Aaron Gilbreath considers the impact a live Jane’s Addiction recording has had on him, and the effect heroin had on the band’s — and his own — creativity.
Search results
You Don’t Have to Eat It
Kitchen karma comes for Irina Dumitrescu when her young son turns into the picky eater she used to be.
How Diderot’s Encyclopedia Challenged the King
The encyclopedists’ plan to catalog knowledge seemed harmless enough. But what they intended was far more subversive: to restructure knowledge itself.
Turn On, Tune In, Drop by the Office
Emma Hogan reports that in Silicon Valley, microdosing LSD is the new “body-hacking” tool everyone from engineers to CEOs are using to boost productivity and creativity. Interestingly, while apparently everyone is doing it, users are reluctant to have their real names appear in print. Psychedelic secrets, man! Peace out.
An Immoderate Novel for an Immoderate Season: An Interview with Olivia Laing
Olivia Laing’s new novel, “Crudo,” is a fictionalized account of the summer of 2017, written in real time by Laing — from the perspective of Kathy Acker.
Mr. Rogers vs. the Superheroes
One of the few things that could raise anger — real, intense anger — in Mister Rogers was the willful misleading of children. Superheroes, he thought, were the worst culprits.
When Zora and Langston Took a Road Trip
In 1927, Zora Neale Hurston gave Langston Hughes a lift to Tuskegee in her Nash coupe, nicknamed “Sassy Susie.” It was one of most fortuitous hangouts in literary history.
The Man Who’s Going to Save Your Neighborhood Grocery Store
American food supplies are increasingly channeled through a handful of big companies: Amazon, Walmart, FreshDirect, Blue Apron. What do we lose when local supermarkets go under? A lot — and Kevin Kelley wants to stop that.
‘Emerging’ as a Writer — After 40
Jenny Bhatt recalls the rites of passage that led to her shift in identity from corporate executive to woman writer of color.
Walter Mosley, The Art of Fiction No. 234
A prolific writer of fifty-four diverse books, and widely known for his Easy Rawlins crime series, Walter Mosley talks with The Paris Review about race, creativity, the book publishing industry, the confines of genre and his three decades depicting Black American life.
