Tag: art
In the early twentieth century, a booming Los Angeles was separated from the river in three decisive steps. First, an aqueduct was built more than 200 miles north to water to the city from the Sierra Nevada—a move mythologized in the movie Chinatown. Then, the city took control of all water rights on the river. Finally, the […]
It has become harder over the last 130 years or so to see Van Gogh plain. It is practically harder in that our approach to his paintings in museums is often blocked by an urgent, excitable crescent of worldwide fans, iPhones aloft for the necessary selfie with Sunflowers. They are to be welcomed: the international reach […]
Today, Antoni Gaudí is unquestionably perceived as an architectural giant—seven of his works are UNESCO World Heritage Sites, and after an unlikely decades-long campaign for sainthood the legendary architect could be beatified in 2016—but interestingly, this wasn’t always the case. Martin Filler explored the Spanish Catalan architect’s legacy in a piece for the New York Review of Books. According to Filler, Gaudí languished […]
The professional cannot take rejection personally because to do so reinforces Resistance. Editors are not the enemy; critics are not the enemy. Resistance is the enemy. The battle is inside our own heads. We cannot let external criticism, even if it’s true, fortify our internal foe. The foe is strong enough already. A professional schools […]
I’ve spent much of my life in and in love with museums. When I was 10 years old, there was no mention of art in my home. But then my mother began driving me from the suburbs to the Art Institute of Chicago. There, she looked at art on her own for hours, leaving me […]
Philadelphia looms large in the personal mythology of David Lynch as a place that both terrorized him and changed the course of his life, his Gomorrah and his Rubicon in one. A product of small-town America, Lynch credits this onetime epicenter of urban blight with instilling in him a fear and disgust so extreme it […]
(Vincent) Van Gogh likely had a cadre of mental issues, none of which were suitably diagnosed while he was alive. Yet what seemed to weigh heaviest on him was the inevitability of his loneliness. According to his letters to Theo, he felt he had one of two options: content himself with loneliness or try to […]
Fifty years later, he awoke one fine morning like Rip Van Winkle, and found himself again with his sea bag on his shoulder looking for anywhere he could live and work. The new owner of his old flat now wanted $4,500 a month, and many of his friends were also evicted, for it seemed their buildings weren’t owned by San Franciscans anymore, but by faceless investors with venture capital. Corporate monoculture had wiped out any unique sense of place, turning the “island city” into an artistic theme park without artists. And he was on the street.
Collectors Weekly: Who started the music industry’s billboard trend?
Landau: As far as I can tell, it was the Doors in 1967 for their debut album. I talked with Jac Holzman—the head of Elektra Records who signed the Doors—while writing my book. In 1967, he had just come out here from the East Coast and opened an office on La Cienega Boulevard, not far from Sunset Boulevard, and it occurred to him that billboards were being used for everything except promoting records and music. A lot of radio stations where popular disc jockeys worked were farther east on Sunset, and he knew they drove on the Strip, and that the entertainment industry in general was based there.
I would describe [my career] as a slow incline with various dips rather than a steep trajectory, but I was relatively young when I did a show at DIA, then the Guggenheim, and represented the United States at the Venice Biennale. During that time, I also had a baby. Those three shows all took place within a few years, […]
Down in the schwahl, Malskat and the Feys set to work, attempting to reclaim history by scraping away the paint with which Olbers had tried to recapture the past. But subtracting what their predecessor had done—whether on account of Olbers’ pigments or the Feys’ incompetence—left almost none of the original paint. A nearly 700-year-old national […]
This country is too fucking big. I honestly think… In nature, if a cell gets too big, it divides. You can’t come up with a set of rules that’s going to work for 350 million people. You’re just not. So we’re stuck. Robert Kennedy had this great quote: “20 percent of people are against everything, […]
Though Eno drew and painted at both Ipswich and Winchester, he left school with no plans to become a fine artist. “I thought that art schools should just be places where you thought about creative behavior, whereas they thought an art school was a place where you made painters,” he said later. “I think negative […]
Alan Shapiro | Virginia Quarterly Review| Fall 2006 | 20 minutes (4,928 words) Alan Shapiro published two books in January 2012: Broadway Baby, a novel, from Algonquin Books, and Night of the Republic, poetry, from Houghton Mifflin/Harcourt. This essay first appeared in the Virginia Quarterly Review (subscribe here). Our thanks to Shapiro for allowing us to reprint […]
“When I lost my eyesight I thought my painting days were over.” Our video pick of the day is this 8-minute documentary on Hal Lasko, a 97-year-old man whose family introduced him to Microsoft Paint 15 years ago and “he took off with it.” Lasko, who suffers from macular degeneration, works in a style that’s a […]
A writer visits the home of Bryan Saunders, an artist known for his self-portraits created under the influence of a variety of drugs: We turn to the next one. ‘Whoa,’ I say. This one could not be less Xanax-like. The drawing is spindly and paranoid, and the page is patterned with real-life bullet holes. They […]
The only American designer for high fashion retailer Hermés lives in Waco, Texas—and works as a postal worker: Kermit was sitting in the living room, in an armchair covered by a red-and-white quilt. He stood up when I arrived. He was small-framed, with salt-and-pepper hair combed off his forehead. Dressed in loose khakis and an […]
A former employee’s story of working inside the Sotheby’s auction house: Hired as a researcher, I was assigned the task of going through the catalogues raisonnés of the Contemporary Art department’s top-grossing artists—Warhol, Koons, Prince, Richter, Rothko—and determining the whereabouts of every piece that had ever come onto the global market. The Excel spreadsheets I […]
Flechtheim was driven out of Germany by the Nazis—and many works from his galleries are now in private collections and museums around the world. A lawsuit brought by his heirs raises questions about provenance: Works in the MoMA online database today with Flechtheim in their provenance histories were sold prior to 1933, meaning they are […]
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