This week, we’re sharing stories from Susan Goldberg, Leslie Jamison, Jacqueline Keeler, Max Genecov, and Ryan Bradley.
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Leslie Jamison: Does Recovery Kill Great Writing?
When Leslie Jamison got sober she wanted to know how a life lived without alcohol would affect her writing.
MACHO: On Black Holes, and the Fantasies of Men
Frances Dodds recalls two men who laid bare the fragile lines between desire, pain and manipulation — and questions the framework of her own fantasies.
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
Lean On
A declaration of dependence, excerpted from Briallen Hopper’s new essay collection.
Writing Our America
“Despite the headlines that came after the election calling this country ‘Trump’s America’—and there were many—I won’t call it that, or see it that way. And regardless of your politics I’ll ask you to join me. This is our America. It’s our America to write in, and our America to write.”
Writing Our America
“Despite the headlines that came after the election calling this country ‘Trump’s America’—and there were many—I won’t call it that, or see it that way. And regardless of your politics I’ll ask you to join me. This is our America. It’s our America to write in, and our America to write.”
Michael Joyce’s Second Act
In 1996, David Foster Wallace profiled tennis player Michael Joyce in one of the most celebrated pieces of sports writing ever published. Who has he become since?
Michael Joyce’s Second Act
In 1996, David Foster Wallace profiled tennis player Michael Joyce in one of the most celebrated pieces of sports writing ever published. Who has he become since?

