‘Horror Is a Soothing Genre … It’s Upfront About How Scary It Is To Be a Woman.’ By Laura Barcella Feature Sady Doyle discusses the connection she draws between society’s monstrous treatment of women and woman’s archetypal monstrosity.
Sarah Perry on ‘Melmoth,’ Monsters, and Making Her Readers Feel Responsible for Mass Atrocity By Bridey Heing Feature “It was important to me that the ‘villains’ in the book were ordinary people, because readers are ordinary people, and people who do terrible things are often ordinary people.”
