Search Results for: romance

When Mary Martin Was the Boy Who Wouldn’t Grow Up

Ben Yagoda | Longreads | December 2014 | 12 minutes (3,094 words)

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One day early in 1954, Mary Martin and her husband, Richard Halliday, were driving on the Merritt Parkway, near their home in Norwalk, Connecticut. On the car radio came Frank Sinatra’s new hit, “Young at Heart.” It was perfect! That is, the song had the exact sentiment and feel they wanted for the pet project they’d long been planning, a musical version of J.M. Barrie’s 1904 play Peter Pan (original subtitle: “The Boy Who Wouldn’t Grow Up”). Right on the spot, they decided they’d hire whoever had written the song to compose the score for their production.

It turned out that the words were by a young New Yorker, Carolyn Leigh, and the music by the veteran West Coast jazzman Johnny Richards. The next morning the phone rang in Leigh’s apartment, and a man who identified himself as Richard Halliday said that he and Martin wanted her to write the lyrics for Peter Pan. “Naturally, I thought somebody was kidding,” Leigh told a reporter. “That sort of thing just doesn’t happen. So I arranged to call him back at his office, and I did and it was him all right.”

Leigh told Halliday she had a new partner, a young composer named Morris “Moose” Charlap, and in short order the two had a meeting with Martin, Halliday, and Jerome Robbins, who was to direct and choreograph the show. Leigh, who at that point had only seen one musical in her life, recounted years later, “I remember singing a line to Jerry, ‘If I can live a life of crime, and still be home by dinnertime,’ and we got a nod of approval from him.”

She and Charlap went on to write the score (with a little help from some songwriting veterans), and on October 20, 1954, Peter Pan—with Martin as Peter—opened on Broadway to enraptured audiences and rave reviews. Several months later, NBC broadcast the production live on television. It was an even bigger sensation, attracting 65 million viewers—still the fourth biggest audience of all time for a scripted TV show. Read more…

#Nightshift: Minneapolis

Excerpts from an Instagram essay, by Jeff Sharlet. See part one.

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The Art of Arrival: Rebecca Solnit on Travel and Friendship

Rebecca Solnit | Orion | Summer 2014 | 20 minutes (4,780 words)

OrionOur latest Longreads Exclusive comes from Rebecca Solnit and Orion magazinesubscribe to the magazine or donate for more great stories like this.
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The word “journey” used to mean a single day’s travels, and the French word for day, jour, is packed neatly inside it, like a single pair of shoes in a very small case. Maybe all journeys should be imagined as a single day, short as a trip to the corner or long as a life in its ninth decade. This way of thinking about it is a;rmed by the t-shirts made for African-American funerals in New Orleans and other places that describe the birth date and death date of the person being commemorated as sunrise and sunset. One day. Read more…

Interview: Kiera Feldman on Oral Roberts, God and Journalism

In our latest Longreads Exclusive, Kiera Feldman and Tulsa-based magazine This Land Press went deep into the downfall of the Oral Roberts family dynasty—how Richard Roberts went from heir to the televangelist’s empire, to stripped from his role at Oral Roberts University.

Feldman, a Brooklyn-based journalist, and This Land Press have worked together before—her story “Grace in Broken Arrow” was named our top pick for Best of Longreads 2012, and it explored another scandal inside a religious institution, sex abuse at a Tulsa Christian school. I exchanged emails with Feldman to discuss the making of the Oral Roberts story, and her start in journalism.

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Falling: Love and Marriage in a Conservative Indian Family

Illustration by Laura McCabe

Debie Thomas | River Teeth | Summer 2013 | 17 minutes (4,194 words)

River TeethFor this week’s Longreads Member Pick, we are thrilled to share an essay from Ashland, Ohio’s narrative nonfiction journal River Teeth. Longreads readers can receive a 20 percent discount off of a River Teeth subscription by going here.
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Call It Rape

Margot Singer | The Normal School | 2012 | 23 minutes (5,683 words)

The Normal SchoolThanks to Margot Singer and The Normal School for sharing this story with the Longreads community.
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Still life with man and gun

Three girls are smoking on the back porch of their high school dorm. It’s near midnight on a Saturday in early autumn, the leaves not yet fallen, the darkness thick. A man steps out of the woods. He is wearing a black ski mask, a hooded jacket, leather gloves. He has a gun. He tells the girls to follow him, that if they make a noise or run he’ll shoot. He makes them lie face down on the ground. He rapes first one and then the others. He walks away. Read more…

How YouTube and Internet Journalism Destroyed Tom Cruise, Our Last Real Movie Star

Longreads Pick

A look back at 2005, the year YouTube, Perez Hilton and Oprah’s couch changed how we looked at celebrity:

Hilton had already nicknamed Brad Pitt and Angelina Jolie “Brangelina” (“It was just such a long time ago that people don’t remember,” he sighs). When Cruise coupled with Katie Holmes, Hilton was thrilled to have another massive romance to flog. TomKat went public on April 27, and PerezHilton.com embraced their relationship with exuberant cynicism. Wrote Hilton, “We can’t get enough of the TomKat show because eventually the paint will start to chip and we will hopefully see all the ugliness as openly as we’ve been shoved the lovey-dovey bullshit.”

Source: LA Weekly
Published: May 20, 2014
Length: 20 minutes (5,090 words)

Dating in the 21st Century: A Reading List

How do I love thee? Let me count the ways.

1. “Love Me Tinder.” (Emily Witt, GQ, January 2014)

The denizens of Tinder in all their weird, wild, witty glory.

2. “Dating While Trans: The Doldrums.” (Audrey Arndt, The Toast, May 2014)

For a long time, Audrey openly described herself as transgender in her OKCupid profile.

3. “Forever Single: DATING WHITE PPL.” (Soleil Ho, Infinite Scroll, January 2014)

Or “11 Challenges of Having a White Partner” as a person of color.

4. “Dating on the Autism Spectrum.” (Emily Shire, The Atlantic, August 2013)

For many autistic teens and adults, the flirting, dating and the rest of the romance rigamarole don’t come easy. That’s where programs like PEERS come in.

Photo: David Goehring

All Aboard: Four Stories About Trains

Ah, the romance of the rails. I still bear vivid memories of my family’s post-Christmas train ride to New York City when I was an adolescent. I listened to my non-Apple mp3 player and watched, wide-eyed, the people and places passing by. Last year, I hopped commuter train after commuter train trying to bridge the unwieldy path of public transit from Baltimore to Washington, D.C. Today, my social media feeds are overrun with my writerly friends pining for a free Amtrak ticket and a quiet place to work. All aboard, indeed.

1. “Small Towns in Southwest Fear Loss of Cherished Train Line.” (Dan Frosch, New York Times, Feb. 2014)

The Southwest Chief train line is a historic fixture in small-towns in New Mexico, and its absence might bring about their demise.

2. “Train in Vain.” (Evan Kindley, n+1, March 2014)

A reality check for the writers salivating over the possibility of Amtrak’s writer residency.

3. “Starchitect Trio: The Men Behind Germany’s Building Debacles.” (Der Spiegel, June 2013)

Billions of euros, year-long delays in construction — just what is going on in Stuttgart’s train station?

4. “How to Spend 47 Hours on a Train and Not Go Crazy.” (Nathaniel Rich, New York Times Magazine, Feb. 2013)

Why do people choose to travel cross-country via train? Meet the passengers of the Sunset Limited.

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Photo: Feliciano Guimarães

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Swiping Right in the 1700s: The Evolution of Personal Ads

Noga Arikha | Lapham’s Quarterly | 2009 | 13 minutes (3,200 words)

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In 1727, a lady named Helen Morrison placed a personal advertisement in the Manchester Weekly Journal. It was possibly the first time a newspaper was ever used for such a purpose. As it happens, Morrison was committed to an asylum for a month. Society was clearly not ready for such an autonomous practice, especially on the part of a woman. But personal ads quickly became an institution. Heinrich von Kleist’s celebrated novella The Marquise of O, first published in 1810 (and said by Kleist to be “based on a true incident”) opens on the newspaper ad placed by “a lady of unblemished reputation and the mother of several well-brought-up children,” to the effect “that she had, without knowledge of the cause, come to find herself in a certain situation; that she would like the father of the child she was expecting to disclose his identity to her; and that she was resolved, out of consideration for her family, to marry him.” Read more…