At Lenny, Kaitlyn Greenidge interviews Dorothy Allison, author of Bastard out of Carolina, on growing up poor, finding her voice, overcoming the stigma of poverty, and being a lesbian in Donald Trump’s America.
And then define, what is your own unique story? It’s a struggle for every writer. And to value your story is a struggle for every writer. The problem is, of course, that if you live in a culture that inherently devalues the poor, the working class, the darks, the queer, the other, and you are all those categories, then you are fighting the voice of your culture at the same time that you are fighting all of the other difficulties of developing a voice and telling a story.
It’s a miracle that we ever manage, but my conviction — and I’m old enough to have evidence to support my convictions — is that the best American literature is working-class literature. The strongest voices are those voices, those people who have come out of the poor and the disadvantaged circumstances to claim their right to tell a story. And they tell stories with such passion and brilliance. You don’t have to read far to realize the power of those outlaw voices and how they dominate American literature.