Beauty criticism analyzes the ways we can subvert a society that would have us subsumed by self-loathing. We use the tools we’ve been given. Makeup, then, can be a weapon. And it can be damn fun.
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On Beauty: A Reading List About Makeup
Beauty criticism analyzes the ways we can subvert a society that would have us subsumed by self-loathing. We use the tools we’ve been given. Makeup, then, can be a weapon. And it can be damn fun.
Beyond the Simply Salacious: Five Stories on Adultery
Here are five stories born of adultery. Read about technological advancements for philanderers and their cuckolds, personal perspectives from the cheater and the cheatee, a forbidden lust-fueled crime story, and a piece on how adultery became bedfellows with American popular culture and music—back in 1909. 1. “The Cuckold” (James Harms, Guernica, February 17, 2014) “The cuckold […]
Yes, All Women Part II: A Reading List of Stories Written By Women
My last Yes, All Women reading list was a hit with the Longreads community, so here’s part two. Enjoy 20 pieces by fantastic women writers. 1. “When You’re Unemployed.” (Jessica Goldstein, The Hairpin, June 2014) “The first thing to go is the caring…You develop a routine: changing out of sleeping leggings and into daytime leggings.” […]
Yes, All Women Part II: A Reading List of Stories Written By Women
My last Yes, All Women reading list was a hit with the Longreads community, so here’s part two. Enjoy 20 pieces by fantastic women writers. 1. “When You’re Unemployed.” (Jessica Goldstein, The Hairpin, June 2014) “The first thing to go is the caring…You develop a routine: changing out of sleeping leggings and into daytime leggings.” […]
Sady Doyle: My Top 5 Longreads of 2011
Sady Doyle is a writer and the proprietor of Tiger Beatdown. *** There is no slogan more misunderstood, or more widely abused, than “the personal is political.” This phrase was one of the most transformative ideas to emerge from second-wave feminism, or from the 20th century. It’s the underpinning assumption of all my own work. […]
