The Erotic Thriller’s Little Death By Soraya Roberts Feature What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
Falling Stars: On Taking Down Our Celebrity Icons By Soraya Roberts Feature Celebrities act as a symbol of capitalism. When we question it, we question them too.
After a Fashion By Soraya Roberts Feature Trying so hard to set trends for the future, fashion’s institutions can’t stop stumbling over the past (and the present).
Critics: Endgame By Soraya Roberts Feature If there’s no earth, there’s no art. How do you engage in cultural criticism at the end of the world?
None of the President’s Men By Soraya Roberts Feature Journalism now is a lot more fear and insecurity and a lot less corduroy and Robert Redford, but you’d never know it from what is projected.
For the Thirsty Girl By Soraya Roberts Feature Thirst used to be desperation, now it’s aspiration. And men are finding it hard to quench.
On Flooding: Drowning the Culture in Sameness By Soraya Roberts Feature Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
How the Shock Jock Became the Outrage Jock By Soraya Roberts Feature What’s the difference between Howard Stern and Tucker Carlson? There isn’t really one.
True Crime and the Trash Balance By Soraya Roberts Feature True crime has a reputation for being trashy, but a recent renaissance has it tipping into advocacy.
Hollywood and the New Female Grotesque By Soraya Roberts Feature Actresses are being lauded for pushing their supposed undesirability to the extreme, and it’s redefining how we see women.
The Top 5 Longreads of the Week By Longreads Weekly Top 5 This week, we’re sharing stories from John Lanchester, Bethany Barnes, Stephen Kearse, Warren Ellis, and Soraya Roberts.
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