Do you remember the film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan? The village of Glod certainly does. Paid a tiny fee to participate, villagers believed they were taking part in a “report.” Instead, the film portrayed them as the impoverished and violent inhabitants of a fictional Kazakh village, leaving many feeling humiliated and deceived. In this piece, Miles Ellingham returns to Glod twenty years later to meet the people behind the punchline and show readers the real village.
In Glod, people are proud of their heritage, but they’ll also tell you that they’re not like other Roma, by which they mean they work hard. Work is fundamental in Glod; work means money and money means a living. Neamu does whatever he can. In the run-up to Easter, he weaves baskets with his wife, Gica, and whittles spoons with little smiley faces carved into them. His neighbour works in the forest cutting and transporting lumber. In the winter, the temperature drops to -10°C and the work is hard and depressing. Everyone has learned to live with the dogs who wander, semi-domesticated, from house to house. If a visitor is disliked, the dogs will chase them away. We arrive in Glod around 4pm, in the glow of afternoon.
More picks on films
Problem Child
“The Creative Crisis at Pixar.”
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Beyond the Machine
“I want to frame the technology more like an instrument, and get away from GenAI as an intelligence, an ideology, a tool, a crutch, or a weapon.”
What Happened to Cameron Crowe? He Has Answers.
“Life is the best writer, and sometimes you have to let life show you a little bit of what that is.”
AI Isn’t Coming for Hollywood. It’s Already Arrived
“An early winner in the generative AI wars was near collapse—then bet everything on a star-studded comeback. Can Stability AI beat the competition?”
Laughing With the Pain
“You wouldn’t do the kinds of things that happen in a Jackass film in front of just anyone. The most ideal way to endure those kinds of pain is with those you feel the closest to.”
