Change rarely happens organically, and gender equality, in both Hollywood and the world at large, is the sort of issue that requires a forceful push by those who see the need for change. But the fact of the matter is, when it comes to the womaning-up of Hollywood, the people doing the pushing behind the […]
movies
What It Was Like to Hear Nina Simone Live
Nina Simone’s explosiveness was well known. In concert, she was quick to call out anyone she noticed talking, to stop and glare or hurl a few insults or even leave the stage. Yet her performances, richly improvised, were also confidingly intimate—she needed the connection with her audience—and often riveting. Even in her best years, Simone […]
The Problem With Strong Female Characters in Hollywood Right Now
At the Dissolve, Tasha Robinson discusses why having a Strong Female Character in a film isn’t good enough if her presence is superficial. Robinson cites Valka from How To Train Your Dragon 2 as an example, as well as Strong Female Characters from other recent films: And Valka’s type—the Strong Female Character With Nothing To […]
The Real Life Injuries in 'The Texas Chainsaw Massacre'
It’s been 40 years since The Texas Chainsaw Massacre hit theaters and shocked moviegoers with its violent scenes. Texas Monthly has resurfaced their story from 2004 by John Bloom about the making of the film, which was made on a budget of $60,000 (about $290K, adjusted for inflation). Here, Bloom describes the injuries the cast […]
How ‘Shawshank Redemption’ Keeps Paying, 20 Years Later
“Shawshank” only began to get moviegoers’ attention after the Oscars, where it received seven nominations (but won no awards) and promptly was rereleased in theaters. The second run grossed an additional $10 million and primed it for its debut on home video, which at the time was still a robust revenue source. If Andy Dufresne […]
The Writing Genius of Harold Ramis
Of all of his collaborations with Bill Murray, Groundhog Day was his masterpiece.
Why Hollywood Will Never Look the Same Again on Film
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format […]
What Goes On in Joaquin Phoenix's Head When He's Shooting a Movie
When I first started the film [“The Master”] — when I first read the script — there was a great deal of flashbacks where we actually saw all these injuries and these were things we were going to shoot; but as the film progressed we didn’t end up shooting those things so I’d kind of […]
Longreads Best of 2013: Here Is What Happens After You Write a New York Times Story About Lindsay Lohan
Here Is What Happens When You Cast Lindsay Lohan in Your Movie Stephen Rodrick | New York Times Magazine | January 2013 | 31 minutes (7,752 words) Stephen Rodrick (@stephenrodrick) is a contributing writer for The New York Times Magazine, contributing editor for Men’s Journal and author of The Magical Stranger.
David Mamet and the Art of the Closer
“When Greg Mosher directed Glengarry we had a lot of salesmen come in to talk to the cast, guys who were making five million dollars a year selling airplanes or industrial equipment. These people were super closers. There’s a whole substratum of people who are the closer, like the Alec Baldwin character in the movie […]
