In creating a routine “entirely alien to his normal life,” Alexander Chee attempted a real vacation from his work as a writer on a recent trip to Greece. For the New York Times, he sketches his way around Sifnos, capturing both the “least famous” Greek island and his memories of it in a Moleskine notebook. In rediscovering the pure pleasure of art, he draws fresh strength to fuel his writing. (You can read the first chapter, The Queen of the Night, Chee’s latest novel, here.)
Drawing is an excellent way to remember a place. In my mind I can still see clearly the towns I drew and the mornings I spent there.
When I left on the ferry home, I could feel I had in fact relaxed, deep down, in some way that was entirely new to me. But also, drawing had opened that new door to the old place. It had brought me back to the pleasure of the art you make just for yourself, where all art begins, easy to lose track of when you become a professional writer. Your own private conversation about ideas and aesthetics.
Vacation is so often cast as a luxury now in America, a bourgeois game of Instagram tagging and food photos. But for me, in Sifnos, I came to know it as the time in the year when you find not only rest, but also the strength you need to meet your work and your life when you return to them. In the years since, it’s been hard to be an American writer and take vacations like this. But I would never want to live the other way — without them — again.