Why can’t we let go of Mermaids-era Winona Ryder? Soraya Roberts at Hazlitt explores the last great pre-internet icon.
film
Posted inNonfiction, Quotes
How Winona Ryder Became the Face of ‘90s Nostalgia
Why can’t we let go of Mermaids-era Winona Ryder? Soraya Roberts at Hazlitt explores the last great pre-internet icon.
Posted inNonfiction, Story
The Broken Pop of James Bond Songs
What can the endurance of the messy, campy canon of James Bond theme songs tell us about contemporary popular music?
Posted inUncategorized
Hollywood Gets Authenticity and the Pentagon Gets Publicity
Jamie Tarabay explored Hollywood’s relationship with the Pentagon in a recent piece for Al Jazeera America. The Pentagon has a devoted “entertainment-liaison officer” who acts as a Hollywood point person and helps decide which projects get Pentagon support (in the form of expertise, equipment, and locations). According to scholar Lawrence Suid, the Hollywood military relationship relationship dates back to […]
Posted inNonfiction, Quotes
Go West, Young Man!
John Crutchfield’s “Toward an Aesthetics of Failure” explains why he still loves the out-of-fashion western despite repetitive plots, one-dimension characters, and shoddy filmmaking — and why you should, too.
Posted inNonfiction, Quotes
How the Skater Kids From the Movie ‘Kids’ Were Cast
[Harmony] Korine, nineteen at the time, and [Larry] Clark, then over fifty, wrangled the troops from the skate clique, supplementing them with more non-actors from Washington Square Park and the club scene, and across downtown—including Chloë Sevigny, from tony Darien, Connecticut, who had been hanging out with the crew in Washington Square Park for years. They […]
Posted inNonfiction, Quotes
How McLovin Was Cast From a Camera Phone Headshot
[Allison] Jones began her career with the two-beats-and-a-punch-line sitcoms of the nineteen-eighties, but, in working with Feig and the director Judd Apatow, she was required to try something revolutionary: find comedic actors who, more than just delivering jokes, could improvise and riff on their lines, creating something altogether different from what was on the page. […]
Posted inNonfiction, Profiles & Interviews
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inNonfiction, Profiles & Interviews, Story
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inNonfiction, Quotes
Raymond Chandler on the Oscar Voting Process, Circa 1948
It doesn’t really seem to make much difference how the voting is done. The quality of the work is still only recognized in the context of success. A superb job in a flop picture would get you nothing, a routine job in a winner will be voted in. It is against this background of success-worship that the voting is done, with the incidental music supplied by a stream of advertising in the trade papers (which even intelligent people read in Hollywood) designed to put all other pictures than those advertised out of your head at balloting time.