Mabel Rosenheck looks back at a group of friends, and a music festival on the Jersey Shore, that came along when she needed them most.
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The Broken Pop of James Bond Songs
What can the endurance of the messy, campy canon of James Bond theme songs tell us about contemporary popular music?
How Does It Feel? An Alternative American History, Told With Folk Music
On Guthrie, Robeson, Seeger, Lomax, Dylan, the Red Scare, the fall of labor, and what folk music had to do with it.
Maybe We Can Make a Circle
Nicole Piasecki writes a letter to the wife of the shooter who killed her father. Part two of a three-part series on gun violence.
Who Does She Think She Is?
The internet does not hate women. People hate women, and the internet allows them to do it faster, harder, and with impunity.
Grimes and the Changing Face of the Music Industry
In the newest issue of The New Yorker, Kelefa Sanneh wrote about Grimes, real name Claire Boucher, whose history in underground experimental music led her to making homemade electronic bedroom pop. Last year, Pitchfork named her song “Oblivion” the best song of the decade to date, and as she’s preparing to release her second proper album, […]
Yearning for My Emo Days in Nostalgia-Inducing Asbury Park
Mabel Rosenheck looks back at a group of friends, and a music festival on the Jersey Shore, that came along when she needed them most.
How Temple of the Dog Pioneered a New Genre of Music Videos in the ’90s
Fronted by Eddie Vedder and Chris Cornell, Temple of the Dog was the original rock supergroup. Their music video “Hunger Strike” helped launch a musical movement.
The Gifts of (a) Prince
Prince gave a lot of music away—much of it to women he thought would do it justice.
Pulse Nightclub Was My Home
On the anniversary of the Pulse nightclub massacre in Orlando, Edgar Gomez reflects on what a safe haven the club was for him and others — maybe even shooter Omar Mateen.
