Adam Skolnick visits director Chris Weitz on the set of his new film, Operation Finale.
Profiles & Interviews
Working Through the Apocalypse: An Interview with Ling Ma
In Ling Ma’s “Severance” — a novel she began to write after getting laid off, while living partly on severance pay — the characters keep going to work, even though they know it’s the end of the world.
I Would Never Say That, But the Character, He Said It: An Interview with Catherine Lacey
“When I write, I’m creating a character, and then I’m just performing that character, and typing what they say.”
An Inquiry Into Abuse
Allegations that Richard Nixon beat his wife, Pat Nixon, have circulated for decades without serious examination by the journalists who covered his presidency. It’s time to look more closely at what’s been hiding in plain view.
Why Do Men Fight?: An Interview with Thomas Page McBee
“When I started asking myself questions about my own notions of masculinity. I just felt so limited, so suddenly afraid of becoming the kind of man I’d grown up in fear of.”
5 Questions for Kristi Coulter About Writing, Humor, and Getting Sober
“If I couldn’t find humor in sobriety, I probably wouldn’t make it.”
Dog Cloning: Controversial and Downright Creepy
A clone is not a clone, it’s a twin born at a different time — one that is only ever about 85 percent the same as the original.
How Women Survive the World: An Interview with Ingrid Rojas Contreras
To this day, when my mother is driving a car, she will only use the blinkers to indicate that she’s turning at the last second — just so that people behind her don’t know where she’s going.
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
