Cheri Lucas Rowlands is a founding editor at Automattic and has worked on Longreads since 2014. Stories she’s edited have won ASJA Awards and a Pushcart Prize, been named a James Beard Award finalist, and received notable mentions in Best AmericanEssays and The Best Women’s Travel Writing. Writers have landed agents and book deals from pieces they’ve worked on with Cheri. She holds an MFA in creative nonfiction from Goucher College and lives in California.
She reads and edits stories across all subjects, and especially enjoys essays about the internet and technology that remind us of our shared humanity, pieces exploring identity, place, and home, and deep dives into your obsessions. She is drawn to personal essays carried by a unique voice, and loves collaborating with writers on reported essays with strong personal narratives. She loves fresh, unexpected, and quirky, and right now wants to publish work that brings joy and delight.
Please submit polished drafts for personal essays and detailed pitches for reported stories that show a specific angle into your subject. To get a sense of what Cheri reads and edits, browse these editors’ picks and original features she’s commissioned or written over the years.
Zhang Er | China Books Review | July 23, 2026 | 2,460 words
“Sixty years after the Cultural Revolution began, a writer looks back to her childhood in Beijing during its peak, and the banned books that sustained her through the tumult.”
Hayes Davenport | L.A. Material | July 27, 2026 | 4,683 words
“A private company has cleared dozens of homeless encampments in Venice—with persistence, cash payments, and a team that includes former gang members. Clients love them. The people they move do not.”
Brian Underwood | Men’s Health | July 15, 2026 | 4,949 words
“Sunscreen—one of the only products scientifically proven to reduce the risk of skin cancer—is in the middle of a PR crisis, with skeptics claiming it’s hazardous to your health. Experts dismiss the claims as misinformation, but has the damage already been done?”
Kiana Mickles | Pitchfork | July 15, 2026 | 2,324 words
“The once underground and countercultural ‘rave’ has fully spread to the mainstream in the form of themed pop-ups and sponsored parties. For newbies, it can be a sanitized gateway into electronic music. For true ravers, it’s more complicated.”
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