An Interview with “America’s Test Kitchen” founder Christopher Kimball on how cooking is like woodworking, the business model behind “Cooks Illustrated,” and the awesome powers of baking soda and gelatin.
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Posted inNonfiction, Profiles & Interviews, Story
The Craft of Cooking
An Interview with “America’s Test Kitchen” founder Christopher Kimball on how cooking is like woodworking, the business model behind “Cooks Illustrated,” and the awesome powers of baking soda and gelatin.
Posted inNonfiction
The Box and the Basement
“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
Posted inNonfiction, Story
The Box and the Basement
“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
Posted inNonfiction, Profiles & Interviews
How to Be Aca-Awesome
An interview with Kay Cannon, Pitch Perfect screenwriter, on how her a cappella comedy might be changing the definition of cool.
Posted inNonfiction, Profiles & Interviews, Story
How to Be Aca-Awesome
An interview with Kay Cannon, Pitch Perfect screenwriter, on how her a cappella comedy might be changing the definition of cool.
Posted inNonfiction, Profiles & Interviews
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
Posted inNonfiction, Profiles & Interviews, Story
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
Posted inNonfiction, Profiles & Interviews
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”
Posted inNonfiction, Profiles & Interviews, Story
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”