Steve Silberman’s deep-dive into Bill Evans, one of the most enigmatic figures in jazz, is a fantastic read that examines the intersection of what happens when virtuosic talent inexplicably falls short. Silberman also probes his own obsession with ‘Nardis,’ a complex arrangement which Miles Davis, who employed Evans as a member of his sextet, said the pianist could play “the way it was meant to be played.”

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