Search Results for: China

A Brief History of Solitary Confinement

Eastern State Penitentiary, c. 1876. Via Wikimedia Commons.

Jean Casella and James Ridgeway | Introduction to Hell Is a Very Small Place: Voices from Solitary Confinement | The New Press | February 2016 | 20 minutes (5,288 words)

 

Below is Jean Casella and James Ridgeway‘s introduction to Hell Is a Very Small Place, the collection of first-person accounts of solitary confinement which they edited together with Sarah Shourdas recommended by Longreads contributing editor Dana Snitzky. 

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Imagine you’re locked in the cell, and don’t know if you’ll ever get out.

Imagine a corridor flanked by closed, windowless cells. Each cell may be so small that, inside, you can extend your arms and touch both walls at the same time. The cell contains a bunk, perhaps a solid block of poured concrete, with a thin plastic mattress, a stainless steel toilet, maybe a small table and stool. A few personal possessions—books, paper and pencil, family photos—may be permitted, or they may not. The door to the cell is solid steel.

Imagine you’re locked in the cell, and don’t know if you’ll ever get out. Three times a day, a food tray slides in through a slot in the door; when that happens, you may briefly see a hand, or exchange a few words with a guard. It is your only human contact for the day. A few times a week, you are allowed an hour of solitary exercise in a fenced or walled yard about the same size as your cell. The yard is empty and the walls block your view, but if you look straight up, you can catch a glimpse of sky.

Imagine that a third to a half of the people who live in this place suffer from serious mental illness. Some entered the cells with underlying psychiatric disabilities, while others have been driven mad by the isolation. Some of them scream in desperation all day and night. Others cut themselves, or smear their cells with feces. A number manage to commit suicide in their cells. Read more…

The Art World Is Crazy

I have been mildly obsessed with freeports—the secretive, treasure-crammed warehouses where Picassos are stashed alongside stacked bars of gold, tax-free—since David Segal’s 2012 New York Times article on the Geneva Freeport. Freeports, Segal explained, “remain the closest thing to the Cayman Islands that the art world has to offer.”

Sam Knight takes coverage of international freeport intrigue to the next level in this week’s New Yorker, with “The Bouvier Affair.” His story delves into the machinations of the Geneva Freeport and describes how one Swiss shipper saw the potential of the freeport as an adjunct to the art market, ultimately transforming himself into an under-the-radar dealer and bilking a Russian oligarch out of a billion dollars. It would not be an overstatement to call the story completely bananas. It is also a magnificently fun read—a delicious rollercoaster of a narrative, undergirded by a foundation of detailed, careful reporting. Of particular note are Knight’s nuanced insights into the bonkers world of art, like this description of the relationship between dealer and collector:

The relationship between art dealer and collector is particular and charged. The dealer is mentor and salesman. He informs his client’s desires while subjecting himself to them at the same time. The collector has money, but he is also vulnerable. Relationships start, prosper, and fail for any number of reasons. It is not always obvious where power lies. Over time, each one can convince himself that he has created the other.

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See Also:
“Swiss Freeports Are Home for a Growing Treasury of Art” (David Segal, July 2012, The New York Times)

Speed-Dating in Shanghai: Finding a Mate at the ‘Love and Marriage Expo’

The Panda and The Bear - 3 by Andrew Baldacchino (CC BY-SA 2.0)

As a 23-year-old only child from a working-class family from Shanghai, I am in no rush to find a girlfriend. But marriage at a young age in China is considered the norm right now. My parents certainly think it should be. Since I got a job, they’ve now and then asked me euphemistically, “Do you have a direction?” By “direction,” they mean a girlfriend—one with whom I’m in a stable and serious relationship, and can bring home to visit at the Chinese New Year.

My mother didn’t force me to go to the matchup event. She just hinted that I should—every time we talked on the phone. “Nothing wrong with just having a look,” she told me. So here I was, dressed decently, and looking at a huge noticeboard, on which I saw my picture alongside hundreds of others, and below it the words:

Name: Mr. Huang
Education: Master’s degree
Birthdate: March 1992
Yearly salary: …

I’m listed on the wall for buyers.

I had filled in my yearly salary when I’d registered online—it’s a required question, along with those about your height, weight, zodiac sign, and whether you have a property or own a car. But I didn’t expect they would make rows and rows of “wanted” posters for every participant with his or her salary visible to every passer-by.

At Quartz, Zheping Huang navigates the highly competitive sea of red tables in search of wife at the Love and Marriage Expo in Shanghai, China.

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How the Emperor Became Human (and MacArthur Became Divine)

The sun goddess Amaterasu, the divine ancestor of the Emperors of Japan, emerging from a cave. Via Wikimedia Commons.

Victor Sebestyen | 1946: The Making of the Modern World | Pantheon Books | November 2015 | 23 minutes (6,202 words)

Below is an excerpt from 1946, by Victor Sebestyen, as recommended by Longreads contributing editor Dana Snitzky.  Read more…

I Would Rather Be Herod’s Pig: The History of a Taboo

One of Odysseus' men transforming into a pig. Via Wikimedia Commons.

Mark Essig | Lesser Beasts: A Snout-to-Tail History of the Humble Pig | Basic Books | May 2015 | 20 minutes (5,293 words)

Below is an excerpt from Lesser Beasts, by Mark Essig, as recommended by Longreads contributing editor Dana Snitzky

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Built in about 2550 bc, the Great Pyramid of Giza stands 455 feet tall and comprises some 2.3 million blocks of stone weighing about 13 billion pounds in aggregate. Archaeologists still argue over whether those stones were moved into place using levers, sledges, or oil-slicked ramps. Whatever the technical method, building the pyramids involved a feat of social engineering just as impressive as the mechanical: Egyptian authorities had to feed a workforce of thousands of people for decades at a time. Read more…

Children of the Yuan Percent

Longreads Pick

Why everyone hates China’s second-generation rich kids.

Published: Sep 30, 2015
Length: 13 minutes (3,490 words)

The Nine Lives of Cat Videos

Photo: Children posing with life-size Lil Bub. This photo first appeared on Hyperallergic. Courtesy Jillian Steinhauer.

Jillian Steinhauer | Longreads | September 2015 | 15 minutes (3,800 words)

 

The following essay is excerpted from Cat Is Art Spelled Wrong, in which 14 writers address the following question: Why can’t we stop watching cat videos?

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The position that an epoch occupies in the historical process can be determined more strikingly from an analysis of its inconspicuous surface-level expressions than from that epoch’s judgments about itself.

—Siegfried Kracauer, “The Mass Ornament”

The spectacle creates an eternal present of immediate expectation: memory ceases to be necessary or desirable.

—John Berger, “Why Look at Animals?”

The Grandstand filling up with people early in the night. This photo first appeared on Hyperallergic. Courtesy Jillian Steinhauer.

The Grandstand filling up with people early in the night. This photo first appeared on Hyperallergic. Courtesy Jillian Steinhauer.

1.

One evening in the summer of 2013, I joined 11,499 other people—give or take—at the Minnesota State Fair Grandstand to sit and watch cat videos. I had spent the day leading up to the Internet Cat Video Festival (or CatVidFest, as it’s nicknamed) wandering the fair in extreme heat, eating assorted fried foods on sticks, watching butter sculptors, and paying money to take off my shoes and traverse an artsy blow-up castle with “rooms” of saturated color (think Dan Flavin goes to the fair). Hours later, dehydrated and probably sunstroked, I met up with a journalist from Minnesota Public Radio for a brief interview. He wanted to talk to me because I was an art critic, and because I had served as a juror for that year’s CatVidFest. Read more…

What Separated Los Angeles from Its River?

In the early twentieth century, a booming Los Angeles was separated from the river in three decisive steps. First, an aqueduct was built more than 200 miles north to  water to the city from the Sierra Nevada—a move mythologized in the movie Chinatown. Then, the city took control of all water rights on the river. Finally, the river was encased in concrete after rampaging floods in the 1930s; it became a drainage ditch, shunting water as quickly and efficiently as possible to the ocean.

Jon Christensen, writing about artist Lauren Bon for the Virginia Quarterly Review. Bon plans to “bend the river back into the city” with La Noria, a large-scale project involving an enormous water wheel powered by the river.

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Cloak-and-Dagger in America’s Cornfields

In Li’s luggage, [FBI] agents found two large Pop Weaver microwave popcorn boxes. Buried under the bags of unpopped snack kernels were roughly 300 tiny manila envelopes, all cryptically numbered—2155, 2403, 20362. Inside each envelope was a single corn seed. In Ye’s luggage, agents found more corn seeds hidden amid his clothes, each one individually wrapped in napkins from a Subway restaurant. Customs officers were dispatched to the gate area for the Beijing flight, where they found the two men and conducted body searches. Still more corn seeds, also folded into napkins, were discovered in Ye’s pockets.

Ted Genoways writing in The New Republic about China’s efforts to steal American food technology in order to increase its domestic corn production and reduce reliance on American imports. The story of agricultural espionage is a high stakes cat and mouse game reminiscent of Englishman Robert Fortune’s theft of tea seeds from China in the 1800s.

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The ‘Quasi-Celebrity’ Gene Editing Pioneer

Jennifer Doudna. Photo by Michele Limina, Flickr

The controversial genome editing technique Crispr-Cas9 has sparked some fascinating recent deep-dives, including Backchannel’s “Editing the Software of Life, for Fame and Fortune” in June, and Wired’s July cover story “The Genesis Engine,” which inspired the Twitter hashtag #crisprfacts. Jennifer Doudna, the biochemist who helped invent the breakthrough tool, often helps anchor the coverage. Andrew Pollack profiled Doudna in May for the New York Times:

The discovery has turned Dr. Doudna (the first syllable rhymes with loud) into a celebrity of sorts, the recipient of numerous accolades and prizes. The so-called Crispr-Cas9 genome editing technique is already widely used in laboratory studies, and scientists hope it may one day help rewrite flawed genes in people, opening tremendous new possibilities for treating, even curing, diseases.

But now Dr. Doudna, 51, is battling on two fronts to control what she helped create.

While everyone welcomes Crispr-Cas9 as a strategy to treat disease, many scientists are worried that it could also be used to alter genes in human embryos, sperm or eggs in ways that can be passed from generation to generation. The prospect raises fears of a dystopian future in which scientists create an elite population of designer babies with enhanced intelligence, beauty or other traits.

Scientists in China reported last month that they had already used the technique in an attempt to change genes in human embryos, though on defective embryos and without real success.

Dr. Doudna has been organizing the scientific community to prevent this ethical line from being crossed. “The idea that you would affect evolution is a very profound thing,” she said.

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