If the personal is political, then food is political — and food writing should be, too.
michelleweber
Everyone Believed Larry Nassar
They didn’t just believe him — they defended him. Why? Because he planned it that way, a long-term, insidious plan designed to give him unfettered access to girls.
Core Being
“I ran to not know myself, to reduce myself to a casing of bones, yet I also ran to be empty of them. I ran to forget my body.”
Deployment to Iraq changed my view of God, country, and humankind. So did coming home.
War doesn’t just assault your physical self, it assaults your understanding of the world, your ethics, and your faith — even when you think you’re on the “right” side.
M.F.K. Fisher and the Art of the Culinary Selfie
“First we eat, then we do everything else”: on the legacy of M.F.K. Fisher, food writers (or writers who deal with food), and the politics of what we eat and why.
An Axe for the Frozen Sea
““You too have your tools,” wrote Kafka in a passage about fear, and I thought of that line whenever I was scared: I will get through this. I can talk to friends, write about it. Years later, I came across a different translation of the same text: “You too have your weapons.”
Animal Attraction: The Ridiculous Realism of Bachelor in Paradise
To the ever-growing list of “reality TV tropes,” we can now add “confessing feelings to disinterested animals who happen to wander on-camera.”
Grief Network
When pain and rage play out on — and are twisted by — Twitter.
STET
Sarah Gailey’s short story about a mother whose child was killed by a self-driving car takes full advantage of the web’s ability to play with layouts and links, telling a story that requires the reader to interact with the page as the tale unfolds bit by brutal bit.
Maybe Beauty Doesn’t Have to Mean Pain
Little girls flock to ballet classes, but the art isn’t kind to their bodies, autonomy, or sense of self. What has to change?
