In this excerpt from The Creative Nonfiction Podcast, host Brendan O’Meara talks to Seyward Darby about “Fault Lines,” her Atavist writing debut.
Search results
Posted inReading List
Stranger Things: A Reading List of Unsolved Mysteries
Tales of odd phenomena stoke our imagination even as they tease us.
Posted inCuration, Nonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Kevin Fagan, Sarah Ravani, Lauren Hepler, and J.K. Dineen, Eric Boodman, Gabrielle Anctil, Joe Hagan, and Emmanuel Vaughan-Lee.
Posted inAuthor Notes, Blog Post, Commentary, Essays & Criticism, Highlight, Nonfiction
Why I’m Giving Myself Permission to Keep Writing at This Time
Our stories matter. And they are our legacies for future generations. (Plus: some free writing resources.)
Posted inBooks, Essays & Criticism, Story
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Posted inFeature
A Hand From One Page, A Bomb From Another:Â Rethinking “Spy vs. Spy”
The iconic comic strip may seem simple, but its central metaphor has proven impossible to replicate.
Posted inHighlight, Science & Nature, Writing
How Should We Talk About Suicide Online?
“People are dying after joining a “pro-choice” suicide forum. How much is the site to blame?”
Posted inNonfiction
An Unseen World: A Reading List about Fermentation
Ferments are found in every culture and cuisine on earth, and the history of their production is deeply interwoven with our own.Â
Posted inEditor's Pick
Books Are Not Products, They Are Bridges: Challenging Linear Ideas of Success in Literary Publishing
With five books to her name, an innovative author untangles the ways the white, patriarchal, capitalist publishing economy shapes authors’ sense of self-worth, literary identity, and inherited ideas about big versus small presses, and good versus break-out books.
