Michael Gonzales reflects on the deaths of a dear friend, and a bookworm he idolized: David Bowie.
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Posted inArts & Culture, Books, Essays & Criticism, Feature, Nonfiction, Story
Blackstars
Michael Gonzales reflects on the deaths of a dear friend, and a bookworm he idolized: David Bowie.
Posted inEditor's Pick, Essays & Criticism, Nonfiction, Unapologetic Women
Re: Hate Mail
After receiving a string of menacing emails, Amy Kurzweil wonders: Can she safely extend a writer’s empathy to men who harass her on the internet?
Posted inEssays & Criticism, Nonfiction, Story, Unapologetic Women
Re: Hate Mail
After receiving a string of menacing emails, Amy Kurzweil wonders: Can she safely extend a writer’s empathy to men who harass her on the internet?
Posted inStory
‘I’m Always Writing Against This Idea That Denver’s a White Space.’
Kali Fajardo-Anstine talks about her new short story collection “Sabrina & Corina,” her obsession with dualities, and Chicano and Indigenous history in Denver.
Posted inEssays & Criticism, Feature, Nonfiction, Story
The Disease of Deceit
Friends don’t let friends lie about having cancer.
Posted inBooks, History, Nonfiction, Story, Unapologetic Women
The Indignities of Poverty, Compounded by the Requirement to Prove It
In an excerpt from her debut memoir, Stephanie Land recalls being poor, and moving with her young daughter from a homeless shelter to transitional housing.
Posted inNonfiction
Longreads Best of 2018: Essays
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in essays.
Posted inBooks, Fiction, Food, Profiles & Interviews, Story, Writing
Helen Oyeyemi on ‘Gingerbread,’ Fairy Tales, and What Self-Branding Is Doing to Childhood
“I was thinking a lot about childhood as this special status, an almost endangered status … that is eroded the more that we start thinking of ourselves as these units of value and worrying about what we’re worth.”
Posted inStory
America Is Still Hard To Find
Kathleen Alcott’s latest novel is a dramatic reenactment of the ethical dilemmas posed in antiwar activist Father Daniel Berrigan’s ’60s manifesto.
