Longreads Pick
This week, we're excited to feature a Longreads Exclusive from David Kushner (@DavidKushner), a contributing editor to Rolling Stone whose work has also appeared in The New Yorker, Vanity Fair, GQ and Wired. He's been featured many times on Longreads, and he's the author of Jacked: The Outlaw Story of Grand Theft Auto.
“Cormac McCarthy’s Apocalypse” is Kushner's 2007 Rolling Stone profile of the Pulitzer Prize-winning author of The Road, No Country for Old Men and All the Pretty Horses. Kushner explains how he first met the reclusive writer:
"I owe my Cormac McCarthy story to two people: Harvard physicist Lisa Randall, and my dad. My dad urged me to read Cormac's books when I began writing for my college newspaper. The sentences are amazing, he said. He was right, and I read every one of them. Years later, I was interviewing Randall for Rolling Stone when she told me that Cormac had done an edit of her most recent book on theoretical physics. Come again? I said. Cormac hangs out at the Sante Fe Institute, she explained, a science research center in the foothills of New Mexico. After meeting him there, he offered to read her book—and surprised her by sending back an edited copy of the manuscript. Hmm, I said. Can I interview him about you for the story?
"Randall laughed, and I knew why. Cormac had a reputation for being reclusive, and had only done a couple interviews over his career. It's a long shot, she said, but she'd give it a try. A few minutes later my phone rang. You're not going to believe this, she said, but he'll talk with you.”
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Published: Dec 1, 2007
Length: 16 minutes (4,196 words)
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A profile of Rhonda Roby, a forensic scientist who has identified the bodies of victims of 9/11, victims of serial killer John Wayne Gacy, Vietnam and Korean War MIAs, bodies of the Romanov family, victims buried in Chilean mass graves, and more:
Standing there in the middle of the smoking apocalypse of the Twin Towers, she pushed aside emotion and forced the scientist part of her brain to click. ‘I kept thinking, “These people are walking on my crime scene.”’ She checks herself. “’Well, not my crime scene, but the crime scene. Of course, I wanted to identify as many remains as possible.’
While firemen and policemen all around her desperately searched for signs of life, Roby was doing math. At the time, she was the forensic manager for Applied Biosystems, a private biotech company. She stepped into the scene at 9/11 as one of the world’s leading experts in mitochondrial DNA, with hard-core experience identifying victims of mass disasters from tiny fragments of bone. There were thousands of dead. It would be necessary to sequence about 1,000 bases of DNA information on each sample of human remains, the painstaking process required to order the building blocks of a person’s unique DNA.
In the end, Roby led a team that processed 21,000 DNA samples dug from the rubble of the World Trade Center. She will go down in history as one of the scientists who rushed to Ground Zero, including superstar biologist Craig Venter, famous for his work deciphering the human genetic code. Venter, instrumental in tapping her expertise for 9/11, became a friend through the experience.
“Naming the Dead at Ground Zero.” — Julia Heaberlin, D Magazine
More by D Magazine
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Longreads Pick
A profile of Rhonda Roby, a forensic scientist who has identified the bodies of victims of 9/11, victims of serial killer John Wayne Gacy, Vietnam and Korean War MIAs, bodies of the Romanov family, victims buried in Chilean mass graves, and more:
“Standing there in the middle of the smoking apocalypse of the Twin Towers, she pushed aside emotion and forced the scientist part of her brain to click. ‘I kept thinking, “These people are walking on my crime scene.”‘ She checks herself. ‘”Well, not my crime scene, but the crime scene. Of course, I wanted to identify as many remains as possible.”
“While firemen and policemen all around her desperately searched for signs of life, Roby was doing math. At the time, she was the forensic manager for Applied Biosystems, a private biotech company. She stepped into the scene at 9/11 as one of the world’s leading experts in mitochondrial DNA, with hard-core experience identifying victims of mass disasters from tiny fragments of bone. There were thousands of dead. It would be necessary to sequence about 1,000 bases of DNA information on each sample of human remains, the painstaking process required to order the building blocks of a person’s unique DNA.
“In the end, Roby led a team that processed 21,000 DNA samples dug from the rubble of the World Trade Center. She will go down in history as one of the scientists who rushed to Ground Zero, including superstar biologist Craig Venter, famous for his work deciphering the human genetic code. Venter, instrumental in tapping her expertise for 9/11, became a friend through the experience.”
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Published: Oct 24, 2012
Length: 18 minutes (4,634 words)
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A profile of Gov. Mitt Romney’s eldest son Tagg, and his family’s “myth of self-reliance”:
Not long after graduating from Harvard Business School, he turned down offers from several prominent firms to join an obscure start-up called eGrad, whose meager resources gave it a kind of grunge aesthetic: secondhand furniture and heating so erratic he brought in blankets to keep warm. When Tagg wasn’t cold calling would-be corporate partners, he could sometimes be found packaging merchandise and mailing it. But making it on your own is never so clear-cut when you’re a Romney. Some of the biggest meetings he landed were with Staples, which his father had funded at Bain Capital, and General Motors, a company where his last name still carried weight.
Tagg’s biography is littered with similar stories—short cuts he couldn’t have taken without his last name, obstacles that melted away before he was even aware of them. And yet, thanks to the Romney myth, he and his family believe that most of what he has achieved comes from old-fashioned industriousness, not older-fashioned status and wealth.
Tagg’s blind spots, however, are largely forgivable. Everyone looks in the mirror on occasion and sees a taller, thinner, more virtuous version of himself. The problem is that Tagg’s blind spots are also Mitt’s. And Mitt’s peculiar version of reality doesn’t just drive him personally; it skews his politics and shapes his policies. It distorts his entire vision of how a president should govern.
“Growing Up Romney.” — Noam Scheiber, The New Republic
More by Scheiber
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Longreads Pick
A profile of Gov. Mitt Romney’s eldest son Tagg, and his family’s “myth of self-reliance”:
“Not long after graduating from Harvard Business School, he turned down offers from several prominent firms to join an obscure start-up called eGrad, whose meager resources gave it a kind of grunge aesthetic: secondhand furniture and heating so erratic he brought in blankets to keep warm. When Tagg wasn’t cold calling would-be corporate partners, he could sometimes be found packaging merchandise and mailing it. But making it on your own is never so clear-cut when you’re a Romney. Some of the biggest meetings he landed were with Staples, which his father had funded at Bain Capital, and General Motors, a company where his last name still carried weight.
“Tagg’s biography is littered with similar stories—short cuts he couldn’t have taken without his last name, obstacles that melted away before he was even aware of them. And yet, thanks to the Romney myth, he and his family believe that most of what he has achieved comes from old-fashioned industriousness, not older-fashioned status and wealth.
“Tagg’s blind spots, however, are largely forgivable. Everyone looks in the mirror on occasion and sees a taller, thinner, more virtuous version of himself. The problem is that Tagg’s blind spots are also Mitt’s. And Mitt’s peculiar version of reality doesn’t just drive him personally; it skews his politics and shapes his policies. It distorts his entire vision of how a president should govern.”
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Published: Oct 19, 2012
Length: 17 minutes (4,294 words)
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Longreads Pick
Searching for love, meaning—and yes, sex—after 10 years in the online hookup scene:
“I am at my local hipster restaurant, in Park Slope. The young straight guys next to me are talking about how the dating website Plenty of Fish has a new GPS-oriented smartphone app that finds women nearby, listing their profiles and proximity, and of course, showing a photo.
“‘Look at this one!’ says one guy, tapping and stroking his phone, ‘I hooked up with her last week.’ They all gather around and look at her. ‘She’s, like, three hundred feet away from here.’ They are practically shivering with excitement at the ease and abundance of potential partners suddenly available to them.
“I sit at the end of the bar and laugh to myself like an old, salty sea captain. Once again, gay guys are a step ahead.”
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Published: Oct 8, 2012
Length: 20 minutes (5,208 words)
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A rant about Grizzly Bear and writing with an audience in mind
austinkleon:
There’s a good profile of the band Grizzly Bear by Nitsuh Abebe with the headline-as-question: “Grizzly Bear Members Are Indie-Rock Royalty, But What Does That Buy Them in 2012?” Spoiler: not much. Everyone who’s interested in making a living in the music business and what it means to be “big” in the indie scene should give it a read. (I was a little surprised how much their rundown read like Steve Albini’s classic “some of your friends are already this fucked.”)
What’s truly strange to me is how divorced these guys seem to be from the old-school music notion of writing “a hit” — a song that moves units, yes, but also moves asses (and hearts) — while simultaneously being baffled by why their songs aren’t played on the radio.
“I’ve always thought we write pop music,” Ed Droste says. “I think songs of ours could be on the radio. They’re not.”
Having actually listened to their music (I’m in the “suffocatingly fuss[y]” camp), this is baffling to me.
Austin Kleon on Nitsuh Abebe’s Grizzly Bear profile in New York magazine (featured yesterday on Longreads), and what it means to “write hits.” Some additional background from Abebe here.
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John Fairchild turned his family’s dry fashion trade journal, Women’s Wear Daily into one of today’s most influential fashion publications. The 85-year-old looks back on his controversial career:
Unlike in Paris, where couture designers were revered, Seventh Avenue was then dominated by garmentos while the designers toiled in the back rooms as relative unknowns. Fairchild set out to change that dynamic. ‘John came back from Paris and went to the fashion houses here and said, “I don’t want to talk to the manufacturers—I want to talk to the person who makes the dresses,” ’ says de la Renta, who was working for Elizabeth Arden at the time. ‘For all of us, there’s a great debt to be paid to John Fairchild, because he’s the first one to put American designers on the map.’
WWD began publishing personality profiles of the designers, elevating them to celebrity status, writing about their travels, vacation homes, and, in titillating fashion, love lives. As one veteran WWD staffer puts it, ‘Mr. Fairchild always likes to know, “Who’s doing the boom-boom?” ’ The newspaper covered society in cheeky and irreverent fashion. Rummage through the archives of WWD and W at the company’s Third Avenue offices and, even a half-century later, the ‘Eye’ columns are deliciously entertaining, filled with gossip and photographs of ‘the ladies who lunch’ and ‘Jackie O’—phrases coined by Fairchild. He is widely credited with coming up with such catchy phrases as ‘hot pants,’ ‘walkers,’ the ‘social moth’ (for Jerry Zipkin), and ‘the Cat Pack,’ a takeoff on the Rat Pack. Fairchild and his writers went for the jugular, proclaiming that ‘Jackie O is now Tacky O,’ criticizing her taste in clothes and announcing that her jewelry had become vulgar. Fairchild launched the popular trend of running flattering and unflattering photos of socialites with suggestive captions such as: ‘It is hard to believe that the matronly frump in the white wool dress is the same tightly coiled Gloria Vanderbilt of today. Gloria swears that her metamorphosis has nothing to do with surgery but simply weight loss.’
“Fashion’s Most Angry Fella.” — Meryl Gordon, Vanity Fair
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Longreads Pick
John Fairchild turned his family’s dry fashion trade journal, Women’s Wear Daily into one of today’s most influential fashion publications. The 85-year-old looks back on his controversial career:
“Unlike in Paris, where couture designers were revered, Seventh Avenue was then dominated by garmentos while the designers toiled in the back rooms as relative unknowns. Fairchild set out to change that dynamic. ‘John came back from Paris and went to the fashion houses here and said, “I don’t want to talk to the manufacturers—I want to talk to the person who makes the dresses,” ’ says de la Renta, who was working for Elizabeth Arden at the time. ‘For all of us, there’s a great debt to be paid to John Fairchild, because he’s the first one to put American designers on the map.’
“WWD began publishing personality profiles of the designers, elevating them to celebrity status, writing about their travels, vacation homes, and, in titillating fashion, love lives. As one veteran WWD staffer puts it, ‘Mr. Fairchild always likes to know, “Who’s doing the boom-boom?” ’ The newspaper covered society in cheeky and irreverent fashion. Rummage through the archives of WWD and W at the company’s Third Avenue offices and, even a half-century later, the ‘Eye’ columns are deliciously entertaining, filled with gossip and photographs of ‘the ladies who lunch’ and ‘Jackie O’—phrases coined by Fairchild. He is widely credited with coming up with such catchy phrases as ‘hot pants,’ ‘walkers,’ the ‘social moth’ (for Jerry Zipkin), and ‘the Cat Pack,’ a takeoff on the Rat Pack. Fairchild and his writers went for the jugular, proclaiming that ‘Jackie O is now Tacky O,’ criticizing her taste in clothes and announcing that her jewelry had become vulgar. Fairchild launched the popular trend of running flattering and unflattering photos of socialites with suggestive captions such as: ‘It is hard to believe that the matronly frump in the white wool dress is the same tightly coiled Gloria Vanderbilt of today. Gloria swears that her metamorphosis has nothing to do with surgery but simply weight loss.'”
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Published: Aug 17, 2012
Length: 26 minutes (6,633 words)
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In Arizona’s Maricopa County, 80-year-old Joe Arpaio has made a name for himself “for being not just the toughest but the most corrupt and abusive sheriff in America.” He’s now being sued by the Justice Department for civil rights violations against Latinos:
Arpaio began focusing on illegal immigration about six years ago, after he watched an ambitious politician named Andrew Thomas get elected chief prosecutor of Maricopa County by promising to crack down on illegal immigrants. In 2006, shortly before the Department of Homeland Security empowered local law-enforcement agencies to act as an arm of the federal immigration effort, Arpaio created a Human Smuggling Unit – and used Thomas’ somewhat twisted interpretation of the law to focus not on busting coyotes and other smugglers, but on going after the smuggled.
The move may have been indefensible from a legal standpoint, but it was political gold: Arpaio quickly ramped up his arrest numbers, bringing him a round of fresh media attention. The sheriff made a splash by setting up roadblocks to detain any drivers who looked like they could be in the U.S. illegally – a virtual license to racially profile Hispanics. Reports of pull-overs justified by little or no discernible traffic violations were soon widespread: Latinos in the northeastern part of the county, one study shows, were nine times more likely to be pulled over for the same infractions as other drivers. Arpaio’s men, the Justice Department alleges, relied on factors ‘such as whether passengers look “disheveled” or do not speak English.’ Some stops were justified after the fact: A group of Latinos who were photographed sitting in a car, neatly dressed, were described in the police report as appearing ‘dirty,’ the ostensible rationale for the pull-over. Testifying on the stand on July 24th in a federal trial over his department’s blatant record of racial profiling, Arpaio himself acknowledged that he once called the crackdown a ‘pure program to go after the illegals and not the crime first.’
“The Long, Lawless Ride of Sheriff Joe Arpaio.” — Joe Hagan, Rolling Stone
More Hagan
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