In her new book, Miranda Ward explores the unique place of almost-motherhood — an uncertain landscape characterized by waiting, wanting, hoping, and not-knowing.
Books
What A Time To Be In Decline
“Why, a decade ago, did my father give me the heavy gift of a controversial 100-year-old Oswald Spengler tome? It took a pandemic for me to find out.”
Why I Paid Tenfold to Buy Back the Rights for Two of My Books
Kiese Laymon on revision, radical friendship, and community.
A Pretty Penny
A review of two novels set in contemporary East Asia, If I Had Your Face by Frances Cha and Breast and Eggs by Mieko Kawakami. Both critique wealth, beauty, and power through the lens of various young women.
Why I’m Giving Myself Permission to Keep Writing at This Time
Our stories matter. And they are our legacies for future generations. (Plus: some free writing resources.)
“The Anger of Women is an Earth-shattering Thing”: Lidia Yuknavitch on Resisting the Hero Narrative and the Body as a Generator of Stories.
“I’m going to say a blasphemous thing, which is we are so fucking done with the hero’s journey. It has been to our peril.”
“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
Why I Wanted To Finish My Father’s Life’s Work
Karen Brown recalls the pain and joy of fulfilling a deathbed promise.
Exilium Vita Est: The Island Home of Victor Hugo
Emma Jacobs takes us on an illustrated journey of Hugo’s writing life in exile on Guernsey, where he completed Les Misérables.
The Little Book That Lost Its Author
How will artificial intelligence change literature?