The muted response to Todd Haynes’s “Dark Waters” is depressingly similar to our culture’s muted response to climate change
Soraya Roberts
Posted inArts & Culture
Longreads Best of 2019: Arts and Culture
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in arts and culture.
Posted inStory
The Great White Nope
Canada’s old white publishing institutions are a lesson in what happens when your media industry contracts: journalism no longer serves the reality of the country.
Posted inArts & Culture, Books, Essays & Criticism, Story
Bully for You
Women with power have the capacity to silence women with less — and they wield it. Why can’t they see that?
Posted inStory
Under the Influence: Watch(wo)men
We watch the (women) influencers watching the (heavily female) influencing industry, but the men aren’t entirely in the dark.
Posted inStory
Under the Influence: Deeper Than Beauty
Influencers who break type, like Mina Gerges or Jakiya Brown, have more than just an image. They have a story — and a plan.
Posted inStory
Under the Influence: White Lies
When you read “influencer,” do you think “white woman”? That’s not a surprise: the stereotypes originally established offline are reaffirmed on social media by the same systems.
Posted inArts & Culture, Essays & Criticism, Story, Technology
End of Discussion
There’s no such thing as a 140-character exegesis: the (non)-discourse around “Joker” is the latest to prove that social media is designed for emotion, not dialogue.
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Posted inArts & Culture, Essays & Criticism, Story
Cahiers du Post-Cinéma
The movie theater was once a kind of lay church, with festivals like TIFF serving as annual religious holidays — until new houses of worship opened online.