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Alex Pappademas: My Top 5 Longreads of 2010

Alex Pappademas is a staff writer for GQ

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Rules: Nothing not published this year, nothing from GQ, because I work there, and—in the spirit of the assignment—nothing I didn’t first read on my iPhone. (And I realize now, having done this whole thing, that everything on the main list is from a print-based publication, which should not be taken as some kind of a Statement. I still love you, Internet!)

Michael Kruse, Lonely, Stressed and Frustrated: Inside the Mind of the Pinellas Monkey (St. Petersburg Times, May 16, 2010)

Best celebrity profile I read this year, and it’s a write-around. About a monkey. “People who are alone tend to make self-destructive decisions. They might drink too much or not eat right. They start giving up. And the monkey here, he explains, isn’t all that different.”

Mark Harris, The Red Carpet Campaign (New York, 2/7/10)

Reported essay about awards-season swirl and how the pseudo-event sausage of the Academy Awards gets made. The gist: “A good Oscar narrative makes voters feel that, by writing a name on a ballot, they’re completing a satisfying plotline. Only a few of these stories are effective, and every campaign season, movies scramble to own them.” Sprawling yet surgical; managed to make me care, in February, about a subject I’m usually utterly post-give-a-shit about by Thanksgiving.

Rob Tanenbaum, The Playboy Interview: John Mayer (Playboy, March 2010)

Yeah, this is the one where Mayer rendered himself culturally leprous with a few spectacularly ill-advised comments about African-Americans and his weiner— but it’s also the best Q&A with a rock personality I read this year. Speaking as somebody who does this for a living: It’s hard to get something interesting out of a subject who’s reluctant or dumb, but it’s actually way harder to take a quote machine like Mayer— who’s historically used compulsive self-disclosure and meta-acknowledgements of what he knows about the interview process to completely run the table in these situations— somewhere he doesn’t want to go. And, uh, obviously, that’s what happened.

Chris Jones, Roger Ebert: The Essential Man (Esquire, February 2010)

I spent an embarrassing amount of time—like, months—working on a snakebit-from-the-beginning Ebert profile for GQ five years ago. It never ran, mostly because it sucked. Sucked on draft 1, sucked worse on draft 18. (Like Rog once said about certain reviews: “The bad ones take forever.”) So I was all ready to hate this Ebert story just for existing and appearing in a magazine and reminding me of how spectacularly I blew it in 2005—but I didn’t, because it’s so goddamn good it turned off the part of my brain that hates people for being better than me. That part where Ebert gets mad at Disney’s copyright police for taking down YouTube videos of him and Siskel, and because he can’t yell, he makes the font bigger and bigger? “He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they’re just letters, but he keeps hitting the button, bigger and bigger still, now just shapes and angles, just geometry filling the white screen with black like the three squares. Roger Ebert is shaking, his entire body is shaking, and he’s still hitting the button, bang, bang, bang, and he’s shouting now. He’s standing outside on the street corner and he’s arching his back and he’s shouting at the top of his lungs.” Holy fucking shit.

Joe Hagan, The Return of Governor Moonbeam, And Other Hallucinations From The Golden State (New York, October 10, 2010)

Schwarzenegger, Jerry Brown and Meg Whitman contest the California narrative as the state, fiscally gut-shot by the housing collapse, tumbles broke and stoned into the sea; Hagan weaves Jerry’s free-association and Schwarzenegger’s puny-humans ranting and Meg Whitman’s total carpetbagging bullshit in and out of a bunch of elegant set pieces—the Hyatt-ballroom rally, the pot dispensary, David Boies’ beach house. The obvious comparison to make when you’re talking about a story where a writer tries to comprehend weed-hazy apocalyptic California is Joan Didion, but the real bookend for this one—culturally, decade-wise, whatever—is the series of dispatches Hank Stuever filed from L.A. and Sacramento back in 2003, during the nutsoid recall election that led to Schwarzenegger taking office in the first place. (They’re collected in his book OFF RAMP as one essay, “Recallifornia”; the story about Gary Coleman is here. Read those and Joe’s story back to back, groove on the paradox of Californian perma-decline.)

Honorable mentions, aka “I could have done 15 of these”:

Jay Caspian Kang, The High Is Always The Pain and the Pain Is Always the High (The Morning News, 10/8/10), which I read after everybody else put it on their Top 5 lists, so I’m not counting it, because totally arbitrary rules are rules.

Sean Witzke, Emma Peel Sessions 39 – ‘Have you seen the Lady From Shanghai? Orson Welles… that one makes no sense’ (supervillain.wordpress.com, 7/5/10)

Molly Lambert, In Which We Eagerly Await Aaron Sorkin’s Friend Request (thisrecording.com, 10/7/10)

Michaelangelo Matos, eMusic Q&A: Rob Sheffield (17dots, 8/5/10)

Mary HK Choi and Natasha Vargas-Cooper, On ‘New Moon’: ‘Teenage Female Desire Manifest’ (The Awl, 11/20/10)

Oh, and it’s from 2009, but: Chris Stangl, Ghost Train: The Lost Pauline Kael Review of PLAN 9 FROM OUTER SPACE (1959) (The Exploding Kinetoscope, 7/7/09)

Aileen Gallagher: My 2010 Longreads

Aileen Gallagher is Assistant Professor of Multiplatform Journalism at Syracuse University.

agallagher:

Don Peck’s How a New Jobless Era Will Transform America (The Atlantic, March 2010)

Bleak, but I’ve never read a better numbers story.

Nick Blakeslee’s Alex Jones is About to Explode (Texas Monthly, March 2010)

Jones is sort of Glenn Beck meets Art Bell and Blakeslee nails the complex conflict of the man and the showman.

Tad Friend’s Sleeping With Weapons (New Yorker, August 16, 2010)

Profile of Lounge Lizard John Lurie starts off so well I use it in class: “From 1984 to 1989, everyone in downtown New York wanted to be John Lurie. Or sleep with him. Or punch him in the face.” 

Luke Dittrich’s The Man Who Would Fall to Earth (Esquire, August 2010)

I did not expect to get through this story, let alone love it. (The story in the same issue about the perfect Price is Right bid is more my bag.) This is how you take a pontentially complicated story about an event (the freefall jump from space) and make it about people.

Dana Priest’s Top Secret America (Washington Post, July 2010)

Priest is such a meticulous, awesome reporter.  She’s sourced like Sy Hersch. This is not as readable as her Walter Reed series, but equally depressing and even more important to our country.

Jared Keller: Top 5 Longreads of 2010

Jared Keller, in addition to being in charge of the whole internet, is also social media editor for The Atlantic.

michellelegro:

Trust in what Jared says. He’s in charge of, like, the whole internet. Or at least the portion of it housed in the Watergate building. 

jbkeller:

Dan Baum, “Happiness Is A Worn Gun” (Harpers, August 2010)
 
Many knee-jerk opponents of gun rights have never handled a gun before, so what happens when one liberal wears a concealed weapon? The Harpers articles is subscription only, but it’s worth subscribing just to read about Baum’s psychological transformation as a concealed gun owner.
 
Rebecca Mead, “Rage Machine” (The New Yorker, May 24, 2010)

I despise most everything about Andrew Breitbart – his personality, his politics, his smear tactics – but I loved this profile. Mead made him almost loveable.

Graeme Wood, “Prison Without Walls” (The Atlantic, September 2010)

This story has been done before, but I have an odd fascination with surveillance and surveillance states.

Robin Marantz Henig, “What Is It About 20-Somethings?” (New York Times Magazine, August 18th, 2010)

Caught between economic recession and a poisonous political environment, why do young people take so long to grow up? For maximum impact, read “The Recessions Long Shadow” which appeared in the March 2010 issue of The Atlantic, immediately beforehand.

Wayne Curtis, “Gunpowder On The Rocks” (The Atlantic, November 2010)

A New Zealand bartender learns what pirates and sailors knew long ago: explosives and liquor mix just fine.

Michelle Legro: My Top 5 Longreads of 2010

Michelle Legro is an editor for Lapham’s Quarterly (who you should be following on Tumblr!)

michellelegro:

If you aren’t one of the more than 10,000 people who follow @longreads on Twitter, or get the Longreads Instapaper feed on your iPhone or iPad, then do so immediately. Every day there are perfectly curated features of long-form journalism, new and old, to discover and send along to others.

1. Garry Kasparov, “The Chess Master and the Computer” (NYRB) + Clive Thompson, “What is IBM’s Watson?” (NYT Magazine)

Did you know that 2010 is the year grandmaster Garry Kasparov declared man’s battle for chess supremacy over machines at an end? Instead, the machine must take on a new game, and the subtle questions of Jeopardy are the next ambitious goal for IBM programmers. 

2. Veronica Mittnacht, “An Advice Columnist Asks for Advice” (The Rumpus)

Of the many, many essays about navigating life after college, this one really takes to heart the essential contradiction of youth: “How did we become so ambitious and afraid?”

3. Ed Dante, “The Shadow Scholar” (Chronicle of Higher Education)

Speaking of fear, be afraid. Not of the skills of this professional paper writer—who can charm a twenty-five page essay about any topic you like from mid-air. Be afraid of everyone out there who has ever used him. Doctors, nurses, businessmen, teachers, seminary students, everyone

4. Zadie Smith, “Generation Why?” (NYRB) + Jose Antonio Vargas, “The Face of Facebook Opens Up” (The New Yorker)

It’s really worth getting to the dark heart of the Zuckerberg in this NYer profile before reading Smith’s screed about Facebook and the Social Network, if just to get some perspective. 

5. And the best Longread of 2010 is, without a doubt, the very insightful, funny, and of course frustrating look into the Senate by George Packer, “The Empty Chamber” (The New Yorker) Please, just give him all the National Magazine Awards right now. 

A song called “A Freak Like Me Needs Company,” for the eight-stilettoed Arachne and her Furies to sing near the end of the show, was apparently less right. “I thought, and still do, that it would be a hit,” says Bono. “A percussive eighties Paradise Garage dance piece with a fantastic hook. Julie was like, ‘No … ’ And I said, ‘Julie, isn’t this what you call a ten o’clock number?’ And she goes, ‘Who cares what time it is?’ 

A Web and a Prayer

Longreads Pick

Profile of Julie Taymor and the $70 million “Spider-Man: Turn Off the Dark.” Much has transpired in the eight and a half years since Tony Adams, the original producer, having struck what some insiders say was a crippling deal with Marvel for the stage rights for Spider-Man, approached Bono and the Edge, of the rock group U2, about writing the songs. They in turn approached Taymor, then finishing her movie “Frida,” to direct. (“We were only going to do it if we could do it with Julie,” says Bono, who had loved Taymor’s “The Lion King.”) After reading through the original comic books and realizing that they offered “a mythology as authentic as any other,” she agreed. “Every age has its own myth that becomes more potent than others,” she says. “And this is ours.”

Published: Nov 22, 2010
Length: 25 minutes (6,315 words)

Dancing Near the Stars

Longreads Pick

Profile of “Jersey Shore”‘s Mike “the Situation” Sorrentino. “Sure, they all got shithouse drunk and screamed bleeped curse words in one another’s faces and flashed their thongs and referred to girls who didn’t meet their rigorous physical-attractiveness standards as ‘grenades’ and generally embodied every negative stereotype associated with Italian-American culture you can embody without murdering someone for control of a gambling syndicate. But they never seemed less than totally genuine, something you can’t say about the last ten years of ‘Real World’ fuckbots, and they lived, for the most part, by a bro code, and they kept each other in line, and they always said grace at dinner. They were less like the Sopranos and more like the Simpsons—irascible cartoons with skin tones not found in nature, accused of contributing to the decline of family values while actually reaffirming those values. And over the course of two seasons, they’ve grown into the most charismatic characters on TV.”

Source: GQ
Published: Nov 22, 2010
Length: 24 minutes (6,196 words)

Smash

Longreads Pick

The Booker Prize winner Howard Jacobson profiles hardbat ping-pong champ Marty Reisman, who never lost his taste for winning

Source: Tablet Magazine
Published: Oct 11, 2010
Length: 26 minutes (6,683 words)

Greg Giraldo Before He Was Greg Giraldo

Longreads Pick

Ten years ago, Esquire profiled several young professionals who, ten years before that, had graduated from Harvard Law School and thrown away their degrees. One of them was comedian Greg Giraldo, who died on Wednesday of a drug overdose. This is the obituary of his first life.

Source: Esquire
Published: Aug 1, 2000
Length: 7 minutes (1,959 words)

The Unconsoled

Longreads Pick

A writer’s tragedy, and a nation’s. Profile of David Grossman

Source: The New Yorker
Published: Sep 27, 2010
Length: 41 minutes (10,302 words)