Tag: paris review

This is the most important pineapple-themed essay you’ll read today.

Why a rare Pepe meme is now easier to authenticate than a Leonardo.

INTERVIEWER You mentioned getting permission to write. Who gave it to you? MORRISON No one. What I needed permission to do was to succeed at it. I never signed a contract until the book was finished because I didn’t want it to be homework. A contract meant somebody was waiting for it, that I had […]

INTERVIEWER Do you keep to a schedule? ROBINSON I really am incapable of discipline. I write when something makes a strong claim on me. When I don’t feel like writing, I absolutely don’t feel like writing. I tried that work ethic thing a couple of times—I can’t say I exhausted its possibilities—but if there’s not […]

Anybody who shifts gears when he writes for children is likely to wind up stripping his gears. But I don’t want to evade your question. There is a difference between writing for children and for adults. I am lucky, though, as I seldom seem to have my audience in mind when I am at work. […]

Stories about swimming and swimming pools.

The author’s 1992 interview with poet Edward Hirsch.

“It didn’t occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret.” –Author Louise Erdrich, in the Paris Review. Read the interview

[W.B. Yeats’s 1919 poem] “The Second Coming” may well be the most thoroughly pillaged piece of literature in English. (Perhaps Macbeth’s famous “sound and fury” monologue is a distant second.) Since Chinua Achebe cribbed Yeats’s lines for Things Fall Apart in 1958 and Joan Didion for Slouching Towards Bethlehem a decade later, dozens if not hundreds of others have followed suit, […]

What Burroughs revealed in his 1965 conversation with The Paris Review.

What Márquez told Peter H. Stone in a 1981 interview with The Paris Review.

What her 1972 Paris Review interview reveals about her approach to the craft.

“Science fiction is the fiction of ideas.”

LE GUIN: My mother had always wanted to write. She told me this only after she’d started writing. She waited until she got the kids out of the house, until she was free of responsibility for anybody except her husband. Very typical of her generation. She was in her fifties when she started writing—for kids, […]

In The Paris Review, the celebrated writer reveals the struggles of creativity.

Mary Karr, in The Paris Review, on her small-town roots.

“Many young poets have come to me and asked, How am I gonna make it?”

Angelou, in 1990, on the moment she decided to write.

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist. Sign up to receive this list free every Friday in your inbox. * * *

In The Paris Review Daily, Colin Dickey searches for a house among foreclosed properties, and finds uncanny forces at work.

The following is from Rachael Maddux, who wrote about contemplating the idea of death and mortality at a young age. Maddux wrote this essay for The Paris Review last June: For almost as long as I’ve been alive I have known that I am going to die. This awareness came to me when I was […]

Stories of magical transformations have always been part of humanity’s narrative canon. They articulate that universal sense of empathy for all life forms that we feel; they express that desire for transcendence that every religion also expresses; they prompt us to wonder if transformation into another living creature would be a proof of the possibility […]

INTERVIEWER So you chose novel writing as a profession. BARNES Oh, I didn’t choose it as a profession—I didn’t have the vanity to choose it. I can perhaps now state that I am at last a novelist, and think of myself as a novelist, and can afford to do journalism when it pleases me. But […]

“I think a writer’s job is to provoke questions. I like to think that if someone’s read a book of mine, they’ve had—I don’t know what—the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That’s what I think writers are for. This is what our function […]

This week we’re excited to feature Elissa Schappell‘s essay, “The Craft of Poetry: A Semester with Allen Ginsberg,” as our Longreads Member Pick. Her recollections are an intimate window into the Beat legend. The piece originally appeared in the Summer 1995 issue of the Paris Review and was later anthologized in their 1999 collection Beat […]

Sari is a writer and editor living in Rosendale, N.Y. She writes the Conversations With Writers Braver Than Me column on The Rumpus. An anthology she edited for Seal Press, Goodbye to All That: Writers on Loving and Leaving New York, will be released Oct. 8. “My favorite longread this week is ‘Not Weird About […]

Today’s guest pick comes from Emily M. Keeler, a writer, critic, and the editor of Little Brother Magazine. She recommends two stories, “To Err, Divine, so Improvise” by Kaitlin Fontana in Hazlitt and “Afterlife” by Chris Wallace in The Paris Review: “This past week was one of several missteps; headlines and cover lines and tweets let us down even though […]

A depressed writer sends a letter to a popular advice columnist: I couldn’t seem to go above the Twelfth Street location of my class, not to Central Park or the Metropolitan Museum of Art or the New York Public Library. I had no interest in going below Twelfth Street, either. I definitely couldn’t go to […]

Remembering a New York friendship. Excerpted from Manguso’s new book, The Guardians: An Elegy, out Feb. 28: The Thursday edition of the Riverdale Press carried a story that began An unidentified white man was struck and instantly killed by a Metro-North train last night as it pulled into the Riverdale station on West 254th Street. […]

A brief history of “library porn”: Porn books and librarians have always had a passionate, mutually defining relationship—it was, in fact, a prudish French librarian in the early nineteenth century who coined the word pornography. So it comes as no surprise that the sexy librarian, a fixture of the pornographic imagination, is most at home […]