Nell Boeschenstein, writing almost seven years after her prophylactic mastectomy, examines how breasts — whether real or fake, attached to or removed from their original owner — carry an overabundance of personal and cultural meaning.
Nell Boeschenstein, writing almost seven years after her prophylactic mastectomy, examines how breasts — whether real or fake, attached to or removed from their original owner — carry an overabundance of personal and cultural meaning.