Those Limits Were Not Hindrances: An Interview with Megan Pugh By Aaron Gilbreath Commentary How a writer worked hard to understand one of American music’s most mysterious performers while protecting his past, and art.
Odetta Holmes’ Album One Grain of Sand By Longreads Feature The singular singer released her groundbreaking album in 1963, the same year as the March on Washington, and used her art and appearance as weapons in the Civil Rights struggle.
A History of American Protest Music: Come By Here By Tom Maxwell Feature How cultural appropriation and erasure turned an African American spiritual into a white campfire sing-along.
The Dead End on My Record Shelf By Longreads Feature I believed that there was no music existing in the world with an unbroken connection to its original context. I was wrong.
A History of American Protest Music: Which Side Are You On? By Tom Maxwell Feature Just as we were in the 1930s and ’60s, America is suffering a moral crisis. We have to decide which side we are on: hate and exclusion, or justice, inclusion, and democracy?
How Does It Feel? An Alternative American History, Told With Folk Music By Longreads Feature On Guthrie, Robeson, Seeger, Lomax, Dylan, the Red Scare, the fall of labor, and what folk music had to do with it.
