Maureen Stanton contemplates her history of crying in inappropriate moments, and considers tears from gender-based and political perspectives.
gender
Posted inEditor's Pick
A Woman’s Work: Becoming a Home of One’s Own
Carolita Johnson considers what it takes to recover from grief, build strength for the future, and become one’s own center of gravity again.
Posted inBooks, Nonfiction, Science & Nature, Story
Checking in on the Masculinity Crisis
If masculinity really is in crisis — and that’s a big if — we should at least be able to agree that it’s not women’s responsibility to fix it.
Posted inBusiness & Tech, Essays & Criticism, Highlight, Technology, Unapologetic Women
Repairman-man-man-(wo)man
Lauren Hough recounts a decade of misadventures as a female cable tech in the DC Metro Area.
Posted inNonfiction, Story
Home Field Disadvantage
What will it take to get women’s baseball the recognition it deserves?
Posted inBooks, Essays & Criticism, Nonfiction, Story
Who Cares? : On Nags, Martyrs, the Women Who Give Up, and the Men Who Don’t Get It
Some women successfully free themselves from emotional labor, but I don’t want to give up the work of caring. I just want others to care as well.
Posted inEditor's Pick
Semi-Fluid States: The Rigid Line of Straightness
In the fourth installment of her series on #Dating_While_Woke, Minda Honey interrogates her sexuality and questions the future of straight-by-default.
Posted inBooks, Profiles & Interviews, Story, Uncategorized
Why Do Men Fight?: An Interview with Thomas Page McBee
“When I started asking myself questions about my own notions of masculinity. I just felt so limited, so suddenly afraid of becoming the kind of man I’d grown up in fear of.”
Posted inEssays & Criticism, Nonfiction, Story, Unapologetic Women
The 17-Year Itch
Laura Jean Baker finds that being a feminist married to a progressive man isn’t a fail-safe against sexism occasionally intruding in their marriage.
Posted inEditor's Pick
The Queer Art of Failing Better
Laurie Penny on Queer Eye: “It’s not about queerness at all. It’s actually about the disaster of heterosexuality—and what, if anything, can be salvaged from its ruins.”