The Paris Review launches a monthly column to shine light on women writers from the past who have been under-recognized.
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My Editor Was Black
“Debut author Naima Coster on working with Morgan Parker, the whiteness of publishing, and literary self-determination.”
Shelved: Brian Wilson’s Adult/Child
Music from the time after the good vibrations ended.
If I Made $4 a Word, This Article Would Be Worth $10,000
Journalism’s one percent would rather make up a fake feud than address the reality of the industry’s pay disparity, which benefits them and no one else.
Prince of the Midwest
For one Wisconsin farm boy, Minneapolis will always be the city of Purple Rain.
Learning from Perimenopause and a Kpop Idol
Struggling with fluctuating hormones, Wendy Gan is inspired by the musician Mino to stop muting herself and return to writing.
On Keeping a Notebook: A Reading List
In this reading list, Jeanne Bonner ruminates on the joys of writing by hand and keeping a notebook.
Why Reading Sherman Alexie was Never Enough
In the wake of several women speaking out about being sexually harassed by Native American author Sherman Alexie, and/or having their careers derailed by him, writer Jacqueline Keeler interrogates the tokenism and minimal representation in publishing that gave Alexie so much power.
These Writers Are Launching A New Wave Of Native American Literature
A new generation of indigenous writers reject the aesthetics and standards of the white publishing world. And finally, the first Native-focused MFA program is here to facilitate their visions and voices, and make Native Americans more visible in literature.
Baring the Bones of the Lost Country: The Last Paleontologist in Venezuela
In light of recent events in crisis-ridden Venezuela, its last vertebrate paleontologist puts together key pieces of the baffling puzzle that the country has become in the past couple of decades.
