Featuring stories from Blake Ellis, Melanie Hicken, Yahya Abou-Ghazala, Audrey Ash, Kyung Lah, Anna-Maja Rappard, Casey Tolan, Lou Robinson, and Byron Manley; Lindsey Liles; David Gauvey Herbert; Laura Trethewey; and Abe Beame.
CNN
Posted inEditor's Pick
How Elderly Dementia Patients Are Unwittingly Fueling Political Campaigns
“A CNN investigation reveals how deceptive political fundraising has misled elderly Americans into giving away millions of dollars.”
Posted inCuration
The Top 5 Longreads of the Week
This week’s edition highlights stories by Elissa Nadworny and Claire Harbage, Thomas Lake, Jeff Sharlet, Jasmine Attia, and Brett Martin.
Posted inEditor's Pick
The Deputy and the Disappeared
“A Latino man and a Black man went missing three months apart in Florida. Both vanished after getting in a patrol car driven by the same White deputy sheriff.”
Posted inEditor's Pick
The Oral History of CNN’s Election Week
“It took office naps, rousing renditions of Motownphilly, and a whole lot of coffee.”
Posted inNonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Doug Bock Clark, Thomas Lake, Leslie Jamison, Paul Thompson, and Jude Isabella.
Posted inCommentary, Nonfiction, Uncategorized
When Richard Nixon Declared War on the Media
Jim Acosta isn’t the first reporter to be barred from the White House—when Stuart Loory reported on the possibility that Richard Nixon was bilking taxpayers, he found himself on the president’s enemies list.
Posted inNonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Amy Wallace, Katherine Laidlaw, Lisa Miller, Porochista Khakpour, and Lauren Schwartzberg.
Posted inEditor's Pick
Why this Persian New Year is Different
A personal essay by Iranian-born novelist Porochista Khakpour about her apprehension and lack of excitement about Nowruz, the Persian New Year, at a time when it feels unsafe to be of Muslim heritage in America.
Posted inNonfiction, Quotes
How to Become a Cable-News ‘Expert’ Overnight
There was no intro course on how to be a cable-news expert. The Town Car would show up to take me to the studio, I’d sign in with reception, a guest-greeter would take me to makeup, I’d hang out in the greenroom, the sound guy would rig me with a mike and an earpiece, a producer would lead me onto the set, I’d plug in and sit in the seat, a producer would tell me what camera to look at during the introduction, we’d come back from break, the anchor would read the introduction to the story and then ask me a question or maybe two, I’d answer, then we’d go to break, I would unplug, wipe off my makeup, and take the car 43 blocks back uptown.