“Future visions tend to organize around narratives of gain or loss, dystopia or utopia. But what of the neutral position?”
creativity
Posted inEditor's Pick
Annie Dillard and the Writing Life
“Writers aren’t born, they’re made—from practice, reading, and a lot of caffeine. And sometimes tutelage.”
Posted inEditor's Pick
More Nothing Now
“We are most human when we play freely, imaginatively, pointlessly. Gamification risks atrophying that most precious capacity.”
Posted inEditor's Pick
There’s Something Dangerous About Sam Rockwell
“Ever since that monologue—you know the one—everyone knows who the legendary scene-stealer is. Still, his appetite for taking risks means he’ll never stop surprising us.”
Posted inQuestionnaire
The Longreads Questionnaire, Featuring Julian Brave NoiseCat
The author of We Survived the Night and co-director of Sugarcane responds to our 25 questions on writing, reading, and creativity.
Posted inQuestionnaire
The Longreads Questionnaire, Featuring Rebecca Solnit
The author of The Beginning Comes After the End talks about jackrabbits, her own “informational hypervigilance,” and the one word she won’t stop using.
Posted inQuestionnaire
The Longreads Questionnaire, Featuring Maria Popova
The creator of The Marginalian and author of the new book Traversal responds to 25 questions on writing, reading, and creativity.
Posted inEditor's Pick
Da Art of Storytellin’ (A Prequel)
“I’d heard that moan in the presence of older Southern black folk my entire life, but I’d never heard it connecting two rhymed verses. Art couldn’t get any fresher than that.”
Posted inEditor's Pick
Daniel Arnold’s New Pleasure? Missing the Shot.
“The street photographer speaks about New York City folklore, stepping away from Instagram, and his shifting priorities as an artist.”