Heather Radke writes about JUMPSUIT, a political art project by The Rational Dress Society’s Abigail Glaum-Lathbury and Maura Brewer. Glaum-Lathbury and Brewer aim to call attention to the ills of late capitalism — and to “make America rational again” — by manufacturing non-gendered, nearly shapeless jumpsuits, and encouraging people to wear them to the exclusion […]
The Paris Review
Art in the Age of Blockchain
Why a rare Pepe meme is now easier to authenticate than a Leonardo.
An Elegy for Bette Howland, a Writer Who Was Nearly Forgotten
On the passing of a MacArthur Genius forgotten for decades, re-discovered by ‘A Public Space’ editor Brigid Hughes.
This Is How a Woman Is Erased From Her Job
After taking over from George Plimpton, Brigid Hughes was pushed out as the editor of The Paris Review and omitted from the magazine’s history.
A Portrait of the Artist as a Monster
Does art exist in the world of personality and petty grievance and predation, or does it float in a morally-neutral ether? Depends who you ask.
The Top 5 Longreads of the Week
This week, we’re sharing stories from Anand Gopal and Azmat Khan, Claire Dederer, Dale Maharidge, Leslie Jamison, and Nina Coomes.
What Do We Do with the Art of Monstrous Men?
“We is an escape hatch. We is cheap. We is a way of simultaneously sloughing off personal responsibility and taking on the mantle of easy authority.”
Billy Bragg: Skiffle Songs Are Railroad Songs
“The British kids were trying to escape the past as quickly as they could and the guitar offered them the best means to do that.”
Talking with Multi-Genre Writer Walter Mosley
The author talks with The Paris Review about writing, crime fiction, and his depiction of Black American life.
The Top 5 Longreads of the Week
This week, we’re sharing stories from Matthew Shaer, John Woodrow Cox, Bethany McLean, Robin Wright, and David Sedaris.
