Posted inNonfiction, Profiles & Interviews

Interview: Kiera Feldman on Oral Roberts, God and Journalism

In our latest Longreads Exclusive, Kiera Feldman and Tulsa-based magazine This Land Press went deep into the downfall of the Oral Roberts family dynasty—how Richard Roberts went from heir to the televangelist’s empire, to stripped from his role at Oral Roberts University. Feldman, a Brooklyn-based journalist, and This Land Press have worked together before—her story […]

Posted inEditor's Pick

The Death of the Funeral Business

How our mourning rituals have evolved: It’s all part of the biggest trend in funerals: personalization. Taking a cue from Oprah, who reportedly has planned her own funeral, contemporary mourners are trying to make the worn outlines of ritual more authentic and meaningful. We’re singing “My Heart Will Go On” at services, and showing montages […]

Posted inEditor's Pick

From Here to Paternity

A visit behind the scenes of Maury Povich’s long-running daytime talk show—and how he ended up the reigning king of televised paternity tests: Listen to the familiar voice of Maury Povich: This is Tiffany. In two months, Tiffany is marrying her fiancé, Cornelius. But the results of this lie detector test may stop that wedding […]

Posted inNonfiction, Reading List

Stories About Unlikeable People

Emily Perper is a word-writing human working at a small publishing company. She blogs about her favorite longreads at Diet Coker. Last Thursday, the NBC series “Community” returned with its creator and original showrunner, Dan Harmon, at the helm. I like “Community.” I do. It’s warm and dark and funny and self-referential. In spite of its absurdity—perhaps […]

Posted inNonfiction, Reading List

Stories About Unlikeable People

Emily Perper is a word-writing human working at a small publishing company. She blogs about her favorite longreads at Diet Coker. Last Thursday, the NBC series “Community” returned with its creator and original showrunner, Dan Harmon, at the helm. I like “Community.” I do. It’s warm and dark and funny and self-referential. In spite of its absurdity—perhaps […]

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