Kate Cox is a freelance writer and editor living in New York. Nobody will say this, but the secret to New York City survival is a sturdy emotional filter. The flipside of said filter is that hundreds of our daily encounters fail to penetrate: the deli guy, the dry cleaner, fellow commuters—we so rarely engage […]
New York
Transport: On Leaving New York for Rehab in Minnesota
“I learned to drive. But I never liked it.”
Transport: On Leaving New York for Rehab in Minnesota
“I learned to drive. But I never liked it.”
Longreads Guest Pick: Nolan Feeney on 'The New New Girl'
Nolan is an editorial fellow at The Atlantic. Jada Yuan’s profile of Mindy Kaling for New York magazine is almost a year old, but it has been a major influence on the way I write. It moves effortlessly from funny to sad, and it captures Kaling so well that it’s hard not read her quotes […]
Our Longreads Member Pick: A Look Back at New York Woman Magazine
This week a debate erupted about “serious journalism” in women’s magazines—and as part of this discussion, several magazine editors reflected fondly on the work of the late, great magazine New York Woman and its founding editor, Betsy Carter. New York Woman was published from 1986-1992; Carter went on to work for O, the Oprah Magazine […]
Reading List: What's In A Dream? Writers Explore New York
Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps. As my service year winds down and I begin to look for jobs, I’m simultaneously drawn to and repulsed by the New York mythos. Here are four pieces that explore the romance, the real estate, […]
[Not single-page] A trip to a Croatian vineyard to see Bob Benmosche, the former CEO of MetLife who came out of retirement to run AIG post-bailout: Next, Benmosche went to rally the troops at Financial Products in Wilton, Connecticut, who were still salty about Liddy’s appearance in front of Congress and the law subsequently passed […]
“Bill & Hillary Forever.” — John Heilemann, New York magazine More by Heilemann
Moderately successful indie rock groups like Grizzly Bear have found it difficult to earn a living that would place them solidly in the middle class: For much of the late-twentieth century, you might have assumed that musicians with a top-twenty sales week and a Radio City show—say, the U2 tour in 1984, after The Unforgettable […]
