In and around Los Angeles, natural and man-made disasters have been inextricable for almost two centuries.
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Posted inEssays & Criticism, Feature, Nonfiction, Story
Searching Sephora for an Antidote to Aging — and Grief
Five years after her mother’s death, while still grieving and suddenly middle-aged, Abby Mims turns to beauty products to cure what ails her.
Posted inCommentary, Current Events, Discussions, Podcasts, The Atavist Magazine
Editors Roundtable: Alma Matters, Raisin Hell, and Upstairs Cocaine (Podcast)
This week, we’re discussing stories in The Cut, Vulture, The New York Times, Topic, and The Atavist.
Posted inNonfiction
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
Posted inArts & Culture, Culture, Current Events, Essays & Criticism, Feature, Nonfiction, Story
McDreamy, McSteamy, and McConnell
Congressional fan fiction is real, it’s glorious, and it might be reshaping our political world.
Posted inStory
Cut From the Same Cloth
Artist Myfanwy Tristram was irritated by her teenage daughter’s extreme fashions — until she took an illustrated journey into their origins.
Posted inArts & Culture, Books, Nonfiction, Story
Manic Street Preachers’ Album The Holy Bible
How a band seemingly out of step with its times outlasted so many of its indulgent, in-step contemporaries.
Posted inStory
After a Fashion
Trying so hard to set trends for the future, fashion’s institutions can’t stop stumbling over the past (and the present).
Posted inNonfiction
Paul Clarke Wants to Live
When a promising student left a neighborhood full of heroin for the University of Pennsylvania, it should have been a moving story. But what does an at-risk student actually need to thrive — or even just to survive?
Posted inEssays & Criticism, Feature, Nonfiction, Story
Through a Glass, Tearfully
Maureen Stanton contemplates her history of crying in inappropriate moments, and considers tears from gender-based and political perspectives.
