[Harmony] Korine, nineteen at the time, and [Larry] Clark, then over fifty, wrangled the troops from the skate clique, supplementing them with more non-actors from Washington Square Park and the club scene, and across downtown—including Chloë Sevigny, from tony Darien, Connecticut, who had been hanging out with the crew in Washington Square Park for years. They […]
film
Posted inNonfiction, Quotes
How McLovin Was Cast From a Camera Phone Headshot
[Allison] Jones began her career with the two-beats-and-a-punch-line sitcoms of the nineteen-eighties, but, in working with Feig and the director Judd Apatow, she was required to try something revolutionary: find comedic actors who, more than just delivering jokes, could improvise and riff on their lines, creating something altogether different from what was on the page. […]
Posted inNonfiction, Profiles & Interviews
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inNonfiction, Profiles & Interviews, Story
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inNonfiction, Quotes
Raymond Chandler on the Oscar Voting Process, Circa 1948
It doesn’t really seem to make much difference how the voting is done. The quality of the work is still only recognized in the context of success. A superb job in a flop picture would get you nothing, a routine job in a winner will be voted in. It is against this background of success-worship that the voting is done, with the incidental music supplied by a stream of advertising in the trade papers (which even intelligent people read in Hollywood) designed to put all other pictures than those advertised out of your head at balloting time.
Posted inNonfiction, Quotes
Robert Towne on Finding the Inspiration for ‘Chinatown’ at the Library
It wasn’t the compendium of facts in the chapter “Water! Water! Water!” or indeed in the entire book. It was that Carey McWilliams wrote about Southern California with sensibilities my eye, ear, and nose recognized. Along with Chandler he made me feel that he’d not only walked down the same streets and into the same arroyo-he smelled the eucalyptus, heard the humming of high tension wires, saw the same bleeding Madras landscapes-and so a sense of deja vu was underlined by a sense of jamais vu: No writers had ever spoken as strongly to me about my home.
Posted inNonfiction, Reading List
Mike Nichols: 1931-2014
Mike Nichols, the beloved director of stage and screen—from Who’s Afraid of Virginia Woolf? and The Graduate, to Barefoot in the Park and Working Girl— died Nov. 19, 2014 at the age of 83. Here are four pieces on the life of the artist.
Posted inNonfiction, Quotes
The Secret Behind Pixar's Storytelling Process
Fast Company has an excerpt from Creativity, Inc., the book by Pixar co-founder Ed Catmull (with Amy Wallace), which goes inside the creative process at the studio. Catmull attributes much of their creative success to their internal process for continually refining stories. It includes meetings with the Braintrust, a group of executives, directors and other […]
Posted inNonfiction, Quotes
The Writing Genius of Harold Ramis
Of all of his collaborations with Bill Murray, Groundhog Day was his masterpiece.
Posted inNonfiction, Quotes
Why Hollywood Will Never Look the Same Again on Film
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format […]