Posted inEditor's Pick

What Does the Book Business Look Like on the Inside?

Memories and bad math from Menaker’s life in the publishing business, excerpted from his memoir My Mistake: “We make about $3 for each hardcover sale, $1 for each paperback.” “So if we sell 10,000 hardcovers, that’s $30,000.” “Right.” “And say 10,000 paperbacks. That’s $40,000.” “Right—so the P-and-L probably won’t work. So we have to adjust […]

Posted inEditor's Pick

Vanity Fair, The Rebirth

Condé Nast executives, editors, designers and writers look back on the 1983 relaunch of Vanity Fair, which originally stopped publishing in 1936 and had been folded into Vogue: As word leaked out that the company was pumping more than $10 million into the magazine, the sniping began. An enterprising Chicago Tribune reporter tracked down Clare […]

Posted inEditor's Pick

The Andrew Wylie Rules

The renowned literary agent on his hatred of Amazon, commercial fiction, and the future of book publishing: “I didn’t think that [in 2010] the publishing community had properly assessed—particularly in regard to its obligations to writers—what an equitable arrangement would look like. “And I felt that publishers had made a huge mistake, because they were […]

Posted inEditor's Pick

Will Work for Inspiration

David Byrne on whether New York City can hold onto its creative class: “This city doesn’t make things anymore. Creativity, of all kinds, is the resource we have to draw on as a city and a country in order to survive. In the recent past, before the 2008 crash, the best and the brightest were […]

Posted inNonfiction, Reading List

Stories About Unlikeable People

Emily Perper is a word-writing human working at a small publishing company. She blogs about her favorite longreads at Diet Coker. Last Thursday, the NBC series “Community” returned with its creator and original showrunner, Dan Harmon, at the helm. I like “Community.” I do. It’s warm and dark and funny and self-referential. In spite of its absurdity—perhaps […]

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