Joan Morgan’s “She Begat This” looks back at how Lauryn Hill crashed through hip-hop’s glass ceiling, while our critic looks at how the author and a cadre of black women writers did the same for hip-hop music journalism.
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For Single Mothers Working as Train Conductors
My Soviet husband said we’d need 24-hour day care for any children we might have. Many years and the fall of an empire later, I finally realized why he said it.
Shooting For Truth
Adam Skolnick visits director Chris Weitz on the set of his new film, Operation Finale.
A History of American Protest Music: Which Side Are You On?
Just as we were in the 1930s and ’60s, America is suffering a moral crisis. We have to decide which side we are on: hate and exclusion, or justice, inclusion, and democracy?
Not Quite Not White
Sharmila Sen grew up understanding distinctions between castes and religions, between the educated and the illiterate. Race was a distinction she didn’t understand until she came to America.
Working Through the Apocalypse: An Interview with Ling Ma
In Ling Ma’s “Severance” — a novel she began to write after getting laid off, while living partly on severance pay — the characters keep going to work, even though they know it’s the end of the world.
To Be Clean
A tender relationship with a fellow exotic dancer shows Natassja Schiel how to love her sister, a recovering addict.
The Horse Was a Lie (The Horse Is Here With Us Now)
In Mario Chard’s “Land of Fire,” was it the truth or a lie that killed the migrants in the desert? And what if that’s the wrong question? What if we say it was a horse?
I Would Never Say That, But the Character, He Said It: An Interview with Catherine Lacey
“When I write, I’m creating a character, and then I’m just performing that character, and typing what they say.”
Semi-Fluid States: The Rigid Line of Straightness
Minda Honey interrogates her sexuality and questions the future of straight-by-default.
