Here, everyone hurries but no one arrives, everyone shows up but no one gets in, everyone’s a member but no one belongs.
ballet
The Reappearing Act
A personal essay in which, in the aftermath of an eating disorder, Audrey Olivero builds a new relationship with her body — through knife-throwing.
The Reappearing Act
In the aftermath of an eating disorder, Audrey Olivero builds a new relationship with her body — through knife-throwing.
The Reappearing Act
In the aftermath of an eating disorder, Audrey Olivero builds a new relationship with her body — through knife-throwing.
The Wrong Pair
After decades of shame, discrimination in the ballet world, and some serious back pain, Lisa W. Rosenberg concludes it’s time to down-size her double-E knockers.
Maybe Beauty Doesn’t Have to Mean Pain
Little girls flock to ballet classes, but the art isn’t kind to their bodies, autonomy, or sense of self. What has to change?
On Pointe: Reading on Ballet
Emily Perper shares their love of dance with five great reads on ballet.
Longreads Best of 2017: Arts & Culture Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in arts and culture writing.
Misty Copeland’s Achievement and the Future of Ballet
“My goal is to become the first African-American principal dancer with A.B.T.” -That’s Misty Copeland, in a 2014 profile in The New Yorker. She was promoted on June 30, becoming the first African-American female principal dancer in the American Ballet Theater’s 75-year history. Copeland got her start in ballet when she was 13: Cantine had […]