genius babies or maximizing genetics. They simply wanted families, reached out for community support, and received it.

I didn’t know any of this as I sat on my front porch, holding the Cryobank brochure. I didn’t know it, but for the first time, I sensed that Kellie wasn’t wrong—that buying sperm was complicated, that it was fraught with ethical dilemmas, and that the story behind the sperm we were getting was actually a story that mattered.

* * *

That night, as Kellie slept, I went online. When I Googled “sperm bank,” California Cryobank topped the list, and the rest of the first page was filled with companies that looked nearly identical to the brochure I’d already viewed. Their web pages featured chubby, smiling babies, welcomed by straight couples who looked more like J. Crew models than actual families.

I tried variations. “Sperm bank small” and “sperm bank gay friendly.” I didn’t get anywhere. With each search, the same corporations showed up. It was just before midnight when I finally added the word lesbian to my search and, bingo, the top result linked to a website that featured a woman, alone, holding a baby. She wore a hooded sweatshirt and a loose ponytail; she looked less like a J. Crew model and more like a person I might actually know in real life. Just above the picture was the tagline: “A trusted resource for women planning alternative families.”

Pacific Reproductive Services, it turned out, was a lesbian-centered cryobank founded by Sherron Mills in 1984. Mills, like Pat Shively in Olympia, had been helping lesbians get pregnant out of a community-run clinic. But as demand for inseminations grew, and as the AIDS crisis swelled, Mills wanted an actual donor insemination program that would meet FDA standards—no more fresh ejaculate on demand from a couple of handy donors.

The issue with mainstream sperm banks, as Sherron Mills saw it, wasn’t just that they refused to serve lesbians. Mills also believed that lesbians deserved medical care tailored to their specific needs. In a world where the medical model so often assumed heterosexuality, lesbians deserved a place where they could be at the center of the practice, not floating on the periphery.

Over twenty years later, I hadn’t known I would need this. I had expected, always, that so long as I lived in a progressive community, I’d be effortlessly folded into the larger system. But here I was, already longing for inclusion, seeking a place that had been designed with me in mind.

In a world where the medical model so often assumed heterosexuality, lesbians deserved a place where they could be at the center of the practice, not floating on the periphery.

As I clicked through the site, I learned that PRS was a comparably small operation and that, besides their alternative demographic, they distinguished themselves from larger commercial sperm banks by offering a catalog of what they called “willing to be known” donors.

“Willing to be known” didn’t mean what Kellie would have wanted it to mean. We couldn’t take these guys out for coffee and interview them about their life histories and their politics. We couldn’t even learn their names. But they did come with a promise—an unenforceable promise—that when our future child turned eighteen, they could access their donor’s name and contact information. It struck me as uncomfortable—a little scary even—that my child upon turning eighteen could make a call and add a stranger to our family. But in other ways it seemed preferable to a closed-door policy, our baby’s DNA a mystery that could never be unlocked. My personal stance on secrets was this: I only liked the ones that included me.

I didn’t know it at the time, but the “willing to be known” program was a variation on the Identity Release Program, which was developed and trademarked by the Sperm Bank of California in 1983. Today, in the era of DNA testing, all major sperm banks offer a similar open identity option, and many argue that it’s unethical to offer donors the anonymous option, since it is likely that any donor can now be tracked down, with or without their consent.

PRS was based in San Francisco where, coincidentally, I would be traveling soon. In just a few weeks, my mother would be attending a work conference there, and I planned to join her to visit a city I’d never seen before and eat good food, walk through neighborhoods, and shop for books.

Oh, and visit a sperm bank. Is that something people actually do? I wondered. I recognized the feeling of getting swept up in my own excitement and leaving my level head behind. I tried to talk myself down. There was no reason to make sperm the focus of the trip. Before this moment, I had been looking forward to San Francisco as a distraction from all of this. As I climbed into bed and spooned against Kellie, I could hear my own pulse where my ear pressed against the pillow. People typically ordered sperm online, I told myself, trying to settle my brain towards sleep. There was no real reason for an in-person visit. Certainly I shouldn’t let it become the focus of my trip. Maybe I wouldn’t even visit it while I was in town.

* * *

“I’m thinking of visiting a sperm bank while we’re here.” I said this within ten minutes of greeting my mother in the hotel lobby. Within an hour, we were searching for the address on a map. She wanted to come too. Her eagerness fed my own.

My mother, when traveling, resembled Big Bird; already tall, she seemed to gain another two inches and hover above any crowd we moved through, taking in the sights with a kind of transparent awe. Like Big Bird, my mother was trusting and curious, and would start conversations with anyone we came into contact with. By this, I don’t just mean that she made small talk with the hotel clerk or the cab driver, although she did. But I mean that she also sought chances to chat with the family standing outside the native plant exhibit and the couple seated at the neighboring table.

The sperm bank was less than two miles from the hotel where my mother and I stayed. Together, we walked through a neighborhood of restaurants and bookstores, and then took a left down a hill and descended into a district that was gray and industrial. I kept my eyes fixed on the numbers, and stopped when I spotted the address, 444 De Haro Street, outside a monstrous building built of concrete, glass, and steel. It was a Friday afternoon, and there was no one in sight, though the corridor was vast, with high ceilings and potted palm trees. I felt like an interloper in the corporate world, snooping around with my mother, looking for sperm. I was afraid that a roaming security guard might stop us and ask what we were doing.

But eventually I found it, up one flight of stairs and tucked around the corner. Inside Suite 222, the decor changed dramatically, from bank lobby to massage therapist’s office. The hall smelled of essential oils, of lavender and eucalyptus. A long-haired receptionist sat just beyond the entrance and greeted us. In an effort to keep my mom from talking first, I introduced us right away. “I called last week about visiting,” I explained. “I’ve been trying to settle on a sperm bank, and I just figured since I’m in town—”

“Of course,” she said, nodding. “You might want to spend some time in there,” she suggested, indicating a private room that featured houseplants, a round table, and two wicker chairs with floral-print cushions. “That’s where we keep the donor profiles.” She explained that there were two special binders that held childhood photographs of every willing-to-be-known donor. Each photograph had a number that corresponded to a profile in a separate binder. “Settle in, take as long as you want, and let me know if you have any questions.”

I reached for one of the photo binders first, and my mother took the other. They were wide three-ring binders stuffed with crisp sheets of plastic that shined beneath the light. Each page held two photos, one above the other. On blank sticker labels, someone had handwritten each donor’s number. Some of the photos featured newborn babies, red-faced and swaddled in blankets. Those weren’t so helpful. Others were school-issued photos from first or second grade. They had big smiles with missing teeth, or corduroy jackets, or Afros.

My mother and I sat side by side, studious. Each time one of us turned a page, there was the soft sound of plastic unsticking. Occasionally my mother would chuckle and tap my arm. I’d crane my neck to view her binder. Her choices were different than mine: boys with tidy hair, bow ties, and sparkling teeth. I liked the boys with the shaggy hair and awkward smiles.

What struck me about the binders was this: throughout my twenties I’d been paying attention to my feelings about individual children. Though I liked children in general, and though I was sure that I wanted to have my own, there were plenty of kids whom I could take or leave. They were the boys with buzz cuts and truck T-shirts who begged for toy guns at Target or the girls in faux-fur coats belting out pop songs I barely recognized. Certainly these children were adorable to someone, but they sparked nothing for me. There were plenty of adults I had no interest in or didn’t connect with. Why should kids be any different?

Then there were the kids I wanted to take home with me, the girl with long brown hair and freckles who leaned off the side of her father’s shopping cart. Or the boy with the wide eyes and gap between his teeth who drew pictures while waiting for his food to arrive in the restaurant. After recognizing one of these kids, I always told myself: my kid will be one of the loveable ones. As I looked through the binder of photographs, I had an instantaneous reaction to each one. Some of the photos didn’t interest me at all, but others tugged at my heart. It may have all been an illusion—a crooked bow tie or a Snoopy shirt may have signaled to me, erroneously, that this child felt like kin. The photographs in all likelihood could not predict how I would have felt about the donor as a grown man. But even if my intuitions were illusions, I appreciated them. The photos gave me a sense of control, a sense that I was choosing a person rather than a number.

I felt like an interloper in the corporate world, snooping around with my mother, looking for sperm.

My mother lost interest in the photographs eventually and let herself out of the room. As I pored over donor questionnaires that matched some of my favorite photos, I could hear her chatting with the receptionist, explaining that I had a partner, Kellie, who lived with me in Olympia. “You must get quite a few lesbian couples here,” she said. When she began offering the details of our lives, I hurried to join my mother at the desk.

As I approached, my mother put her arm around my waist. “I was telling her about your situation,” she said. I felt my cheeks grow hot.

The receptionist laid her hands on her desk, as if she had no other tasks to attend to. “Do you have any questions I can answer?” she asked me.

I had just one. I wondered where their donors came from. “Are they all in college?” I asked.

“We get some college students,” she said. “But, actually, we advertise on Craigslist. That’s how most of our donors come to us.”

I let out a laugh. I wasn’t quite sure what to do with this information, that the sperm at this clinic came from the place I associated with free couches and unwanted cats. It seemed that I could have chosen to be troubled by this. But, more than anything, I liked it. I liked the idea the donors were invited rather than recruited, that the call for them went out to the community at large.

“We get a better range of donors that way,” she explained. She was right—from the profiles I’d looked at, most of them listed actual professions rather than majors; I’d seen a doctor, a fireman, an electrical engineer.

That night, in the hotel room, my mother and I each sat on our own bed, each with a bedside lamp on, reading. As she read the book she brought, I spread open the folder that the receptionist had sent me home with. The files didn’t contain much information that was new to me. There was a FAQ page, a handout on how to chart your cycles, and some specifics on shipping and ordering, but I read every word carefully as if I were studying blueprints for a home I would soon build. 

This chapter has been adapted for publication on Longreads.

* * *

Jennifer Berney writes to explore the human state of longing. Her essays have appeared in Tin House, The Offing, Brevity, The New York Times, The Washington Post, and many other publications. You can find her on Twitter at @JennBerney.

Editor: Cheri Lucas Rowlands

The Silencing of #MeToo Reporting in Germany

Ulf Wittrock / EyeEm

Two journalists documented 30 cases of alleged sexual abuse perpetrated by an HIV doctor in Germany; many of the testimonials came from vulnerable gay men who were working in the sex trade or who had only recently immigrated to the country when they sought medical care at the doctor’s clinic. A criminal investigation had been launched against the doctor, who had also pledged not to see patients alone for the time being. The journalists published their findings — only to be forced to take them down. They hadn’t made errors, nor had sources recanted. As Caitlin L. Chandler documents in a feature for Columbia Journalism Review, the reason events transpired as they did is because the doctor, Heiko Jessen, and his attorney, Jony Eisenberg, exploited German media law, which is notably different than America’s:

In criminal trials, German law presumes innocence unless a guilty verdict is handed down by a judge. This is similar to the US legal system; however, in Germany, the presumption of innocence is also applied to press coverage. While the media is allowed to report on criminal trials—which are considered to fall within the “social sphere”—the law protects suspects from media coverage deemed to stigmatize them unfairly before a verdict is reached. For example, the media is rarely allowed to publish photos of someone in custody, unlike the “perp walks” commonly publicized in the US.

Before publishing the Jessen story, BuzzFeed and Vice consulted a German legal doctrine on “suspicion reporting” that outlines four criteria journalists must comply with: the article must make the public aware the person could be innocent; the journalists must have substantial material evidence in addition to reporting that a trial is ongoing; the suspect must have ample time to respond to the allegations, and their response must be included so that the story is balanced; and a person’s name can only be printed if there is an overwhelming public interest.

Eisenberg, clad in a leather jacket, railed against the journalists in a court hearing, calling them liars and muckrackers, and he attacked the alleged victims, emphasizing that they were drug users and sex workers. He won over the judges, who made a ruling on the basis of the “suspicion reporting” doctrine:

The judges said that BuzzFeed had met three of the conditions: it had enough evidence to publish; Jessen had been given adequate time to respond to the allegations; and the case was in the public interest. But on the fourth criterion—the obligation to maintain presumption of innocence—the judges said the journalists had failed. Precisely because the articles had presented such a massive amount of detailed evidence against Jessen, the judges said, no reader could come to the conclusion that he was innocent. The reporting was “not balanced.” They dismissed the consistent inclusion of words like “alleged,” calling such phrasing cosmetic, even though it is widely used by journalists both within and outside of Germany. Finally, the judges took issue with the story’s style, calling the level of detail provided about the assaults “voyeuristic.”

As Chandler details, the legal saga took more turns after that ruling, but the question at the heart of it stayed the same: Was the German legal system doing more harm than good?

Read the story

The Geography Closest In

Photo by Mats Silvan/Getty Images. Edit by Cheri Lucas Rowlands.

Miranda Ward | Adrift | Weidenfeld & Nicolson | January 2021 | 15 minutes (4,339 words)

The bald conclusiveness of a positive pregnancy test draws a clear line between yes/no, this/that, knowing/not-­knowing. For a moment at least it clarifies everything, or distils it, into a single and irrefutable piece of knowledge. This certainty, when it comes to the body, is rare (later a doctor will tell me: if everything in medicine were as reliable as a pregnancy test, my job would be a lot easier), so I hold on to that piece of knowledge, which is proof of my own productivity, for as long as I can.

But doubt, worry, have a way of threading their way through even the solidest conviction. Threat is everywhere: a light fever, an undercooked egg. Indeed the more I read the more I realise how fragile a pregnancy is, how it isn’t as simple as a positive test and a baby nine months later, which is something I suppose I always knew in the abstract but never had any real frame of reference for before. I was aware that some of my friends and acquaintances, for example, had had miscarriages, but I had not until now really understood what it meant, in both practical and emotional terms, to have to hold an awareness of this terrible possibility always alongside a hope, a longing, for it not to happen to you. Most of what I know about pregnancy, in fact, comes from fiction, from books, films, TV: the way certain signifiers – wooziness, weakness, nausea – are used to suggest a pregnancy before it is confirmed; the way, once it is confirmed, a woman must somehow both alter her behaviour drastically and hardly at all, vomiting copiously into a bin at work seconds before giving a presentation just as if nothing is amiss, but studiously avoiding, suddenly, a whole litany of food and drink; most of all the way a baby is almost always the inevitable result of a pregnancy. The plain fact of it – that at least one in four pregnancies end in miscarriage, perhaps more, since sometimes a woman might miscarry before she even knows she’s pregnant – had somehow eluded me, or else I had somehow failed to think of it in tangible terms.

What does that statistic actually mean, practically speaking? It means that nothing is a given. It means that there are people – a lot of people – for whom the result of a pregnancy is not a baby. It means that even the purest elation is often shaded, especially in the early weeks, when miscarriage is most likely, with fear.

I develop a set of superstitions for protection; certain shirts for luck, certain routes home from the library or the grocery store, certain songs skipped or repeated. An aping at control. And for a while everything is normal, in the sense that nothing is normal, in the sense that I feel slightly ill, weary, a little as if I am not myself. My overriding emotion is happiness, but there is also a part of me that feels as if I have become separated somehow from my body, as if it is acting of its own accord, and the thinking part of me is just along for the ride. There are psychological adjustments to make – I have to play the phrase I’m pregnant over and over to myself to believe it; I have to think about what is good for me not in terms of my body only, but also in terms of the invisible body-­to­-be inside me. There are physical symptoms, too, though they are mild (another thing I didn’t realise: that while some pregnant women are indeed debilitated by illness or weariness, not everyone is). I am never actually sick, though I am dogged by a whisper of nausea that asserts itself at odd times and leads me to keep a pack of digest­ives on my bedside table. I can feel a largeness, a tenderness, to my breasts, and although I know it’s far too early for the pregnancy itself to show I feel fuller somehow, heavier than I was before I knew, as if the knowledge itself has some weight or substance to it.

This is not an unpleasant feeling – because it is a novelty, and because the pregnancy is so unequivocally desired – but it is hard to escape a sense of uneasiness, too. I find myself tracing familiar routes around Oxford, where I’ve lived for years, ever since I moved to the UK after university; I know the roads well, and yet I feel every encounter between feet and pavement to be different now, because I am differently bodied. What I have is a sense, visceral and unignor­able, that my body no longer belongs wholly to me – and in a way it doesn’t. As I walk I feel not exactly a ‘we’, but a blooming plurality, an ‘I and…’, perhaps, the assertion of a possibility taking physical form. Where once I occupied my mind during walks with long, elaborate daydreams, there now seems to be no room for anything other than the immediacy of experience and the planning and execution of the tasks of my own daily life. I take to listening to radio shows and podcasts, tuning out my external surroundings and internal circumstances, focusing on the minute details of, say, a true crime story, losing myself in the voice of the presenter.

* * *

Geographers write about the inseparability of the body from our experience of place: we sense places, are bodily present in them, see them, hear them, smell them, move within them. How else do we know a favourite room or city or mountain trail? The body, as Tim Edensor writes, is the means through which we experience and feel the world.

To which he adds: bodies are not only written upon but also write their own feelings upon a space in a process of continual remaking.

What I am struck by in the delicate earliest weeks of pregnancy is that I am being both made and unmade; rewritten. The pregnancy is largely unspoken of: we have told our doctor, and our parents, which perhaps lends it a weight in the world that it wouldn’t yet have had we not told anyone, but day to day I move through the hours without anyone but us knowing, because the pregnancy is still invisible. When I stand in front of the mirror I see nothing different, but nothing the same, either. When I go to the swimming pool, as I do most mornings, an almost religious habit, the place of it has shifted, though the change is microscopic, under the surface. On a quiet morning I watch the play of sunlight on the bottom of the pool and I am in a foreign country. In the changing room, pulling off my wet suit after a shower, I am self­-conscious for the first time – can they tell? But I want them to tell, even though there’s no way they possibly could, even though when I think of it I have the sense not so much of the world tilting on its axis but of the axis itself having drifted elsewhere. I smile knowingly at a visibly pregnant woman undressing and she looks away, uncomprehending or embarrassed or both. I am the foreign country, or else I have lost the map of this place. Walking home, along the same roads I have always taken, the green of the trees fading into yellow, I feel somehow both lonely and plural.

* * *

And then.

One morning, a few weeks after that first definitive, positive test, I wake up and feel my old self again – that is to say, not ill, not weary, not plural or novel – and that evening I experience some mild pain, a quick gush of blood which soon slows to an ambiguous but ominous trickle, and a sense of doom. I am not sure what the appropriate reaction is: denial? Despair? I cannot summon the energy to cook or even to eat dinner; although it is still early I retire to bed, lying on top of the duvet, curled into a question mark. Alexander lies down next to me, his body settling around mine. He tells me the things I both want and don’t want to hear: that it’s OK, that we don’t know for sure that anything’s wrong yet, that he loves me. He’s meant to be playing football in twenty minutes. Do you want me to stay? he says. I’ll stay with you. No, I say vehemently, as if this is in fact an uncharitable suggestion, you should go, you should play, what can you do at this point, what can I do? Nothing. Even after he’s pulled his socks over his shinpads, laced up his boots, he hesitates at the door: are you sure you don’t want me to stay? I don’t want you to stay, I say emphatically. If I were being honest – with him, with myself – I’d say exactly the opposite: stay, please. Instead I lie back and stare at the wall for an hour until he gets home and we go to sleep.

The next morning I call my GP, who arranges an emergency scan for me at the hospital. The soonest the scan can be done is in two days, so in the interim period I carry on as usual: I go to meetings, answer emails, run errands. It’s not as hard to do this as I would have imagined it would be, and after all, what choice do I have? But it’s also indicative of the ongoingness that will characterise much of the next two months.

I cannot summon the energy to cook or even to eat dinner; although it is still early I retire to bed, lying on top of the duvet, curled into a question mark.

I would have imagined, too, that a miscarriage was a definite thing – yes/no, this/that, knowing/not­-knowing – a neatly shaped happening with a beginning, a middle, a definitive end, each closely following the other. Women say, ‘I had a miscar­riage’, and until now I have always heard their experience as being something contained, even while brutally uncontrollable: all those stories of blood-­drenched bathroom floors, of unimag­inable agony, of horror and shock, of sadness and then resolution (often in the form of a baby arriving a year or two on, as if some consolation must always be offered): what I understand now, of course, is that these stories are told retrospectively, packaged in the way that all stories, to some extent, must be. But when I phone the doctor I’m unsure, grammatically speaking, how to phrase my concern: do I say to him that I have had a miscarriage, that I’m having one, that I’m worried I might have one in the future? The idea of the miscarriage in progress perplexes the part of me that imagined that this is a thing that can only happen privately, violently, suddenly, because it is a thing that is happening without much noise at all, and meanwhile here I am transcribing an interview, here I am meeting with a freelance client, wearing a new skirt I bought yesterday from the charity shop, here I am buying groceries and planning dinner, with nothing but a question mark inside me.

Alexander and I take a taxi to the hospital for the scan; it’s early morning and the driver is playing loud Pakistani pop, which is somehow soothing, and drowns out my own thoughts. In the waiting room Alexander scrolls restlessly through his phone. A little plastic radio on a cabinet in the corner of the room is pumping out cheerful tunes punctuated by cheerful radio host banter. I take my book from my handbag and lay it on my knees, open at my marked place. Knausgaard, A Death in the Family. In his younger-­self narrative, the author’s father has just died, while in his current­-self narrative, his partner is heavily pregnant, lumbering around, practically bursting with new life. But I cannot read on. I become fixated on a single paragraph, a description of a piece of artwork, which strikes me as incomprehensible. I read it over and over again until my name is called.

The scan reveals an embryo with no heartbeat. I lie on the bed, naked from the waist down, a blue plastic sheet draped over my legs. Alexander holds my hand while the ultrasound technician swirls a wand around inside me, talking us through the image of my uterus on the screen. It is illegible to me – darkness, light, hazy shapes – but to her the meaning is crystal clear. I’m so sorry it’s not the news you were hoping for, she says. She gives me a wad of tissue to wipe myself with before leaving the room to let me get dressed. She leads us back to the waiting room, which is fuller now, no one making eye contact, the radio still humming; a doctor will see you soon, she says, to talk to you about what happens next. ‘Soon’ is an ambiguous word, and time becomes difficult to perceive; we are there for what feels like both an eternity and an instant. I take my book out again, stare again at that same page; Alexander unlocks his phone, moves his finger across the screen in a kind of robotic motion.

What I am struck by in the delicate earliest weeks of pregnancy is that I am being both made and unmade; rewritten.

Sometimes these things resolve naturally, the doctor says when we are finally called in to see her; sometimes intervention becomes necessary, or desirable. She schedules me for another scan the following week, so we can monitor whether there’s been any change: in other words, whether the products of conception, as the embryo is now known, have been partially or even wholly expelled. After the scan, she says, we can decide how to proceed; you don’t need to make any decisions now. Good, I think, though I’m a little hazy on exactly what kind of decision I might be called upon to make; she has described the various forms of intervention but I can’t quite situate them in relation to my own body, my own products of conception.

She is very young, the doctor, soft-­spoken, apologetic. She says to call if anything changes before my next appointment, if I have any concerns. She gives me a business card, circles a phone number that’s operational 24/7. To minimise the risk of infection, she adds, seemingly as an afterthought, you shouldn’t take baths or swim.

No swimming. Of course. But I am thrown by the thought of this: the removal of the most obvious physical coping mechanism I have for dealing with what is essentially an entirely uncontrollable physical situation. I realise I’ve said this out loud without really meaning to. A silence falls, either respectful or uncomfortable.

I’m a swimmer too, the doctor says suddenly, as I’m standing to leave, abandoning, briefly, her professional distance. I’d hate not to be able to do it.

After the appointment we walk to a Starbucks near the hospital. It’s dark and anonymous inside, and smells of sweet pastries and wee. I order a latte, two shots, why not, and we sit at a counter at the window, watching buses trundle by. It’s mid­-morning and the place is full of new mothers and their prams, though occasionally someone in scrubs or a suit hurries in and then out again. Alexander texts his boss to say he won’t be coming in to work today. Not just the day but the month, the year, stretches out before us, suddenly open. What will we do with it? What can we do? The coffee is too hot, tasteless, the milk burned, but I suck it down in a rush, turning the inside of my mouth furry. Before all this, the test, the pregnancy, the ungrowing embryo, we were planning a wedding; we had set the date, hired a venue, made arrangements with the registrar. We should have cancelled everything – my due date was too close to the wedding date – but we never did; too superstitious, or preoccupied, or both. Now, of course, I say, devastated, amused, we won’t need to change the date. We can simply pick up where we left off. I feel myself begin to rewrite the map again, to slip in and out of familiarity with myself and my surroundings. There’s a simplicity to it all, underneath the ambiguity, the anguish, that makes me almost giddy: for what is this but a reversion to my natural state, a return to old routines?

A thought – terrible, comforting – hits me square in the face then, that there’s relief to be felt. The awful thing, the dreaded thing, has happened, and I need no longer fear it. I hate myself for feeling this but can’t let go of it, either, because I think it’s a way forward, a way out, a small tremble of light.

* * *

The second scan is no more or less enlightening than the first: there is still an embryo, there is still no heartbeat. No change, in other words: an unwanted stillness.

The doctor gives me a leaflet, which outlines in clinical language the three ways of managing a miscarriage when preg­nancy tissue remains in the womb: expectant, medical, surgical. The first is the wait-­and-­see approach, taken on the assumption that the tissue will pass naturally out of the womb with time. The second involves taking a course of medication to stimulate the passing of the tissue out of the womb: a potentially painful, lengthy, and often messy process, not always entirely effective, sometimes necessitating the third approach anyhow, which involves surgical removal of the tissue.

I still don’t know how to decide what to do, so I put it off: if nothing’s happened in a few weeks I’ll opt for some kind of intervention. I want above all to trust my body to do whatever needs doing, but already it’s betrayed me once, so what do I know?

Still no swimming, obviously, the doctor says sadly. Other­wise, proceed as normal.

As normal. Nothing is normal, I start to think – but then again, in a kind of terrible way, everything is normal again, isn’t it?

* * *

The present­-tenseness of the event, the miscarriage, which is not so much an event as a continual unfolding of uncharted territory, a vast grey area, makes it virtually impossible to talk about in any way that makes sense of what is actually happening. I don’t know what to tell people because the language I have is not elastic enough to encompass something which is past, present and future all at once. So I do what the doctor suggests: I proceed more or less as normal, going to meetings, going to the supermarket, scrolling mindlessly through Twitter, doing the laundry, eating, sleeping, working. I let myself lose track of time. At one point, in a notebook, next to a to-­do list, I write: The calendar is a kind of enemy, reminding me of the facts of things, the time it is actively taking to go through this process of miscarriage. I take to walking – long, slow strolls at the very edge of dusk, through parks and quiet suburban neighbourhoods that smell of woodsmoke and exhaust fumes. I feel my muscles going slack, and an irrational fear grows daily: what will my body become while I can’t swim?

My fear is really a form of vanity. I know that with each day or week that passes without a swim my body will start to look subtly different. I’ll lose, am losing, the public indicators of my fitness – the muscle, the shape of my arms and legs, the things that say to other people that I’m disciplined, that my body is under control. And I don’t want them to see what I know: that nothing is under control, that this body is not working properly, that athletically, reproductively, it is not doing at all what it’s supposed to do.

Mostly, though, if we’re honest, it’s the changes in our bodies that are in control of us, not the other way round.

Words come to me on my walks, as they used to on my swims. Some of them are obvious. Why is this happening to me? I think selfishly, inevitably, as I climb the hill to the park on a soft bed of wet leaves, fresh-­fallen after a night of howling wind. But other things, too, drifting like the smoke and the fumes. Disobedience. Betrayal. Softening, slackening, slowing. Undisciplined. Back at home, in my notebook, I write: I guess I feel disconnected from a part of myself. Not that I’m not still the same person or can’t be again, but that for a while I and some other part of me are not quite coinciding. I’m talking about the swimming, not the miscarriage, or at least ostensibly I am. I have a deep sense of geographical dissonance, like a dream of a familiar place in which the location of everything is slightly wrong, so that you round the corner and suddenly come upon a street that should be miles away, or discover that all along there has been an extra room in your house.

One Sunday afternoon, sitting in a booth at my local pub, I see a woman I used to see most weekday mornings at the pool; she always wore a bright pink cap, a navy swimsuit. She’s about my age, sitting with a friend, eating lunch. Perhaps it’s her local too, I think, for the first time realising, stupid as it sounds, that these people I’ve been brushing up against at the pool are people with lives outside that context, just like me.

Occasionally I log on to Facebook and check the page for the triathlon club I belong to. I look through the list of times from a recent 400-­metre time trial, spotting familiar names, noting the improvements, and wonder how much I, too, could have improved by now. For a moment I’m gripped by something which feels a little like jealousy but isn’t quite – desire, perhaps, something almost carnal. But then the desire, or whatever it is, fades: I’m here now, and maybe, if I can admit it to myself, I’m actually a little relieved that I’m not sweating away in a pool, that I don’t have to worry about how fast or smoothly I can cut through the water, how hungry I’ll be later, how tired.

* * *

The poles of the earth have wandered, the journalist John McPhee once wrote: even that which seems most permanent and solid is, in its own way, shifting. It’s true literally – think for example of the tectonic plates, the movement of the continents, which still, on average, drift a few centimetres a year apart, about the rate at which our fingernails grow, as the geographer Doreen Massey frames it, a reminder that the body is never in stasis either. In other words the whole world is a continual work in progress; the present is not some kind of achieved terminus, Massey writes. To underline this idea, she describes the slow movement of what she calls the ‘migrant rocks’ that came, over the course of millions of years, to form Skiddaw in the Lake District. Solid and eternal as it seems, she says, the mountain is not timeless. Like she and her sister, staying in a hotel in Keswick, it’s just passing through. It was once elsewhere. It will be elsewhere again someday.

It’s easy to lose your footing here, to feel that nothing is solid, but I’ve always found something comforting about this idea that place is essentially unfixed. The rigidity of permanence would be too much to bear, surely: who wants to be stuck in the same place forever? Who can know and love anywhere and not see that a point on a map is one thing, a living, breathing place quite another?

It’s a concept that scales well – if the world is a work in progress, then so too is a city or a street or a swimming pool. So too is the body, which is, after all, as the poet Adrienne Rich puts it, the geography closest in; it’s the first place, the place we must make peace with – subject, like all places, to the pressures of time, of external rhythms and events, changing from moment to moment, year to year, getting older, bigger, smaller, more or less capable of performing certain tasks, more or less like it was at the beginning.

There’s a simplicity to it all, underneath the ambiguity, the anguish, that makes me almost giddy: for what is this but a reversion to my natural state, a return to old routines?

Sometimes we’re in control of that change, or we think we are. Exercise in particular gives us the illusion of power over our own physical futures. Take your recommended thirty minutes of activity a day and stave off all kinds of bodily evil. Lose a bit of weight, add a bit of muscle, establish a routine, live forever, or longer, anyway. The geographer John Bale wrote of exercise as a literal form of recreation: through time, repeated action, the body is re-­created so that it works better. It incorporates knowledge, becomes stronger, fitter. Progress. Maybe next week, or the week after, I’ll be faster than I was last week. All it takes is discipline, resolve, another few thousand metres racked up. Most of all denial: of the body that wants, of the possibility of vulnerability or limitation. A few years ago, I remember, I became obsessed with watching Olympic swimming races; I trawled YouTube, read interviews with the athletes, fascinated by all their talk of sacrifice and discipline. And isn’t this why I watched in the first place? To see what happens when we write certain kinds of want out of our body, and one singular, possessive, demanding want into it: to be the best, the fastest, the one standing on the highest platform of the podium?

Mostly, though, if we’re honest, it’s the changes in our bodies that are in control of us, not the other way round. The fact of the matter is that not that long ago, my body was capable of run­ning 13.1 miles, of swimming 3,000 metres without complaint; not that long ago, my body was actually hosting another body, or the beginnings of one.

And now everything is different, and everything will be different again someday, and different again, and different again.

This excerpt has been lightly adapted for publication on Longreads.

* * *

Miranda Ward is a freelance writer, editor, and lecturer. Her memoir Adrift: Fieldnotes from Almost-Motherhood is published by Weidenfeld & Nicolson in the UK. She grew up on a cattle ranch in California and now lives in Oxford.

Editor: Cheri Lucas Rowlands

I Will Always Love You: A Dolly Parton Reading List

Dolly Parton attends the 61st Annual GRAMMY Awards at the Staples Center on February 10, 2019, in Los Angeles. (Photo by Axelle/Bauer-Griffin/FilmMagic via Getty Images)

Central Florida doesn’t do glamour. I know because I was born and raised in Lakeland, Florida, the birthplace of Publix supermarkets and where Ernest Hemingway’s first wife, Hadley Richardson, died in a nursing home. Growing up, my sister Abby and I had a never-named game where we’d see a figure skater, Vanna White, anyone, wearing a pretty dress on television, and then we’d passionately bicker over who got to have the rhinestoned, beaded, or sequined costume. We knew what glamour looked like, and we wanted it. By the time I’d graduated high school, I knew glamour in real life. I’d seen it in person three times.

My high school band competed in an annual competition up in Gatlinburg, Tennessee. Each year, when the music part of the trip was over, we’d go to Dolly Parton’s dinner theater show one night, and spend a day at her theme park, Dollywood. And inside Dollywood, inside Chasing Rainbows, a museum dedicated to telling Dolly’s life story, was my pilgrimage: a collection of Dolly’s rhinestoned, beaded, and sequined costumes, more beautiful and breathtaking than anything I’d ever bickered over in the never-named game of my childhood.

Two years after high school, I moved to New York City and dug my heels into culture shock. Five years in, I got into a Dolly Parton-themed holiday party put on by a fancy New York PR firm. I glided through the night among the well-dressed and well-heeled. I sipped moonshine and peach iced tea with a party-themed name like it was mother’s milk. I danced to Kylie Minogue performing Dolly covers. And I held my head up high all night because I’d long already seen the installation in the front room, a sparkling display of Dolly’s costumes on loan from Dollywood.

I won’t say Dolly Parton changed my life. I’ve only just read her 1994 memoir “Dolly: My Life and Other Unfinished Business,” loaned it to three people, gave it as a wedding present, and have the first and only edition in paperback and hardcover. I recently got the first Christmas album Dolly recorded with Kenny Rogers, “Once Upon A Christmas.” I’m pretty proud of that. I don’t own any Dolly T-shirts or anything like that (maybe I should), I just think she’s a gift to humanity — a living, breathing embodiment of dreams. Maybe you agree, maybe you don’t. Dolly would say, “It’s hard to be a diamond in a rhinestone world.” Maybe she’s not for you, even though she’s for everyone. But, hey, don’t take my word for it.

1. “Outta That Holler” (Sarah Smarsh, Slate, October 2020)

In this excerpt from her 2020 book, “She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs,” journalist Sarah Smarsh describes Parton’s brand of implicit feminism. By harnessing the value of economic agency and sexual power to overcome the poverty that defined her childhood — born the fourth of 12 children, “wearing dresses made of feed sacks” and “dyeing her lips with iodine from the family medicine cabinet for lack of lipstick” — Parton has shaped the person she is today.

She reminds her audiences that, no matter where they came from, everyone can identify with being shamed one way or another, and no one deserves it. Never be ashamed of your home, your family, yourself, your religion, she says, and adoring crowds applaud. One need look no further than her immense LGBTQ following to know that Parton’s transformation from a slut-shamed, talented teenage bumpkin to entertainment superstar contains a universal struggle that has less to do with being Appalachian than with being human. If her presence and the appreciation it instills in people could be whittled to a phrase, it’s “be what you are.”

2. “The Grit and Glory of Dolly Parton” (Emily Lordi, T: The New York Times Style Magazine, November 2020)

The person and brand that is Dolly Parton did not just happen overnight. Emily Lordi provides an overview of Parton’s decades-long career, illustrating how it’s been furthered not by reinvention, but through the reintroduction of Parton and her music, all while Parton herself engages with the times. Lordi first interviewed Parton over the phone, then in person after providing a negative COVID-19 test.

People want her gifts, her glow, her time; and Parton, who, as she says, “loves everybody and wants everybody to love me,” is often happy to oblige. She can’t sit still anyway — and early on in the pandemic, she decided to keep working, as long as her team could do so safely. Last May, she released “When Life Is Good Again,” a song of reassurance that justifies the journalist Melinda Newman’s claim, in Billboard, that, during the coronavirus crisis, Parton seems to have appointed herself America’s “comforter in chief”: “When everything is on the mend, / I’ll even drink with my old friends, / Sing and play my mandolin … And it’s gonna be good again.”

3. “Dolly Parton Steers Her Empire Through the Pandemic — and Keeps It Growing” (Melinda Newman, Billboard, August 2020)

The daughter of an industrious sharecropper father and a musically inclined mother, Parton is a savvy businesswoman whose earliest and latest decisions in the music industry are only the core of her empire. As Melinda Newman writes, “Her legendary body of music is just the start of what makes her Dolly. …”

She sounds surprisingly giddy as she talks about the next chapter of her career as if it’s her first. “I’m touched and honored that I’m still around and that I’m able to still be important in the business,” she says. “I honestly feel like I’m just getting started. I know that sounds crazy but I really feel like I might have a big music career, record career. Who knows?”

4. “Dolly Parton on How to Be More Like Dolly Parton” (Anna Moeslein, Glamour, November 2019)

In an interview with Parton, Anna Moeslein and Parton review “Heartstrings,” a Netflix series in which each episode is based on a different Parton song. They also discuss emotions and Parton’s position on what people can do to bring “a little Dolly in their own lives,” as well as fashion and beauty.

Well, I think it’s always important for us to be allowed to be who we are, all that we are, and appreciate that. And I know being a woman in this world…I’ve always been proud that I was born a woman, and I’ve joked that if I wasn’t, I would have been a drag queen. That’s my favorite line, but it’s probably true. I love being able to express myself, and I want to be seen and appreciated for who I am. So I’ve always appreciated and loved people for who they are. Because we don’t need to all be the same.

5. “Is Dolly Parton the Voice of America?” (Rachel Riederer, The New Republic, December 2020)

Citing Jad Abumrad’s Radiolab podcast (“Dolly Parton’s America”), Parton’s Netflix series, shoutouts from Nicki Minaj and Drake, and even a history course at the University of Tennessee, Rachel Riederer discusses the latest Dolly Parton renaissance. And, given the political landscape of the U.S., Riederer wonders if there’s a place for Parton’s enduring position to sidestep politics — which Abumrad refers to as “Dollitics.”

You cannot talk about sharecropping without talking about politics, and to say more would not be her style. She was not shy about her desire to sell books or to present her life as a fairy tale, and you sell a fairy tale by focusing on the romance and adventures of the rising princess, not the conditions that made her a scullery maid.

6. “Springtime for the Confederacy” (Aisha Harris, Slate, August 2017)

When I mentioned Dolly’s “dinner theater show” above, I was intentionally vague. Despite my setup, I know Dolly is human. And humans are complicated. Dolly’s dinner show seems complicated, too, but really, it’s not. The show, known until 2018 as “Dolly Parton’s Dixie Stampede,” is performed before an arena split into the “North” versus the “South,” where the audience, feasting on a four-course dinner eaten without cutlery, cheers on white-washed narratives of colonization, then the Antebellum South, then a performance competition between the North and the South. As a high schooler attending the show, I sat and watched from the North side, not fully grasping how problematic the programming was. I suppose I could do what Parton did in the Billboard article above: plead “innocent ignorance.” As an adult, I know better.

The last time I saw the show was in 2006. Aisha Harris reviewed the show in 2017, after watching it the same week as Unite the Right, a white supremacist rally, descended on Charlottesville, Virginia. At the rally, a neo-Nazi intentionally drove into a crowd of counter-protesters, killing an innocent woman, Heather Heyer, and injuring others. (The president notably remarked in the aftermath that there “were very fine people, on both sides.”) Harris recorded the experience of the dinner show from start to finish, without holding back.

While the show makes zero mention of slavery, that’s not to say there were no references to the Civil War. The war was alluded to both in the overarching North-versus-South conceit and through details both subtle (the gray and blue color schemes on each side) and blatant: The racing piglets were named after Abraham Lincoln, Ulysses S. Grant, Robert E. Lee, and Scarlett O’Hara. Dolly says that the show is about bringing back “those good old times,” referring to her childhood, but of course she wasn’t around during the days of Grant and Lee.

Harris wrote a follow-up to this piece after the show responded to her initial review, and again in April 2018, when the show dropped “Dixie” from its name.

7. “Living with Dolly Parton” (Jessica Wilkerson, Longreads, October 2018)

Jessica Wilkerson, who grew up in East Tennessee, where Dollywood is located, confronts the worldviews of her upbringing with those acquired as an adult after moving away from home for graduate school in New York. Weighing the socioeconomic implications of Dollywood’s hiring practices and confronting “Dolly Parton’s blinding, dazzling whiteness,” Wilkerson strikes a reluctant balance, compartmentalizing more than one version of Dolly Parton.

But the aftermath of Dollywood left me low-spirited. I was nestled into a cozy room in the log house my dad built on top of a ridge, where we lived. From the peak of that ridge, I could stand and see the Smoky Mountains, where Dolly Parton grew up and where she built a simulacrum of her mountain childhood. Hers felt more real than mine. I was sad, but jealous, too. I lived in the real world of Appalachia. A world of layaway stores and packaged foods, bleary-eyed workers and stressed-out mothers. I longed for the simulation.

Alison Fishburn is an American writer living in Paris, Ontario.

What Happened to Cruise Ship Workers Once the Passengers Were Gone?

Photo of the Carnival Breeze by Andy Newman/Carnival Cruise Lines via Getty Images

CW: suicide

Last year’s investigations into the COVID-19 outbreaks on cruise ships at the start of the pandemic, including Princess Cruises’ Diamond Princess and Holland America’s MS Zaandam, revealed horrific vacations gone wrong for passengers from around the world. But what happened to the tens of thousands of crew members who remained trapped on ships even after all the guests had disembarked and found their way home?

At Bloomberg Businessweek, Austin Carr tells the devastating stories of cruise line employees found dead — in apparent suicides — aboard Carnival and Royal Caribbean ships, including Jozsef Szaller, a shore excursion manager from Hungary on the Carnival Breeze, and Mariah Jocson, a waitress from the Philippines on Royal Caribbean’s Harmony of the Seas.

Interviews with affected crew members and their families suggest that despite assurances from cruise operators that crew were well cared for, their mental health was at times an afterthought. An October 2019 study on the mental well-being of crew, commissioned by a group affiliated with the International Transport Workers’ Federation, the big maritime trade union, found that even before the pandemic about a fifth of mariners surveyed said they had suicidal thoughts. High levels of depression stem from the jobs’ long contract lengths and stressful demands.

On April 29, an electrical engineer from Poland on Royal Caribbean’s Jewel of the Seas disappeared while the ship was anchored in the Saronic Gulf, south of Athens. Ship security cameras captured him leaping into the water that morning, according to Greek authorities. Two weeks later, on May 10, Evgenia Pankrushyna, a waitress from Ukraine, died after jumping overboard from Carnival’s Regal Princess near Rotterdam. Around this time a Chinese contractor was found dead on Royal Caribbean’s Mariner of the Seas. A crew member aboard the ship says many believed it was another suicide, though the company said he’d died of natural causes. Next was a Filipino cook, Kennex Bundaon, who was found dead in his cabin on Carnival’s AIDAblu. Four days later, another worker from the Philippines died in an apparent suicide on Virgin Voyages’ Scarlet Lady.

The details of the deaths of Szaller and Jocson are still not clear, even to their families, who are “desperate for closure.” In Szaller’s case, Carnival has refused to discuss the specific circumstances of his death with his parents, while the father of Jocson, the Royal Caribbean employee, says that his daughter had never shown signs of depression and kept telling him that she wanted to go home. He just wants to know the truth about her death.

It wasn’t just the claustrophobic environment that was distressing. Workers say cruise companies constantly changed repatriation schedules, offering only vague guidance on when or how they’d return home. Without customers on board, Carnival moved many contractors off duty, meaning they could sort of enjoy the amenities of the ocean liners. But that also meant their salaries were eventually cut off—a scary situation for those supporting families on land. The weeks dragged on with limited entertainment options. Internet access was complimentary on some boats, but it could be painfully slow or strong enough only for social media and texting.

Vilmos says communications with Carnival broke down soon after. As the Szallers tried to organize the retrieval of their son’s body, including figuring out which jurisdiction would have to declare him legally deceased, they began to see the cruise company as having had a role in their son’s death. Its labyrinthine corporate structure—a web of international entities designed to lower Carnival’s tax liability—compounded their grief.

Even now, the Szallers have been unable to have Jozsef declared legally deceased. Vilmos says the coroner’s report should move things forward, but it’s been frustrating enough coordinating with U.K. authorities on behalf of his son, a Hungarian citizen. And that’s not even half the headache. As Vilmos frames it, how do you officially process a death that occurred in international waters, on a ship registered in Panama, that’s owned by a company operating in the U.S.?

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Is the Cure for Cancer Locked in Shrunken Heads from the Amazon?

Simon Prades

There’s a photo from the 1960s, of a young boy in California holding two shrunken human heads. The boy is the stepfather of writer Steven Lance, and the heads came from a family friend named Wilburn Ferguson. He had gotten them from an Amazonian tribe called the Shuar, who shriveled the heads of their enemies using a fluid derived from jungle plants. Ferguson, a nurse, former religious missionary, and lifelong dreamer who had moved his family to South American in the 1930s to pursue medical research in the Amazon, believed that the fluid could do something else—something life-giving. In his Atavist Magazine* feature “The Secret Formula,” Lance explains the root of Ferguson’s theory, which was shared by his devoted wife, Ruth:

Soldiers who fought the Shuar, according to stories Ferguson heard, might wake up one morning to find a stack of [heads] in their camp, shriveled but still recognizable as those of fallen comrades. It was powerful propaganda, a warning to steer clear. Head shrinking was “the most effective national defense ever devised,” Ferguson wrote.

He suspected that it might be much more than that…. “The thought occurred to me,” Ferguson recalled, “that perhaps the active ingredients of this process could be in some way adapted to shrink, or at least check, the wild growth of cancer cells.”

By that time, as Siddhartha Mukherjee explains in his 2010 book The Emperor of All Maladies: A Biography of Cancer, scourges like smallpox and tuberculosis were yielding to medical advances. “But of all diseases,” Mukherjee writes, “cancer had refused to fall into step in this march of progress.” Cancer is out-of-control division and growth of abnormal cells that can destroy healthy tissue and spread through the body. As Americans escaped other ailments and lived longer, more of them developed the disease. By 1926, it had become the nation’s second leading cause of death.

Long stigmatized and little understood, cancer now drew widespread attention. One senator proposed a $5 million reward for “information leading to the arrest of human cancer.” Americans dreamed of finding what Fortune called a “new principle of treatment.” The Fergusons were caught up in the zeitgeist. The thought inspired by the shriveled head was simple enough: If cancer killed by growing, shrinking was a way to fight it. For the Fergusons to test their theory, they needed access to whatever the Shuar were using on their enemies’ heads.

What followed was a saga spanning several decades and countries, and more disappointments than successes. Ferguson tried to prove his hypothesis, mustering evidence from lab experiments and patients (some consenting, others not). The scientific establishment rejected him. Yet today, more than 20 years after his death, he still has acolytes—people who told Lance that they believe Ferguson discovered something world-changing:

Ferguson wasn’t a snake-oil salesman or a con artist. Outlandish though some of his stories still seem, the details contained within them were consistent. The people I spoke to who knew Ferguson were struck by his sincerity. He could be stubborn and impractical, but as my stepdad recalled, Ferguson was always careful to point out that he hadn’t discovered a silver bullet, merely a promising treatment that needed more study. What he wanted most of all was a real scientific shot.

Ferguson was an outsider his whole life. Like a modern-day Don Quixote, he chased an impossible dream based more on faith than evidence. He wandered the wilderness seeking a miracle. The doctors and scientists who doubted him had every reason to. But what if they missed a bark or root of medical importance? What if Ferguson saw something they couldn’t? What if he was right?

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*The author of this post is the editor in chief of The Atavist, which is Longreads’ sister publication.

Inside India’s booming dark data economy

Longreads Pick
Source: Rest of World
Published: Dec 22, 2020
Length: 16 minutes (4,000 words)

Neighborhood Watch: The Strange Aftermath of a ‘Karen’ Encounter

Roc Canals

As racial justice protests swept across America this summer, a handful of “Karen” videos — footage of white women calling the police on Black people, usually men, for no justifiable reason — went viral. Among them was a video shot in Montclair, New Jersey, a community about 40 minutes outside New York City that prides itself on being diverse and progressive. The people who filmed the scene were a Black husband and wife, both lawyers, whose backyard neighbor, a white woman, claimed they’d “pushed” her off their property for asking questions about the installation of a patio. As Allison P. Davis documents in her nuanced, provocative feature for The Cut, other white neighbors stood in solidarity with the Black couple:

While on the phone, Schulz paced in a circle. She approached a neighbor on the sidewalk, perhaps looking for someone to corroborate her story, perhaps just looking for sympathy. “Did you just see him physically push me?” she yelled.

“Oh, he absolutely didn’t push her,” reported the neighbor who had walked by. “I think she was looking to me — honestly, it did feel like a look of incredulity. Can you believe what he’s saying to me? I understand she was upset, but that’s just an insane trope that goes back so many hundreds of years of white women saying that Black men are assaulting them. And it was just really unbelievable she thought she would get away with that with witnesses.”

Over the phone, Schulz told the police, “I need an officer … the gentleman who is taller than me pushed me off his property.”

Neighbors began to yell things like “Shame on you” and “In this climate, you’re doing this?” while Schulz continued her defense, sometimes to the neighbors, sometimes to Norrinda and Fareed. “He pushed me ten feet … I came over here alone. I should have brought my son … Are you gonna say you didn’t put your hands on me?”

“It was like, Yo, this woman really believes what she’s saying,” Fareed recounted. “I feel like, in her mind, she really did start believing that she was assaulted. Maybe she was affronted by being told no. But for her, that affront was synonymous with me physically assaulting her. There was no difference in her mind.”

But when it came to neighbors supporting neighbors, the fallout of the incident was — in a word — complicated. There was a youth-led protest in front of the woman’s house, demands for a new ordinance about racist 911 calls, and letters that strangers sent to the Black family, apologizing for racism. In these, Davis saw something familiar:

That same summer, every white person I knew offered to march alongside me at rallies. I got texts from “Maybe: Susanna,” a person I didn’t really remember, dredging up a racial transgression I definitely didn’t remember. Borrowing the newly learned language of anti-racism, she apologized for any micro-aggression she had committed and apologized for making it my responsibility to explain HBCUs to her. I wrote back and told her “no sweat.” (It later turned out she had confused me with another Black colleague.) She was one of many who reached out to ask how they could be a good ally and wondered if there were times they hadn’t been. My phone was constantly buzzing with texts from white friends apologizing, checking on my well-being, offering me Venmo reparations and sympathy and empathy. I was appreciative but wary. They said they wanted to know about my experiences, but mostly they wanted to feel they had acknowledged that I’d had experiences with racism that they might have ignored, without exposure to all the grisly details.

In talking to Fareed, I often felt he was holding two opposing thoughts in his mind: relief that he lives in this intentional community that discusses race, that embraces the 24 percent, and loneliness at being at the center of a conversation in which everyone sees you and no one does. There can be an oppressiveness to sympathy, a way in which a newly galvanized community doesn’t let in room for doubt — for wondering whether the community would have been quite so galvanized if it hadn’t been the peak of a summer of racial-justice protests, if you still had locs or a shitty car in your driveway, or didn’t have a law degree, or your wife wasn’t the president of the PTA. When everyone is working so hard, when everyone is so vocally on your side, so apologetic for your experience, it’s easier to accept “Kumbaya” Montclair than to wrestle with those questions and ask other people to wrestle with them too.

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Longreads Best of 2020: Investigative Reporting

All Best of Longreads illustrations by Kjell Reigstad.

All through December, we’re featuring Longreads’ Best of 2020. This year, our team picked and featured hundreds of in-depth investigations published across the web. Here are our top picks.

If you like these, you can sign up to receive our weekly email every Friday.

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The Last Patrol (Nathaniel Penn, The California Sunday Magazine)

In July 2012, U.S. Army First Lieutenant Clint Lorance gave an order that killed two Afghan civilians on a motorcycle near an operating base outside of Kandahar, in a volatile region in Afghanistan. Lorance was convicted of murder. The narrative weaved by Sean Hannity and others at Fox News framed Lorance as a war hero; he was pardoned by Donald Trump in November 2019 and served six years of a 20-year sentence. The former Army officer, who had been advised to take interviews only from conservative media outlets, agreed to talk with Nathaniel Penn, and the result is an incredibly riveting and comprehensive piece on his case.

Arriving on the dirt road that led into the village, the patrol discovered two of the three Afghan men lying beside a ditch. They were dead. Their companion had run away. Near them, the motorcycle leaned on its kickstand.

It wasn’t at all the scene Lorance had imagined. “If I would have been up there,” he told me, “and would have known that they were stopped and off their motorcycle, I would never in a million years have said, ‘Fire at them.’ I would want to go talk to them and get intel out of them. I’d be like, ‘Who are you? Where are you from?’ I would want to know everything about them.”

A woman and two children stood near the bodies, weeping.

Holy shit, Lorance thought. Did we just kill good people?

The way to find out was to do a Battle Damage Assessment. Skelton was the intelligence specialist who carried the SEEK. But Lorance wanted Skelton to follow him into the village to carry out the mission and get the biometric enrollments. The engagement with the motorcycle had been necessary and unfortunate, but it wasn’t important. He ordered two of his men to conduct the Battle Damage Assessment while he proceeded into the village. They had the necessary training, even if they didn’t have the SEEK. They knelt by the bodies.

Captain Swanson, who had been alerted to the situation, was radioing Lorance from headquarters. What was happening? he asked. Were the dead men combatants or civilians? Had Lorance done the Battle Damage Assessment?

No, Lieutenant Lorance replied, they hadn’t been able to do the Battle Damage Assessment. The villagers had taken away the bodies.

As he spoke, he knew he had just made a critical mistake. He should have said that his men would get to the Battle Damage Assessment eventually, that they didn’t have time to do that shit right now. Because when you speak over the radio, “you might as well be putting your hand on the Bible,” as one member of the platoon told me.

In the years to come, Lorance’s decision not to use the SEEK device for the Battle Damage Assessment would prove to be crucial and polarizing. It would contribute both to his imprisonment and his pardon.

The weeping woman was screaming now. Lorance told himself that her tears didn’t necessarily mean he’d done anything wrong. The men whose bodies she was crying over could be insurgents. That shocked him — the idea that the Taliban had families, too. It had never occurred to him before.

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Longreads Best of 2020: Essays

All Best of Longreads illustrations by Kjell Reigstad.

All through December, we’re featuring Longreads’ Best of 2020. This year, our editors picked and featured hundreds of beautifully written and poignant essays published on the web. Because of the wide range of writing across many topics and themes, it was a challenge to sift through them all over the past several weeks to compile a definitive Best of Essays list. As I shortlisted stories, I realized there could be many different versions of this list, but, in the end, these eight reads really spoke to me.

If you like these, you can sign up to receive our weekly email every Friday.

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Mississippi: A Poem, in Days (Kiese Makeba Laymon, Vanity Fair)

Kiese Makeba Laymon was on a book tour when the pandemic hit in the U.S. In this stunner of a piece that unfolds over 14 days, the author writes on fear, racism, death, and home amid a moment of awakening. We follow along on the journey, from event to event in Ohio and West Virginia, with Laymon’s observations and thoughts interspersed with daily COVID-19 death counts and the latest words or orders from Donald Trump and Mississippi Governor Tate Reeves. It’s a powerful meditation, one that will stop you in your tracks.

We are awakened, I want to believe.

75 miles from the armed confederate statue in Oxford, Emmett Till’s childish body was destroyed. 70 miles from that armed confederate statue, Fannie Lou Hamer was nearly beaten to death. 160 miles from that armed confederate statue, Medgar Evers was murdered as he enters his home. 80 miles from that armed confederate statue, Martin Luther King was murdered in Memphis.

It took way too much Black death to get here.

I am wandering around the spiritual consequences of materially progressing at the expense of Black death. I want to be courageous. I wonder, though, when courage becomes contagious—when courage is credentialized, subsidized, and incentivized—if it is still courage at all.

Today, as I prepare to push send, and I lather my hands in sanitizer, it feels a bit too much like cowardice.

Maybe I’ll wait to send tomorrow. Maybe I won’t send at all.

The Lafayette County Board of Supervisors, a group of white men, unanimously vote to keep the armed confederate monument in the middle of Oxford, the town where I live, teach, and write.

Humiliation, agony, and death, are what I feel.

It could all be so much worse, is what the worst of white folks want us to recite.

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