Refugee camp graffiti
Refugee camp graffiti, photo by David Farley (with permission).

Travel writer David Farley spent a month volunteering in a refugee camp in Greece. He wrote about it for Afar. It was not exactly an introduction to the world of good will towards refugees.

Souda briefly gained prominence in November 2016, when it was reported that a right-wing mob stood atop the old city walls and launched large stones and Molotov cocktails down into the camp, setting tents ablaze. Tensions were such that one of the rules of the NGO I was volunteering for stated that once I left the camp, I had to remove my fluorescent green vest and volunteer badge for fear locals would attack me for helping the refugees.

Farley’s piece includes the voices of people we perceive as a generic mass with unified motives.

One day while serving lunch—a tomato and chickpea stew made by a Basque NGO—I met a Syrian named Dallal. He was a new arrival and was aware he might be at Souda for a while. “I don’t understand why we have to wait so long. Some people have been here for nearly a year,” he said. “Our collective goal is that we want a new future, a good future, a safe life. I have a degree in mechanical engineering. My friend here,” he pulled over a 25-year-old from Iraq, “he’s a veterinarian. We’re not poor. We just want a normal life. We are here for survival.”

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