Reckoning with a religious upbringing means confronting religion’s role in oppressing women and people of color.
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Posted inEditor's Pick
Nina Simone in Liberia
Katherina Grace Thomas weaves together a gripping account of the years Nina Simone found freedom from America’s racial strife in lush, pre-Civil War Liberia.
Posted inBooks, Current Events, Essays & Criticism, Nonfiction, Story
To Tell the Story, These Journalists Became Part of the Story
In two recent books about immigrant families seeking asylum in the U.S., the authors’ attempts to help become part of their subjects’ stories.
Posted inBlog Post, Reading List
Celebrating a Second Independence Day: A Juneteenth Reading List
Nine stories that explain the fraught history of the holiday, and the need for celebration.
Posted inHighlight, Nonfiction, Reading List
1000 Days of Trump
Where do we start? How long do you have?
Posted inStory
No, I Will Not Debate You
Civility will never defeat fascism, no matter what The Economist thinks.
Posted inCulture, Nonfiction, Quote Posts, Quotes
Preparing for the Worst in Arkansas
The Arkansas Defense Force is prepared for disaster. Are you?
Posted inBooks, Nonfiction, Profiles & Interviews, Science & Nature, Story, Technology
‘Nothing Kept Me Up At Night the Way the Gorgon Stare Did.’
The Gorgon Stare, a military drone-surveillance technology that can track multiple moving targets at once, is coming to a city near you.
Posted inArts & Culture, Editor's Pick, Nonfiction, Profiles & Interviews
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
Posted inArts & Culture, Nonfiction, Profiles & Interviews, Story
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
