You’ve heard of Miles Davis. You’ve heard of Billie Holiday. It’s time more people knew about pensive, voluminous jazz pianist Mal Waldron. He was Billie Holiday’s pianist up until her death, and contrary to Davis’ belief that expatriate jazz musicians lost “an energy, an edge,” Waldron wrote some of his most innovative music after he left the segregated United States. Waldron believed that if Holiday had moved to Europe like he had, she could have lived a longer life, too.
Free at Last
Adam Shatz | The Nation | July 26, 2017 | 4,692 words