Posted inBooks, Quotes

How ‘The Grapes of Wrath’ Got Its Name

John Steinbeck—born 113 years ago Thursday—wrote more than thirty books, and The Grapes of Wrath, which you were most likely assigned to read in high school, is widely considered to be his best work. The novel was published in 1939 to great acclaim, both critically and commercially; it “was a phenomenon on the scale of a national event. It was publicly banned and burned by citizens, it was debated on national talk radio; but above all, it was read.” It was also the New York Times’ bestselling book of 1939, and won both a Pulitzer Prize and a National Book Award.

Posted inNonfiction, Quotes

What Trains Can Teach Us About Public Space

The long-distance train is one of America’s greatest and least heralded public spaces. Perhaps without intending to, the train encapsulates many qualities of public spaces that planners and designers try so hard to create. It is democratic in that it serves people across many different communities, geographies and interest groups. It is diverse in that it appeals to a broad spectrum of people across ages, ethnicities, races, nationalities and genders, and critically, it facilitates connections between these different people. (While traveling from New Orleans to Los Angeles, I met a gay couple going to Houston, a Latino family headed to Albuquerque, an indie rock-loving pizza-maker from Austin, a minister going to Tucson and an L.A.-bound retired merchant marine who taught me how to play dominoes.) Unlike planes, trains foster a sense of appreciation and curiosity about the landscapes through which they pass, which in turn help passengers develop a deeper connection to place.

Posted inNonfiction, Quotes

How to Become a Cable-News ‘Expert’ Overnight

There was no intro course on how to be a cable-news expert. The Town Car would show up to take me to the studio, I’d sign in with reception, a guest-greeter would take me to makeup, I’d hang out in the greenroom, the sound guy would rig me with a mike and an earpiece, a producer would lead me onto the set, I’d plug in and sit in the seat, a producer would tell me what camera to look at during the introduction, we’d come back from break, the anchor would read the introduction to the story and then ask me a question or maybe two, I’d answer, then we’d go to break, I would unplug, wipe off my makeup, and take the car 43 blocks back uptown.

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